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Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
"Te Deum", op. 5 - Score Only
Orchestre
Adrian Gagiu
$50.00 42.53 € Orchestre PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1236835 Composed by Adrian Gagiu. Arranged by Adrian Gagiu. Baroque,Christian,Classical. Octavo. 96 pages. Adrian Gagiu #832359. Published by Adrian Gagiu (A0.1236835). Full score and vocal score of the revision (2023) of an exercise in Baroque style: a cantata for mixed choir, 4 vocal soloists, 2  oboes, 2 trumpets, 3 trombones, timpani and organ, based upon Martin Luther's famous chorale and composed in 2011 for the music associations ('Musikräte’) of Saxonyâ€Anhalt, Saxony, and Thuringia, and for the project office of the Evangelical Church in Germany (EKD) 'Luther 2017 – 500 Years of Reformation’. Mostly festive and grandiose, inspired by Handel's great choruses from his oratorios, and fit for Christian celebrations, especially for the Lutheran church. Set in four movements, with Luther's lyrics (in German). Total duration: 26 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the first movement.
Cantata 'Ein feste Burg', op. 42 (full score and vocal score)
Chorale SATB

$21.99 18.71 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre

$210.00 178.63 € Orchestre PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1151660 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 59 pages. Adrian Gagiu #751855. Published by Adrian Gagiu (A0.1151660). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in G minor, op. 6 no. 6: 1. Largo affettuoso – dark and tragic; 2. A tempo giusto – a severe, angular and peculiar fugue; 3. Musette (Larghetto) – lengthy, pastoral and elegiac, with a rather agitated middle section; 4. Allegro – energetic, in the style of Vivaldi; 5. Allegro – dance-like but serious and with some brusque gestures. Total duration 13 min 30 sec. The mp3 audio clip is the second movement. Performing Rights Organization: SOCAN.
Concerto grosso in G minor op. 6 no. 6
Quatuor à cordes: 2 violons, alto, violoncelle

$20.00 17.01 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir - Level 4 - Digital Download SKU: A0.1204466 Composed by Adrian Gagiu. 20th Century,Baroque,Christian,Classical. Octavo. 370 pages. Adrian Gagiu #802933. Published by Adrian Gagiu (A0.1204466). The orchestral parts and vocal score of a Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 voices, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 3rd movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
"Te Deum", op. 5 (parts & vocal score)

$30.00 25.52 € PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1156590 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 48 pages. Adrian Gagiu #756914. Published by Adrian Gagiu (A0.1156590). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in D minor, op. 6 no. 10: 1. Ouverture (Lentement-Allegro-Lentement) – grand, severe and dramatic; 2. Air (Lento) – noble, nostalgic, with hints of modal harmonies; 3. Allegro – serious, reminding of certain French Baroque movements; 4. Allegro – complex, driven and surprising; 5. Allegro moderato – a surprisingly cheerful gavotte. The mp3 audio clip is the last movement. Total duration: 13 min 40 sec. Performing Rights Organization: SOCAN.
Concerto grosso in D minor op. 6 no. 10
Quatuor à cordes: 2 violons, alto, violoncelle

$20.00 17.01 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1460152 By Elvis Presley. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Adrian Gagiu. Chamber,Classical,Country,Pop. 9 pages. Adrian Gagiu #1039092. Published by Adrian Gagiu (A0.1460152). The score and parts of a new, soft arrangement for string quartet, almost in Classical style, of Always On My Mind, the beautiful crossover ballad once made famous by Elvis Presley. The present arrangement is some sort of a dialog between cello and first violin and has some rhythmic variations, not exactly imitating the voice in the original version, and it has a rather lush texture and occasional bittersweet, passing dissonances. Perhaps it's too nostalgic to be played by string quartets at weddings, yet it fits any occasion based on reminiscing.Total duration: 4 min. 6 sec. Performing Rights Organization: SOCAN.
Always On My Mind
Quatuor à cordes: 2 violons, alto, violoncelle
Elvis Presley
$12.99 11.05 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.1004696 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 99 pages. Adrian Gagiu #4298307. Published by Adrian Gagiu (A0.1004696). Trio for violin, cello and piano in A major is a neoclassical, cyclical, developed, and mostly lyrical composition. Its first movement (Allegro aperto) is a peculiar sonata form with varied repetition of exposition. The fiery scherzo (Vivace con brio) is a peculiar form with two varied statements of trio section and other harmonic changes, while the Finale (Adagio affettuoso) is treated in seven, mostly lyrical variations, at times playful or ecstatic. The mp3 audio clip is the second movement. Total duration: 28 min. Performing Rights Organization: SOCAN.
Piano Trio, op. 65

$44.00 37.43 € PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.1518526 Composed by Johann Sebastian Bach. Arranged by Adrian Gagiu. Baroque,Chamber. 96 pages. Adrian Gagiu #1092629. Published by Adrian Gagiu (A0.1518526). Score and parts of an arrangement for string quartet of J. S. Bach's great Concerto no. 6 in B flat major from the collection known later as the Brandenburg Concertos. Bach's masterpiece is scored for two violas, two violas da gamba, cello and continuo, and probably originated as a triosonata. The present arrangement, arguably the first for string quartet, preserves the dense polyphonic textures of the original and allows for a welcome addition of great music to the repertoire of string quartet ensembles.The mp3 sample is the second movement. Total duration 15 minutes. Performing Rights Organization: SOCAN.
Bach's Brandenburg Concerto no. 6 arranged for string quartet

$20.00 17.01 € PDF SheetMusicPlus


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