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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A0.1083848 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 15 pages. Regis Bookshar #688047. Published by Regis Bookshar (A0.1083848). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Tenor Saxophone Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Tenor Saxophone Quintet. In addition to this arrangement of Tchaikovsky's Coronation March for a Tenor Saxophone Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
Coronation March (Db) (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones

$20.00 17.07 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017142_K Piano Accompaniment. Composed by Horace Henderson. Arranged by David Berger. Jazz; Swing. Part. 5 pages. Alfred Music - Digital Sheet Music #00-PC-0017142_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017142_K). UPC: 038081324852.This is a great chart! Arranger David Berger is one of the masters at transcription and/or adaptation of swing era jazz charts. Big John's Special was composed by Horace Henderson with a light airy feel but plenty of snap and energy throughout. Solos are written-out for 2nd trumpet, 3rd trumpet and 1st alto. It is a hot chart correlated to the Jazz at Lincoln Center's Jazz For Young People curriculum. (3:19).
Big John's Special: Piano Accompaniment
Piano (partie séparée)

$3.00 2.56 € Piano (partie séparée) PDF SheetMusicPlus

Piano - Digital Download SKU: LV.549 Composed by James E. Magruder. Portraits, Girls, Friendship. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.549). Whispering Schottisch. Composed by James E. Magruder. Published 1863 by Henry McCaffrey, No. 205 Baltimore St. in Baltimore. Composition of da capo with piano instrumentation. Subject headings for this piece include Portraits, Girls, Friendship. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Whispering Schottisch
Piano seul

$5.99 5.11 € Piano seul PDF SheetMusicPlus

Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps.  When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising.  When we improvise, we use as our weapons the scale, harmony and melody.  The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow.  It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it.  Start today to acquire it!
Jazz Guitar Lines

$22.99 19.62 € PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0000813_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Emmanuel Fratianni, Laurie Robinson, Michael Richard Plowman, and Tommy Tallarico. Arranged by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0000813_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000813_WPTBBBC). UPC: 038081280202.This is a piece that your students will love! Finally -- music from the enormously popular video game Advent Rising, as performed by Video Games Live! The Bounty Hunter Theme from the Advent Rising Suite is very accessible by young bands while still maintaining all the drama and adventure of the original score. What a fantastic addition to your next concert!
Bounty Hunter (from Advent Rising): (wp) B-flat Tuba B.C.
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Brass Quintet - Level 2 - Digital Download SKU: A0.775273 Composed by Chris Smith. Arranged by Bill Wilson. 20th Century. 18 pages. Alexander Wilson #4727709. Published by Alexander Wilson (A0.775273). Shoot the Rabbit, by vaudeville performer and composer Chris Smith, is a nicely crafted piece subtitled fox trot. We think of this more as a hard-driving one step (somewhere in between a rag and a circus march in character).     Our arrangement sprinkles lead responsibilities through all five parts. Your ensemble's trombone player should be prepared for some easy yet showy glissandos. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 3:34. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
Shoot the Rabbit
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$4.00 3.41 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Easy Piano - Digital Download SKU: A0.1015096 Composed by Dane Anthony Madrigal. 20th Century,Contemporary. Score. 5 pages. Dane Anthony Madrigal #6208287. Published by Dane Anthony Madrigal (A0.1015096). COMPOSER'S NOTESChill is composed in the context of the subtly disturbed. The piece makes no utterances of joy as it slowly and drudgingly makes its way through time. ​Chill should alert some of humanity’s dullest primitive senses as the piece progresses to a melodic light that is only fragile and frail. Two codes can be heard coming from the piano in this light, if one is to listen carefully enough. This is then transformed into an unrequited confusion that only leads to where most confusion does, back from whence it began.
Chill - Piano
Piano Facile

$2.00 1.71 € Piano Facile PDF SheetMusicPlus






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