Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.

Piano Solo - Digital Download SKU: A0.503545 Composed by William H. Doane. Arranged by Doug Little. Instructional,Sacred,Traditional. Score. 39 pages. Published by Robert D Little (A0.503545). Nine intermediate-level piano solos of favorite hymn tunes composed by Wm. H. Doane. Arrangement use various technical and interpretive skill-developing means for the growing pianist. Performance-worthy for church, school, recital, and other public settings.

Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.998806 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064405. Published by Robert A. Howard (A0.998806). This piece is the 'Glory Be' section only, devised as a stand-alone item, from Howard's 2011 setting of the Magnificat and Nunc Dimittis (also available via Sheet Music Plus). The 'Glory Be' is based on the Magnificat's opening organ material, and aptly features varied harmonisations of the phrase 'world without end'. The text is in English. The piece is appropriate for 3-part choirs of any size and most standards, including school, student, community, church and cathedral choirs. The original 4-part SATB version of this Gloria Patri is also available via Sheet Music Plus.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.998805 Composed by Robert A. Howard. 21st Century,Contemporary,Jazz,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064399. Published by Robert A. Howard (A0.998805). This piece is the 'Glory Be' section only, devised as a stand-alone item, from Howard's 2011 setting of the Magnificat and Nunc Dimittis (also available via Sheet Music Plus). The 'Glory Be' is based on the Magnificat's opening organ material, and aptly features varied harmonisations of the phrase 'world without end'. The text is in English. The piece is appropriate for 4-part choirs of any size and most standards, including schools, students, community, church and cathedral choirs. The work is also available in a version for SSA choir, from Sheet Music Plus.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1089365 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 5 pages. Robert A. Howard #693563. Published by Robert A. Howard (A0.1089365). This is the second in a set of three piano miniatures, which, as part of the compositional process, originally derived melodic material by setting lines from Shakespeare's Sonnets to music. In this ternary form piece, the initial section builds harmonies from a simple two-note rocking idea. Then follows a middle part based on a sequence of semiquaver arpeggio figures, before returning to a variation of the opening section, developing into a 6/8 coda. The piece is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Other works from the Sonnet cycle, as well as the complete set, are also available via Sheet Music Plus. Duration: 2 minutes 15 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1401789 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Praise & Worship. Score. 5 pages. Robert A. Howard #984974. Published by Robert A. Howard (A0.1401789). This work is a solo piano version of the original three-part choral anthem with accompaniment, that set a text by Revd Canon Dr Gordon Giles, and was composed for the 2022 RSCM Harold Smart Anthem Competition. This piano version plays with alternating A minor and A major tonalities, with three verses exploring forms of textural variation. The imitative recurring chorus is also varied on each return. The coda gradually builds in dynamics, texture and pitch, leading to the final A minor climax. This work is also available in versions for three-part choir, for SA choir, and for solo/unison voices, all with accompaniment, from SMP.Duration: 3 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Level 2 - Digital Download SKU: A0.1408885 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Instructional. 3 pages. Robert A. Howard #991486. Published by Robert A. Howard (A0.1408885). Promenade IV takes its name from the Promenade group of five large sculptures by Anthony Caro (1996). This set of steel constructions is currently on display in Yorkshire Sculpture Park. Musical material and structure is derived from the contours and form of the sculptures. Promenade IV is flexibly scored for any instrumental combination in four parts. Note: this document is the full score only. The complete set of parts (transposed playing scores), with the score, is available via a search of the COMA Music Library. Duration: 2 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Bassoon,Piano - Level 4 - Digital Download SKU: A0.1401689 Composed by Robert A. Howard. 21st Century,Chamber,Contemporary,Contest,Festival,Instructional. Score and part. 10 pages. Robert A. Howard #984859. Published by Robert A. Howard (A0.1401689). 'Invocation and Dance' begins with an introductory summons call from the bassoon (with piano chords), outlining the irregular metre feature of the whole work. Then follows the main dance section, in ternary form. Its main A section material centres around C (which returns with variation towards the end), and consists of a jaunty 7/8 bassoon theme, accompanied by unsettled piano harmonies. The contrasting central B section, in the dominant key, continues to explore irregular metre with 'hiccups' in the rhythm, as piano 'oom cha' chords support a bassoon melody based mainly on fourths. The opening invocation call recurs in slight variation at the end to bring the work full circle. Note: the score provided also serves as the piano part.Duration: 5 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 4 - Digital Download SKU: A0.998883 Composed by Robert A. Howard. 21st Century,Contemporary,Standards. Score. 