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String Orchestra - Level 2 - Digital Download SKU: A0.1265096 Composed by Jan Pieterszoon Sweelinck, 1562-1621. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Standards. Score and Parts. 30 pages. Jmsgu3 #857940. Published by jmsgu3 (A0.1265096). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Fantasia Do Sol Fa Mi is an ostinato-based composition that showcases Sweelinck's mastery of counterpoint.
Sweelinck: Fantasia Do Sol Fa Mi for String Orchestra
Orchestre à Cordes

$38.95 37.18 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1265090 Composed by Jan Pieterszoon Sweelinck, 1562-1621. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Standards. 15 pages. Jmsgu3 #857933. Published by jmsgu3 (A0.1265090). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Fantasia Do Sol Fa Mi is an ostinato-based composition that showcases Sweelinck's mastery of counterpoint.
Sweelinck: Fantasia Do Sol Fa Mi for String Orchestra - Score Only
Orchestre à Cordes

$38.95 37.18 € Orchestre à Cordes PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1005629 Composed by Jan Pieterszoon Sweelinck (1562 - 1621). Arranged by Rudy Volkmann. Christmas. Score and parts. 10 pages. Rudy Volkmann #6037333. Published by Rudy Volkmann (A0.1005629). This joyous late Renaissance Christmas motet works very well as a brass sextet or brass choir piece.  The odd period habit of introducing some measures in triple time in which the half note of the measures before becomes the measure in three is observed.  A baritone treble-clef part in place of the euphonium is included.  A good high school group should have no problem with this piece.
Angelus Ad Pastores Ait - Sweelinck - for Brass Sextet or Brass Choir
Flûte, Hautbois, Clarinette, Basson

$20.00 19.09 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1295687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 14 pages. Jmsgu3 #885985. Published by jmsgu3 (A0.1295687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Jan Pieterszoon Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's.
Sweelinck: Echo Fantasia No. 1 for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$24.95 23.81 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.532704 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Instructional,Renaissance,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #1769. Published by Musik Fabrik Music Publishing (A0.532704). Jan Pieterszoon Sweelinck Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This arrangement for concert band has long been in the repertoire of the Orchestre d'Harmonie de Clichy. It is scored for Pic2fl2ob ClarI/II/II Bs Cl 2bsn 2sxA 1SxT 1SxB/2hrn2tpt/tbn/euph/tuba/timp/3perc This file is the score only. There is another with the score plus the performance parts and also the individual parts are for sale.
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
Orchestre d'harmonie

$22.05 21.05 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532731 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Renaissance,Sacred,Standards. 26 pages. Musik Fabrik Music Publishing #1913. Published by Musik Fabrik Music Publishing (A0.532731). Jan Pieterszoon Sweelinck (/ˈjÉ‘Ën ˈpiËtÉ™rsoÊŠn ˈsweɪlɪŋk/;[1] Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This version is for SATB saxophone quartet.
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on 'Mein Juges Leben hat ein end'- arranged for S
Quatuor de Saxophones: 4 saxophones

$20.75 19.81 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.532705 Composed by Jan Pieterszoon Sweelinck. Arranged by Paul Wehage. Instructional,Renaissance,Standards. Score and parts. 91 pages. Musik Fabrik Music Publishing #1771. Published by Musik Fabrik Music Publishing (A0.532705). Jan Pieterszoon Sweelinck (/ˈjÉ‘Ën ˈpiËtÉ™rsoÊŠn ˈsweɪlɪŋk/;[1] Deventer, April or May, 1562 – Amsterdam, 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition. This arrangement for concert band has long been in the repertoire of the Orchestre d'Harmonie de Clichy. It is scored for Pic2fl2ob ClarI/II/II Bs Cl 2bsn 2sxA 1SxT 1SxB/2hrn2tpt/tbn/euph/tuba/timp/3perc This file is the score plus all of the parts. There is another with the score only and the individual parts are for sale.
Jan Pieterszoon Sweelinck/Paul Wehage - Variations on "Mein Juges Leben hat ein ende- arranged for
Orchestre d'harmonie

$65.00 62.04 € Orchestre d'harmonie PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886483. Published by jmsgu3 (A0.1296238). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
Orchestre à Cordes

$32.95 31.45 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 21 pages. Jmsgu3 #886692. Published by jmsgu3 (A0.1296514). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Echo Fantasia No. 2 for String Orchestra
Orchestre à Cordes

$38.95 37.18 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
Orchestre à Cordes

$98.85 94.35 € Orchestre à Cordes PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296687 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 15 pages. Jmsgu3 #886850. Published by jmsgu3 (A0.1296687). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
Sweelinck: Echo Fantasia No. 3 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$28.95 27.63 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus


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