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Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
"Te Deum", op. 5 - Score Only
Orchestre
Adrian Gagiu
$50.00 43.52 € Orchestre PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236835 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. Baroque,Christian,Classical. Octavo. 96 pages. Adrian Gagiu #832359. Published by Adrian Gagiu (A0.1236835). Full score and vocal score of the revision (2023) of an exercise in Baroque style: a cantata for mixed choir, 4 vocal soloists, 2  oboes, 2 trumpets, 3 trombones, timpani and organ, based upon Martin Luther's famous chorale and composed in 2011 for the music associations ('Musikräte’) of Saxony‐Anhalt, Saxony, and Thuringia, and for the project office of the Evangelical Church in Germany (EKD) 'Luther 2017 – 500 Years of Reformation’. Mostly festive and grandiose, inspired by Handel's great choruses from his oratorios, and fit for Christian celebrations, especially for the Lutheran church. Set in four movements, with Luther's lyrics (in German). Total duration: 26 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement.
Cantata 'Ein feste Burg', op. 42 (full score and vocal score)
Chorale SATB

$21.99 19.14 € Chorale SATB PDF SheetMusicPlus

Piano Trio,String Ensemble Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1004698 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 56 pages. Adrian Gagiu #4298331. Published by Adrian Gagiu (A0.1004698). Trio for violin, viola and piano in E minor is an arrangement of the String Trio, op. 32, a Neo-classical, cyclical, half serious, half tongue in cheek composition. The movements: Andante-Allegro vivace (nostalgic and dramatic), Andante con moto (a slow fugue), and Allegro scherzoso (treated in humorous variations; note the Minore variation, a well fit fugato on Henry Mancini's famous Pink Panther theme). The mp3 audio clip is the final movement. Total duration: 18 min.
Trio for Violin, Viola and Piano, op. 32a
Piano Trio: Violon, Alto, Piano

$44.00 38.3 € Piano Trio: Violon, Alto, Piano PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.1004679 Composed by Adrian Gagiu. 20th Century,Contemporary. 31 pages. Adrian Gagiu #4296781. Published by Adrian Gagiu (A0.1004679). Transcription of the Neo-romantic song cycle Thoughts and Images (2012), on poems by the Romanian late-Romantic poet Mihai Eminescu. Generally contemplative, but with humorous or tragic touches, it needs simplicity and reserved emotions in performance, also to let the color chords make an impression. The movements correspond to the following songs: 1. the satirical The Album; 2. the nostalgic Years Have Trailed Past; 3. the contemplative, almost minimalist Stars In the Sky; 4. the hectic I Watch the City - What A Hive; 5. the philosophical Ode (in ancient meter); 6. the appeased Vainly In the Dust of Schooling. The mp3 audio clip is movement 1 (Allegretto scherzando). Total duration: 19 min.
Suite for violin and piano, op. 46a
Violon et Piano

$14.95 13.01 € Violon et Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156590 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 48 pages. Adrian Gagiu #756914. Published by Adrian Gagiu (A0.1156590). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in D minor, op. 6 no. 10: 1. Ouverture (Lentement-Allegro-Lentement) – grand, severe and dramatic; 2. Air (Lento) – noble, nostalgic, with hints of modal harmonies; 3. Allegro – serious, reminding of certain French Baroque movements; 4. Allegro – complex, driven and surprising; 5. Allegro moderato – a surprisingly cheerful gavotte. The mp3 audio clip is the last movement. Total duration: 13 min 40 sec. Performing Rights Organization: SOCAN.
Concerto grosso in D minor op. 6 no. 10
Quatuor ŕ cordes: 2 violons, alto, violoncelle

$20.00 17.41 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1151660 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 59 pages. Adrian Gagiu #751855. Published by Adrian Gagiu (A0.1151660). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in G minor, op. 6 no. 6: 1. Largo affettuoso – dark and tragic; 2. A tempo giusto – a severe, angular and peculiar fugue; 3. Musette (Larghetto) – lengthy, pastoral and elegiac, with a rather agitated middle section; 4. Allegro – energetic, in the style of Vivaldi; 5. Allegro – dance-like but serious and with some brusque gestures. Total duration 13 min 30 sec. The mp3 audio clip is the second movement. Performing Rights Organization: SOCAN.
Concerto grosso in G minor op. 6 no. 6
Quatuor ŕ cordes: 2 violons, alto, violoncelle

$20.00 17.41 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.1150513 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 42 pages. Adrian Gagiu #750689. Published by Adrian Gagiu (A0.1150513). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. The movements of Concerto grosso in F major, op. 6 no. 2: 1. Andante larghetto - noble, rich and soulful 2. Allegro ma non tanto – agitated, in D minor 3. Largo – Larghetto andante – in two alternating sections and moods (stately, and then mysterious and gentle) 4. Allegro, ma non troppo – a vigorous and fun fugato, with a broad and lyrical second theme. Total duration 11 min. The mp3 clip is the final movement. Performing Rights Organization: SOCAN.
Concerto grosso in F major op. 6 no. 2
Quatuor ŕ cordes: 2 violons, alto, violoncelle

$20.00 17.41 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet,Viola - Level 4 - Digital Download SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Contemporary. Score and parts. 205 pages. Adrian Gagiu #6365523. Published by Adrian Gagiu (A0.1004728). This composition is a premiere, speculative, yet as faithful as possible embodiment of all of Beethoven’s sketches for his String Quintet in C major, Hess 41 (WoO 62), as they have been left by the composer. The usefulness and integrity of more or less hypothetical completions of sketches by great composers remains from case to case controversial. Due to the paucity of the sketches for the aim of attempting a true reconstruction, the present composition in no way falls within such category. It is obviously quite different from what Beethoven himself would have produced if he had lived more, also due to the fact that he usually transformed his preliminary sketches substantially during the compositional process. However, there are some of his frequent, subtle thematic relationships between the sketches for the Quintet movements, and probably some features in the sketches would have been kept in the completed composition. The four-movement design hypothesized by Martin Staehelin and others, as well as other retrospective or relaxed features in the sketches may be a result of a still early stage of the compositional process, or perhaps an indicator of a fourth, neoclassical creative period, together with Op. 135 and the new Finale for Op. 130.To generate a continuity draft of the Quintet, all of Beethoven’s sketches for it were used, with the addition of several ones from the same context within the respective sketchbook and which could be related to the identified Quintet sketches: some sketches are clearly labeled as being for the Quintet, while others are thematically related or written down close to them. With the possible exception of bars 75-94 and 136-155 in movement II (which are variations on the theme) and bars 140-145 in movement IV (which fill in the blank bars in the sketch with a progression based on it), virtually every bar of this composition includes the notes from the sketches in at least one of the instruments. Some of those notes were subject to transpositions and adaptations to fit the formal design, and to editorial choices for the unclear pitches and duration in the sketches.This publication includes the score, parts and continuity draft, the latter being marked with the sources in the sketches for each passage.Total duration: 33 minutes. The mp3 audio clip is the 3rd movement. Performing Rights Organization: SOCAN.
String Quintet based on Beethoven's sketches, op. 79
Quatuor ŕ cordes: 2 violons, alto, violoncelle

$49.95 43.48 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus


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