Choral Choir (SA) - Level 3 - Digital Download SKU: A0.902228 Composed by Janice Joy Nelson. Christian,Contemporary,Sacred. Octavo. 9 pages. Janice Joy Nelson #5726423. Published by Janice Joy Nelson (A0.902228). Benediction - SA with piano accompaniment, Intermediate, Score and Parts

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.972698 Composed by Franz Joseph Haydn. Arranged by Gretchen Monson. Christian,Classical,Sacred. Octavo. 18 pages. Gretchen Monson #3110297. Published by Gretchen Monson (A0.972698). Two movements from Haydn's Mass in D Minor (Imperial, Lord Nelson) for ladies' choir (SSAA) and piano.  Sanctus features a moving opening that swells to a triumphant Hosanna section.  Benedictus begins poignantly with gorgeous layering of voices and closes with a reprise of the Hosanna section.  Text is in English and is appropriate for Catholic and Protestant churches and high school groups. Approximately 5 min. long.  Includes letter-paper format score and individual piano part.  Also available in octavo format.  For custom harp, piano, choral, mixed ensemble, and orchestra arrangements by the same arranger, contact Gretchen Monson at thegnote7@gmail.com.

Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.972700 Composed by Franz Joseph Haydn. Arranged by Gretchen Monson. Christian,Classical,Sacred. Octavo. 23 pages. Gretchen Monson #3110305. Published by Gretchen Monson (A0.972700). Two movements from Haydn's Mass in D Minor (Imperial, Lord Nelson) for ladies' choir (SSAA) and piano. Sanctus features a moving opening that swells to a triumphant Hosanna section.  Benedictus begins poignantly with gorgeous layering of voices and closes with a reprise of the Hosanna section.  Text is in English and is appropriate for Catholic and Protestant churches and high school groups. Approximately 5 min. long.  Includes octavo format score and individual piano part (letter-paper format).  Also available in letter-paper format.  For custom harp, piano, choral, mixed ensemble, and orchestra arrangements by the same arranger, contact Gretchen Monson at thegnote7@gmail.com.

Digital Download SKU: HX.326839 By Willie Nelson. Country,Pop. Guitar Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.326839).

By Robert Nelson. For SATB divisi choir, Organ, Optional Instruments. Sacred Anthem. Te Deum Series. Eastertide. Published by Roger Dean Publishing

Choir, SATB, Concert Band - Intermediate - Digital Download Composed by Philip Orem. 21st Century, Contemporary Classical. Score, Set of Parts. 131 pages. Published by Philip Orem

Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 6 pages. Brandon Nelson #1954833. Published by Brandon Nelson (A0.912905). According to Homer (Odyssey iv:412), the sandy island of Pharos, situated off the coast of the Nile delta, was the home of Proteus, the old god of the sea. In the Odyssey, Menelaus relates to Telemachus that he had been becalmed here on his journey home from the Trojan War. He learned from Proteus’ daughter Eidothea that if he could capture her father, he could force him to reveal which of the gods he had offended and how he could propitiate them and return home. Proteus emerged from the sea to sleep among his colony of seals, but Menelaus was successful in holding him, though Proteus took the forms of a lion, a serpent, a leopard, a pig, even of water or a tree. Proteus then answered truthfully, further informing Menelaus that his brother Agamemnon had been murdered on his return home, that Ajax the Lesser had been shipwrecked and killed, and that Odysseus was stranded on Calypso’s Isle Ogygia. This piece, for solo tenor sax, illustrates that mighty conflict between Menelaus and Proteus. Each movement illustrates a different form the god took in his attempt to evade sharing his knowledge. Composition The rhythmic motives are based on the ancient Greek poetic meters. I translated these patterns of long and short sounds to musical notation (using the sixteenth note as the basic unit). I randomized the order and deployed the resulting phrase as a sort of idee fixe. Each movement uses this rhythmic idea beginning at a different point. The melodic content is based on a pentatonic set and its permutations, primarily its modes. I arrayed these pitches into a grid (not unlike the matrix used in dodecaphonic music) and assigned pitches to the rhythmic motives using differing deployment schemes (rotation, chaining, etc). Learn more about me: bnelsonmusic.wordpress.com.

