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318 partitions trouvées

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Piano/Vocal/Chords - Digital Download

SKU: AX.00-PS-0012704

By Muse. By Matthew Bellamy. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0012704. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0012704).

ISBN 9780739068496. UPC: 038081385891.

Piano/vocal/guitar sheet music transcriptions for every song on Muse's 2009 hit album! (Guitar TAB edition also available) Titles: Uprising * Resistance * Undisclosed Desires * United States of Eurasia (+ Collateral Damage) * Guiding Light * Unnatural Selection * MK Ultra * I Belong to You/Mon Coeur s'Ouvre a Ta Voix * Exogenesis: Symphony, Part 1: Overture * Exogenesis: Symphony, Part 2: Cross-Pollination * Exogenesis: Symphony, Part 3: Redemption.

United States of Eurasia (+ Collateral Damage)
Piano, Voix et Guitare
Muse
$3.99 3.75 € Piano, Voix et Guitare PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download

SKU: A0.942953

Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953).

Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 9.4 € Orchestre à Cordes PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download

SKU: A0.1415323

Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #997058. Published by Kevin G. Pace (A0.1415323).

A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.

Text:
How can I feel His love when I’m escaping,
When each temptation’s snare troubles my soul?
Can I unveil my face when I awaken?
How can I trust His grace to make me whole?

How can I feel his love when I am aching,
When sickness damages body and mind?
Can my faith demonstrate without forsaking
All I have promised Him . . . all that I prize?

How can I feel His love when I am grieving,
When my heart breaks because death is my foe?
Can I obey enough to be believing?
How will my prayers be heard . . . peace to bestow?

He is the wounded Christ; He knows temptation.
When sickness takes a toll, reach for His hand.
He is the wounded Christ, from the creation.
He died so all might live; He understands.

The Wounded Christ, a sacred hymn
Chorale SATB

$1.99 1.87 € Chorale SATB PDF SheetMusicPlus


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