9 pages. Robert A. Howard #6486865. Published by Robert A. Howard (A0.998883). Porthleven is based on the 1951 painting, of the same name, by Cornish artist Peter Lanyon, which is held in the collection of Tate St. Ives. The artwork is a haphazard abstract representation of the coastal town of Porthleven, near Helston, on the fringe of the Lizard Peninsula. The painting depicts the town's unusual feature of three inter-connected harbours, as well as a cross on a tower, which likely refers to the church. The work is formed in three sections, as a relation to the three harbours. It explores the notion of bell-tones, and even of change-ringing, in reference to the aforementioned church bell tower. The piece is highly accessible and is appropriate for more advanced pianists, including students and professionals. Duration: 8 minutes 00 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1089745 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 5 pages. Robert A. Howard #693952. Published by Robert A. Howard (A0.1089745). This is the third in a set of seven pieces that each elaborate upon ideas previously left dormant in sketch form. This particular piece explores the whole range of the piano in varied statements of a 10-bar semiquaver toccata theme, featuring canons and a superimposed scotch-snap idea. The piece is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Other works from the Sketch cycle, as well as the complete set, are also available via Sheet Music Plus. Duration: 2 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 2 - Digital Download SKU: A0.998873 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 3 pages. Robert A. Howard #6383261. Published by Robert A. Howard (A0.998873). The Fragment series of short piano pieces was conceived for pianists of almost any standard. As suggested in the title, each piece is based on a single compositional fragment or sketch that had otherwise remained incomplete and dormant. Fragment I uses a simple minor key chorale that features a descending bass line. This poignant chord sequence was later used and developed in the composer's 2020 anthem God So Loved the World (also available via Sheet Music Plus). In Fragment I this idea is repeated with textural variation, ascending in pitch, before a dramatic silence. The piece concludes with a further statement of the sequence, now finally with an added melody. The piece is highly accessible and is appropriate for almost all standards of pianist, including students and more advanced players. Other works from the Fragment cycle are also available via Sheet Music Plus.Duration: 2 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Choral Choir,Choral (SA) - Level 3 - Digital Download SKU: A0.1088808 Composed by Robert A. Howard. 21st Century,Christmas,Classical,Folk,Sacred. 10 pages. Robert A. Howard #693020. Published by Robert A. Howard (A0.1088808). This piece is an original arrangement based on the wistful English folk melody 'Barbara Allen'. It takes the form of a 7-verse Epiphany carol, with introduction and coda, setting a poem by Laurie Twinam. Verse 1 gives the option for a single solo voice. Otherwise vocal lines, for two-part (SA) choir or duet, retain the folk tune contour throughout, with fairly simple harmonies and a canon. Around this, the piano accompaniment weaves a set of characterful variations, as a commentary on each differing verse, which is always linked by a 2-bar 'turnaround'. The work explores aspects of both major and minor tonality, as well as modality (with the characteristic flattened seventh), thus working within and around the given folk idiom. This piece is appropriate for virtually any standard and size of SA choir, including school, student, community, church and cathedral choirs, as well as for duet. The accompaniment can be on piano, or for organ if slightly adapted by the player. The solo/unison and 4-part SATB versions of this piece, as well as the solo piano version (Variations on 'Barbara Allen') by the same composer, are also available via Sheet Music Plus. Duration: 4 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 2 - Digital Download SKU: A0.998878 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 3 pages. Robert A. Howard #6383281. Published by Robert A. Howard (A0.998878). The Fragment series of short piano pieces was conceived for pianists of almost any standard. As suggested in the title, each piece is based on a single compositional fragment or sketch that had otherwise remained incomplete and dormant. Fragment IV is a modern-day two-part invention. The piece explores various permutations of the opening four bar subject, passed between the hands throughout. Meanwhile, a second part is created by using the initial idea in canon, or by introducing a secondary scalic subject. The work is in a ternary structure, with the opening section returning in a shortened form, and with parts swapped over, as the final part. Meanwhile, the middle section explores the initial subject in augmentation, with a varied secondary part. The piece is highly accessible and is appropriate for almost all standards of pianist, including students and more advanced players. Other works from the Fragment cycle are also available via Sheet Music Plus.Duration: 2 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1088820 Composed by Robert A. Howard. 21st Century,Classical,Folk,Sacred,Traditional. Score. 5 pages. Robert A. Howard #693033. Published by Robert A. Howard (A0.1088820). This piece is an original arrangement based on the wistful English folk melody 'Barbara Allen'. It takes the form of a 7-verse carol, with introduction and coda. The piano weaves a set of characterful textural variations on the folk tune, with each verse being linked by a 2-bar 'turnaround'. The work explores aspects of both major and minor tonality, as well as modality (with the characteristic flattened seventh), thus working within and around the given folk idiom. The piece is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. The unison, 2-part SA and 4-part SATB versions of this piece by the same composer, are also available via Sheet Music Plus. Duration: 4 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk