Piano Solo - Level 4 - Digital Download SKU: A0.1203272 Composed by Akihiro Masuda. Classical. Score. 2 pages. AKIHIRO MASUDA #801919. Published by AKIHIRO MASUDA (A0.1203272). This is one of the 15 pieces of practice songs for two voices.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.905244 Composed by Woong Lee (�웅). Arranged by Woong Lee (�웅). Christian,Contemporary. Octavo. 7 pages. Woong Lee #3601891. Published by Woong Lee (A0.905244). �웅 작곡, �해� 작시 - 장미� 기�(Prayer of Rose) (For 4Voices & Piano)https://youtu.be/r7vqO4pfCkg

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575581 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 11 pages. David Warin Solomons #2026207. Published by David Warin Solomons (A0.575581). This version of the traditional folk song Green grow the rushes oh has been arranged for various combinations of voices - this one: mens' voices - in G (Alto Tenor Baritone), and mixed voices - in B (Mezzo-soprano, Alto, Tenor) women's voices - in D (Soprano Mezzo-Soprano Alto) The traditional count-down from one to twelve is interrupted midway when the top voice declares let's not make them listen to the lot but the chorus includes all twelve symbols anyway. The sound sample is a performance of the men's voices version (in G) by Matthew Curtis of www.choraltracks.com.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376). Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,� from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22. In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.576147 Composed by David Warin Solomons. Contemporary. Octavo. 5 pages. David Warin Solomons #2031633. Published by David Warin Solomons (A0.576147). Setting of Rimbaud's mysterious (or possibly tongue-in-cheek) synaesthetic poem Voyelles for mixed choir with 2 soprano soloists (SSAATBB) The top two voices are soloists and the other voices provide the accompaniment. In the poem each vowel is allocated a colour and a strange vision, which are reflected in the music. A version for mixed choir (AAATBarBB) is also available. The sound sample is a performance by the composer of the male voices version. A video of this piece (men's voices version) with words on screen can be found on youtube at: https://www.youtube.com/watch?v=uCWS-Qho9ec.

Choral Choir (SATB) - Digital Download SKU: A0.939688 Composed by Richard St. Clair. 20th Century,A Cappella,Contemporary. Octavo. 6 pages. Richard St. Clair #3000689. Published by Richard St. Clair (A0.939688). This musical joke pokes fun at a music critic, Michael Steinberg of the Boston Globe. The joking nature is emphasized by the upper voices in the major mode while the lower voices are in the minor mode. The lyrics are the short poem, Lines to a Reviewer, by the 19th century poet Percy Bysshe Shelley. The music is for SATB voices a capella, for either solo voices or small chorus. Duration about 2 minutes. The MP3 Audio Clip is a computer-generated soundfile.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1031323 Composed by John Plant. 20th Century,Contemporary,Halloween. Octavo. 26 pages. JWP Music #3108015. Published by JWP Music (A0.1031323). This setting of Lawrence Raab's poem 'Voices Answering Back: The Vampires' was commissioned and first performed by Coastal Voices Men's Choir, under the direction of Janet Gaskin.  Approximate duration: 7 minutes.   The text is used by permission of the poet.   Coastal Voices is an unauditioned but very hard-working choir; my commission was to write a work which would be challenging, but feasible for them, and they responded splendidly to the occasion. I made MIDI soundfiles of the individual parts for the singers to rehearse with, and I would be happy to provide these to choirs who plan to perform the work. Voices Answering Back requires a skilled pianist.  You can reach me through my website at www.johnplantmusic.com.  My performing rights organization is SOCAN. Please note: 2017 Choral Contest Entry.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575608 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 8 pages. David Warin Solomons #2026283. Published by David Warin Solomons (A0.575608). After singing the excellent Britten setting of this traditional song I was moved to write various versions of my own: The choral versions are more sophisticated than the original but different from and possibly rather easier than the Britten arrangement. The voice and guitar version has a more interesting guitar part than the traditional guitar chords. The sound samples are sung by Matthew Curtis of choraltracks.com for the choral versions and by Margaret Jackson-Roberts with the composer on guitar for the voice and guitar version. All three versions are available here: voice and guitar (low alto or high tenor: both versions are in the pdf file) Women's voices (SSA or SMezA) men's voices (TBarB) in D major and in B major (both versions are in the pdf file) videos of the choral versions can be seen here: women's voices https://www.youtube.com/watch?v=yumtXSa_o-w men's voices https://www.youtube.com/watch?v=Zxy3opZlBog.

Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.616608 Composed by Adolphe-Charles Adam. Arranged by Gary Lanier. Christmas,Praise & Worship,Sacred. Octavo. 19 pages. The Lanier Company #3382235. Published by The Lanier Company (A0.616608). O HOLY NIGHT is a duet for Treble Voices accompanied by piano. The score, including cover and treble voices part is 19 pages long. This work is perfect for any Church or gathering where celebrating the reason for the season is desired. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: O HOLY NIGHT (Piano Accompaniment for Treble Voice Duet).

Choral Choir (3-Part) - Level 4 - Digital Download SKU: A0.751263 Composed by George Frideric Handel. Arranged by Paul Thompson. Children,Christmas. Octavo. 49 pages. House of El Music #4747301. Published by House of El Music (A0.751263). The vocal score (with piano) for The Messiah for Young Voices SAB edition.The entirety of the this project can be heard at: https://www.houseofelmusic.com/messiah-for-young-voicesThe Messiah for Young voices keeps the original feel and textures of Handel's original work but presents them in an accessible arrangement. Each accompaniment is meant to support the choir and reflect the original orchestration but still be playable for most pianist.

Choral Choir,Choral (Unison) - Level 2 - Digital Download SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pages. Adrienne Inglis (ASCAP) #711261. Published by Adrienne Inglis (ASCAP) (A0.1108615). Perfect for a contemplative holiday occasion! Easy and satisfying for singers! Enjoy this Spanish/English bilingual to perform in one or both languages! Beautiful modal aleatoric setting of sacred text by Julian of Norwich suitable for any combination of voices accompanied by the nature soundtrack found at the YouTube link https://youtu.be/P3R2lLkAntE. A terrific introduction to aleatory, this gorgeous piece can include chimes or a pitched melodic instrument such as a flute.  Text from The Shewings of Julian of Norwich, Part III LXXXIII lines 3362-3364Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day. Así vi y comprendí que nuestra fe es nuestra luz en nuestra noche, cuya luz es Dios, nuestro día sin fin. Program note — Composed by Adrienne Inglis (ASCAP) while sheltering in place during the coronavirus pandemic, Oure Light in Oure Night (2020) sets text by Julian of Norwich for voices with a nature soundtrack. The video format is designed especially for use by choirs singing remotely on an online platform such as Zoom, Cleanfeed, Jamulus, or other. Text is from The Shewings of Julian of Norwich, Part I LXXXIII lines 3362-3364:  “Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day.� The soundtrack of night sounds changing to dawn reflects the message of hope in Julian’s text. Beginning with the sounds of dusk, the whispered words blend with insect sounds. The modal aleatoric passages create an atmosphere of echoing bells as voices overlap. As night passes into day, the modality changes and the insect night sounds shift to the dawn chorus of birds. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. When Julian was near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.� Her beautiful Medieval English words reassure us with the hope that our faith in God is our light in times of trouble. The composer donates all proceeds of this music to The Nature Conservancy at nature.org.https://www.youtube.com/@adrienneinglishttps://adrienneinglis.com/

Choral Choir,Choral (SATB Chorus) - Level 4 - Digital Download SKU: A0.1512147 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham, Joseph Smith. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1087188. Published by Kevin G. Pace (A0.1512147). An epic, inspiring sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham, Kevin Pace and Joseph Smith.  Inspired by the verses in Doctrine and Covenants 128:19-24.Text:What do we hear in the gospel received?Voices of gladness, returned from the grave,Voices of prophets restoring all keys.Rejoice all ye mountains, ye valleys and trees!Cry out all ye deserts and sing all ye seas!Hope is confirmed through the priesthood of pow'r,Blessed by God's servants in this final hour.Let all the dead sing forth anthems of praise,Redeemed from their prisons, redeemed from malaise.A House of The Lord once again has been raised!Heavenly voices resound in our ears:Glory, salvation, and unending years!All of creation forever shall tellOf Jesus, the Savior, King Immanuel.One day, He'll return and with Him we shall dwell.Until that day, shall we not give our all,Aiding the work that redeems from The Fall?Paving the way to a covenant path,Our dead saved from darkness; our dead saved from wrath.We'll then share the joy that our dear Father hath.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1093322 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 64 pages. Dico Ferreira #697396. Published by Dico Ferreira (A0.1093322). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. AVE MARIA (Gounod) in G - for 2 voices and orchestra - provided in many keys on my catalogue for all voice ranges. INSTRUMENTATION: Score | Voices | Fl | Ob | Hrn 1, 2 | Pno | Str.

Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.