By George Heaps-Nelson. For Harmonica (Diatonic). All Styles. Published by Mel Bay Publications - Digital Sheet Music

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1161269 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #761608. Published by Socrates Arvanitakis (A0.1161269). This is the twenty-fourth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment.The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 24 (Songs 622-648)Mummers’ Carol Must I thenMy Bonnie, Bonnie BoyMy Bonny CuckooMy Boy BillyMy Dearie She Sits Ower Late upMy Grandfather’s ClockMy JohnnyMy Johnny was a ShoemakerMy Love’s an ArbutusMy mother did so before meMy Own Pretty BoyMylecharane (Isle of Man) [Vylecharane]Myrtle Tree (the)Nae Bonnie Laddie tae Tak’ Me Awa’Nature CarolNelson’s DeathNever Marry an Old ManNew Year SongNewcastle FairThe New-Fashioned FarmerNight Visit SongNoble Foxhunting (the)Nos Galan (winter)Nottinghamshire Poacher (the)Ny Kirree Fo-SnaighteyO ’Twas in the Broad Atlantic

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.912910 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 10 pages. Brandon Nelson #1954845. Published by Brandon Nelson (A0.912910). Commissioned to commemorate the 200th anniversary of Adophe Sax’s birth, each of the movements of this piece (beyond the expository prelude) presents miniature vignettes of music written in Belgium’s past as seen through the lens of Sax’s invention. It is, in that sense, an homage to not only the great musical minds that came before Sax, but also to his own keen inventive mind and incomparable contributions to music history. The Postlude involves a curious intersection of Sax with another brilliant musical mind: Richard Wagner. Sax was the stage director for a performance of Wagner's Tannhauser, and he put some saxophones offstage with French horns because he couldn't find enough horn players in Paris. Wagner was so angry he rescored the Shepherd's Tune from Act 3 of Tristan und Isolde from saxophone to English horn. A portion of that tune appears in the Postlude to this piece, rectifying this petty bit of vengeance for Sax. Learn more about me at: bnelsonmusic.wordpress.com.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.912930 Composed by Brandon Nelson. Concert,Contemporary,Jewish. Octavo. 18 pages. Brandon Nelson #2082135. Published by Brandon Nelson (A0.912930). El Malei Rachamim (God full of compassion) is a Jewish prayer for the departed that is recited at funeral services, on visiting the graves of relatives (especially during the holy month of Elul), and after having been called up to the reading of the Torah on the anniversary of the death of a close relative. The prayer originated in the Jewish communities of Western and Eastern Europe and since the end of the Holocaust, the prayer has been adapted as a memorial prayer for the victims of the Holocaust and Nazi persecution. The full text (which has been freely adapted in this piece): O God, Who art full of compassion, who dwellest on high, grant perfect rest in Thy Divine Presence to all the souls of our holy and pure brethren whose blood was spilt by the murderers in Auschwitz, Belzec, Bergen Belsen, Dachau, Majdanek, Sobibor, Treblinka and other extermination camps in Europe; who were killed, strangled, burned and buried alive for the sanctification for Thy Name. For whose souls we now pray. May their resting place be in the Garden of Eden, may the Master of Mercy shelter them in the shadow of His wings for eternity; and may he bind their souls in the Bond of Live. HASHEM is their heritage, and may they repose in peace in their resting places. Now let us say: Amen This setting features of mix of traditional and contemporary composition methods to create a highly emotional and deeply meaningful experience for performer and listener. The subject is explored from a number of angles, including reverence, mystery, grief, anger, and hope. (Learn more about me at bnelsonmusic.wordpress.com).