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Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
"Te Deum", op. 5 - Score Only
Orchestre
Adrian Gagiu
$50.00 43.12 € Orchestre PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236835 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. Baroque,Christian,Classical. Octavo. 96 pages. Adrian Gagiu #832359. Published by Adrian Gagiu (A0.1236835). Full score and vocal score of the revision (2023) of an exercise in Baroque style: a cantata for mixed choir, 4 vocal soloists, 2  oboes, 2 trumpets, 3 trombones, timpani and organ, based upon Martin Luther's famous chorale and composed in 2011 for the music associations ('Musikräte’) of Saxony‐Anhalt, Saxony, and Thuringia, and for the project office of the Evangelical Church in Germany (EKD) 'Luther 2017 – 500 Years of Reformation’. Mostly festive and grandiose, inspired by Handel's great choruses from his oratorios, and fit for Christian celebrations, especially for the Lutheran church. Set in four movements, with Luther's lyrics (in German). Total duration: 26 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement.
Cantata 'Ein feste Burg', op. 42 (full score and vocal score)
Chorale SATB

$21.99 18.96 € Chorale SATB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1220994 Composed by Adrian Gagiu. A Cappella,Christian. Octavo. 2 pages. Adrian Gagiu #817341. Published by Adrian Gagiu (A0.1220994). A solemn and soothing a cappella piece for men's chorus, based on a traditional hymn from the Orthodox Memorial Service and composed for a friend's sudden and unexpected passing away. It utilizes subtly varied, yet restrained harmonizations and textures, and is mostly faithful to the Byzantine style, with a few discrete incursions into quartal harmony. Appropriate for the Orthodox church service and for choral groups, schools and students, too. Duration: 3 min. Performing Rights Organization: SOCAN. Text (Romanian original): Cu sfinţii odihneşte, Hristoase, sufletul adormitului robului Tău, unde nu este durere, nici întristare, nici suspin, ci viaţă fără de sfârşit. (English translation) O Christ, with the saints give rest to the soul of Thy servant, where there is neither sickness, nor sorrow, nor sighing, but life everlasting..
Condacul celor adormiĹŁi (Kontakion of the Departed)
Chorale TTBB

$3.70 3.19 € Chorale TTBB PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1150520 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 45 pages. Adrian Gagiu #750696. Published by Adrian Gagiu (A0.1150520). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. The movements of Concerto grosso in A minor, op. 6 no. 4: 1. Larghetto affettuoso – solemn, melancholy and broad; 2. Allegro – an energetic, syncopated and somber fugue; 3. Largo – a sublime, soft and simple sarabande in F major, with walking bass; 4. Allegro – restless and dramatic. Total duration 10 min. The mp3 audio clip is the third movement. Performing Rights Organization: SOCAN.
Concerto grosso in A minor op. 6 no. 4
Quatuor ŕ cordes: 2 violons, alto, violoncelle

$20.00 17.25 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1151667 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 37 pages. Adrian Gagiu #751862. Published by Adrian Gagiu (A0.1151667). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in B flat major, op. 6 no. 7: 1. Largo-Allegro scherzando – a slow introduction and then a formidable, humorous, rhythmic fugato starting with a repeated note; 2. Largo – introspected and complex, reminding of J.S. Bach’s style; 3. Andante – steady and march-like; 4. Hornpipe (Andante) – lively and full of surprises and syncopation. Total duration: 13 min 30 sec. The mp3 audio clip is the second movement (Largo). Performing Rights Organization: SOCAN.
Concerto grosso in B flat major op. 6 no. 7
Quatuor ŕ cordes: 2 violons, alto, violoncelle

$20.00 17.25 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Instrumental Solo - Level 5 - Digital Download SKU: A0.1091262 Composed by Adrian Gagiu. Classical,Contemporary. Individual part. 28 pages. Adrian Gagiu #695427. Published by Adrian Gagiu (A0.1091262). Piano sonata in Neoclassical style, developing the themes briefly tried out by Beethoven in the slow introduction to the Finale of his Sonata No. 29 op. 106 (1818). This first movement (Allegro moderato) utilizes the first two of those melodic and textural scraps as the two themes of a sonata form in a mostly delicate, fantasia-like manner, with time signature ambiguity and alternance. The second movement (Allegro) utilizes the next two of those melodic and textural scraps as the two themes of an agitated 'scherzo' in G sharp minor, with allusions to Bach's Prelude in C minor from the second book of 'The Well-Tempered Clavier' and to Beethoven's Bagatelle in G minor, op. 126 no. 2. The Finale (Largo - Allegro ma non troppo) utilizes first the searching sections of that Introduction, as an enigmatic preparation of the big surprise in the Finale proper: a set of nine, mostly powerful variations on a tone row, yet treated not entirely with the twelve-tone technique, but in extended tonality context. Variations 2-5 allude to motifs from the themes of the previous movements. The mp3 is a self-made recording of the first movement using a Graf 1826 fortepiano sampled by Modartt's Pianoteq. Performing Rights Organization: SOCAN. Total duration: 19 min.
Piano Sonata No. 5, op. 81
Piano seul

$12.99 11.2 € Piano seul PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156587 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 45 pages. Adrian Gagiu #756911. Published by Adrian Gagiu (A0.1156587). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in F major, op. 6 no. 9: 1. Largo-Allegro – a stark introduction and a joyful, virtuoso Allegro, one of his best instrumental movements; 2. Larghetto – a gentle, nostalgic siciliana; 3. Allegro molto moderato – an animated, vigorous fugue; 4. Menuet – peculiar and rather complex; 5. Gigue (Allegro) – merry, reminding of Corelli. The mp3 audio clip is the fourth movement (Menuet). Total duration 13 min 30 sec. Performing Rights Organization: SOCAN.
Concerto grosso in F major op. 6 no. 9
Quatuor ŕ cordes: 2 violons, alto, violoncelle

$20.00 17.25 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre

$49.95 43.08 € Orchestre PDF SheetMusicPlus


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