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String Ensemble - Level 3 - Digital Download

SKU: A0.790879

Composed by Arcangelo Corelli. Arranged by Georg Mertens. Baroque,Concert,Standards,Wedding,World. Score and parts. 21 pages. Georg Mertens #3620533. Published by Georg Mertens (A0.790879).

Corelli's Sonata opus 5 No 8 is originally written for violin. Title of the 12 Sonatas:
12 Suonati a violino o cimbalo meaning: 12 Sonatas for violin and cello or harpsichord.
No 8 in E minor is my favourite Corelli Sonata. Original key, matching the original violin part. I have performed this Sonata with violin with both guitar and cello with the included parts (see video).
Here is supplied:
Cello melody,
Cello accompaniment (continue bass),
Guitar accompaniment (according to the figured bass - like the harpsichord part),
Facsimile of the edition by Joseph Joachim (1888 - 1891).
The first print (Rome on the 1st of January 1700) was quite messy, Joachim published a very neat edition of the same, which is here included.
This edition includes violin and cello parts in Duo form. Bowing and ornament suggestions are added.
Movements are: Preludio - Allemande - Sarabande - Gigue, and in brackets: Largo - Allegro - Largo - Allegro, marking the change of naming in the new century.
Here a recording for violin and guitar (Sarabande only): https://youtu.be/LWGgBvrKFYw
And a recording for 2 cellos (Sarabande): https://youtu.be/dTGFtwQuhFw 

Corelli Sonata opus 5 No 8 E minor for cello/violin & guitar/cello

$9.99 9.02 € PDF SheetMusicPlus

Small Ensemble - Level 2 - Digital Download

SKU: A0.522173

Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Renaissance,Wedding. Score and parts. 24 pages. Colin Kirkpatrick Publications #6088849. Published by Colin Kirkpatrick Publications (A0.522173).

Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This is the 12th dance in a set of twenty gaillardes in the original publication. This arrangement is scored for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. The flexible arrangement makes them playable by all sorts of non-standard ensembles. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments.

A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The score and set of sixteen parts come in a single PDF file.

The percussion instruments used are similar to those found in elementary school music rooms and two players are usually required. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.


Gaillarde Françoise, First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments

$10.99 9.93 € PDF SheetMusicPlus

Large Ensemble Bassoon,Cello,Double Bass,Harpsichord,Oboe,Organ,Trumpet,Viola,Violin - Level 4 - Digital Download

SKU: A0.597262

By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Standards,Wedding. Score and parts. 38 pages. Flavio Regis Cunha #4805481. Published by Flavio Regis Cunha (A0.597262).

If Handel's arias enjoy such success today, perhaps it is because they lie at the intersection between past and present, light and shadow. They might very well illustrate on their own the entire range of possibilities offered by the voices of his time.

This score was arranged comparing both originals and and a record from René Jacobs with Bejun Mehta made for the Label Harmonia Mundi. Continuous harpsichord was performed as an option. This pathology and orchestra material is very hard to find and you will not find it anywhere on the internet, especially for its musical quality and price.

You, your baroque group will love to play this work. Your audience will be delighted.

Händel: Sento la Gioia - from 'Amadigi di Gaula', HWV 11, Act III - 6
George Frideric Handel
$18.99 17.15 € PDF SheetMusicPlus

Cello,Flute,Harpsichord,Violin - Level 3 - Digital Download

SKU: A0.1487810

Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 48 pages. Artaria Editions #1064748. Published by Artaria Editions (A0.1487810).

Artaria Editions AE198

For flute, violin, cello, harpsichord, and basso (usually a second cello)

The present work was advertised by Breitkopf (Supplement IV) in 1769 along with two of the composer's keyboard concerti.Most of Hofmann's keyboard music appears to date from his years as Hofklaviermeister (1769-1774) and we can assume that a good deal of it was intended as teaching material. In the circumstances it is tempting to suggest that this attractive and unusually-scored work was composed for Hofmann's imperial pupils and that Joseph II perhaps played the cello part in a domestic concert at court.

This edition is based on a set of MS parts now preserved in the Staatsbibliothek zu Berlin under the shelfmark Mus.ms. 10733/3. The wrapper reads: 'A/ Concertino / a / Cembalo / Flauto Traverso / Violino / Violoncello / e / Basso / del Sigr. Leop: Hoffmann / Grave' . The intended 'basso' instrument is uncertain but in all likelihood it was played by a second cello. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Berlin copy. The simple continuo realisation, printed here in smaller type, has been added by a later hand and is certainly not the work of the composer.

As is often the case in Hofmann's chamber music there are few dynamic markings in the parts although considerable care is taken with articulation. The style and notation of these have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion.

Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Allan Badley.

Concertino in A major (Badley A2)

$62.00 56 € PDF SheetMusicPlus






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