Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.

Piano Solo - Digital Download SKU: A0.503545 Composed by William H. Doane. Arranged by Doug Little. Instructional,Sacred,Traditional. Score. 39 pages. Published by Robert D Little (A0.503545). Nine intermediate-level piano solos of favorite hymn tunes composed by Wm. H. Doane. Arrangement use various technical and interpretive skill-developing means for the growing pianist. Performance-worthy for church, school, recital, and other public settings.

Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.998806 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064405. Published by Robert A. Howard (A0.998806). This piece is the 'Glory Be' section only, devised as a stand-alone item, from Howard's 2011 setting of the Magnificat and Nunc Dimittis (also available via Sheet Music Plus). The 'Glory Be' is based on the Magnificat's opening organ material, and aptly features varied harmonisations of the phrase 'world without end'. The text is in English. The piece is appropriate for 3-part choirs of any size and most standards, including school, student, community, church and cathedral choirs. The original 4-part SATB version of this Gloria Patri is also available via Sheet Music Plus.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.998805 Composed by Robert A. Howard. 21st Century,Contemporary,Jazz,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064399. Published by Robert A. Howard (A0.998805). This piece is the 'Glory Be' section only, devised as a stand-alone item, from Howard's 2011 setting of the Magnificat and Nunc Dimittis (also available via Sheet Music Plus). The 'Glory Be' is based on the Magnificat's opening organ material, and aptly features varied harmonisations of the phrase 'world without end'. The text is in English. The piece is appropriate for 4-part choirs of any size and most standards, including schools, students, community, church and cathedral choirs. The work is also available in a version for SSA choir, from Sheet Music Plus.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1089744 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 5 pages. Robert A. Howard #693951. Published by Robert A. Howard (A0.1089744). This is the second in a set of seven pieces that each elaborate upon ideas previously left dormant in sketch form. This particular piece is based on a 7-bar ground bass (rising a minor third each time), that features considerable textural variation on each cycle, and culminates in a 3-part canon. The piece is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Other works from the Sketch cycle, as well as the complete set, are also available via Sheet Music Plus. Duration: 3 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1089750 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 3 pages. Robert A. Howard #693957. Published by Robert A. Howard (A0.1089750). This is the sixth in a set of seven pieces that each elaborate upon ideas previously left dormant in sketch form. This particular piece is a simple cycle of ascending repetitions of a 10-bar added-note chord sequence, with octave bass line, that rise by a perfect fifth each time. The piece is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Other works from the Sketch cycle, as well as the complete set, are also available via Sheet Music Plus. Duration: 3 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Level 2 - Digital Download SKU: A0.1408403 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,New Age. 2 pages. Robert A. Howard #990982. Published by Robert A. Howard (A0.1408403). Critical Mass is a sculptural installation by Antony Gormley (1995), which as been displayed at Tate St. Ives, Cornwall. It consists of multiple iron casts of the artist's body, in various poses. These are randomly distributed around the gallery space. This flexibly scored piece is a musical reflection of this artwork, in 6 sections (labelled A-F), for any mixed ensemble, with an untuned percussion part (F). Rhythms and pitch material remain similar throughout. However, following an initial solo statement (A), the texture is continually varied within the context of multiple free canons (B-E). The piece concludes with a conventionally notated and conducted unison section (in octaves), as the work comes full circle (F). Note: this document is the full score (with transpositions indicated). No audio track is provided here due to the considerable flexibility and variability of performances. The original score is available via a search of the COMA Music Library.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1401789 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Praise & Worship. Score. 5 pages. Robert A. Howard #984974. Published by Robert A. Howard (A0.1401789). This work is a solo piano version of the original three-part choral anthem with accompaniment, that set a text by Revd Canon Dr Gordon Giles, and was composed for the 2022 RSCM Harold Smart Anthem Competition. This piano version plays with alternating A minor and A major tonalities, with three verses exploring forms of textural variation. The imitative recurring chorus is also varied on each return. The coda gradually builds in dynamics, texture and pitch, leading to the final A minor climax. This work is also available in versions for three-part choir, for SA choir, and for solo/unison voices, all with accompaniment, from SMP.Duration: 3 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1088788 Composed by Robert A. Howard. 21st Century,Christmas,Classical,Folk,Sacred. Score. 7 pages. Robert A. Howard #692997. Published by Robert A. Howard (A0.1088788). This piece is an original arrangement based on the wistful English folk melody 'Barbara Allen'. It takes the form of a 7-verse Epiphany carol, with introduction and coda, setting a poem by Laurie Twinam. The vocal line, for any solo voice or for unison voices, retains the folk tune contour throughout, within the range of low D to high D. Around this, the piano accompaniment weaves a set of characterful variations, as a commentary on each differing verse, which is always linked by a 2-bar 'turnaround'. The work explores aspects of both major and minor tonality, as well as modality (with the characteristic flattened seventh), thus working within and around the given folk idiom. This piece is appropriate for virtually any standard and size of unison choir, including school, student, community, church and cathedral choirs, as well as for just solo voice. The accompaniment can be on piano, or for organ if slightly adapted by the player. The 2-part SA and 4-part SATB versions of this piece, as well as the solo piano version (Variations on 'Barbara Allen') by the same composer are also available via Sheet Music Plus. Duration: 4 minutes. Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1089368 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 10 pages. Robert A. Howard #693566. Published by Robert A. Howard (A0.1089368). This is a set of three piano miniatures, which, as part of the compositional process, originally derived melodic material by setting lines from Shakespeare's Sonnets to music. In the first piece, within ternary form, the opening section explores sequences of 'chord building'. This is followed by a middle section based on arpeggio figures, before returning to the initial ideas in inversion. In the second piece, also in ternary form, the initial section builds harmonies from a simple two-note rocking idea. Then follows a middle part based on a sequence of semiquaver arpeggio figures, before returning to a variation of the opening section, developing into a 6/8 coda. The third piece is essentially a set of textural variations on a folk-like theme, the tune appearing a fourth higher each time. This final piece employs simple variation techniques that are in-keeping with the folk genre, such as drones, modality, and parallel harmonies. Towards the end, a descending sequence leads to a final variation on the theme in the opening key, in rhythmic augmentation. The cycle is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. The individual pieces from the Sonnet cycle are also available individually, via Sheet Music Plus. Duration: 7 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.998731 Composed by Robert A. Howard. 21st Century,Classical,Contest,Festival,Instructional,Jazz. Score. 2 pages. Robert A. Howard #5318249. Published by Robert A. Howard (A0.998731). This stark, ternary form piece develops a small amount of material in order to depict the title. Slow and bare outer sections contrast with the faster, jazz-like ascending middle section. The piece is fairly accessible and appropriate for most standards of pianist, including students and more advanced players.Duration: 2 minutes 15 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1089747 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 4 pages. Robert A. Howard #693954. Published by Robert A. Howard (A0.1089747). This is the fifth in a set of seven pieces that each elaborate upon ideas previously left dormant in sketch form. This particular piece gradually builds up a right hand melody over various syncopated harmonies and appoggiaturas, before inverting the role of the hands. The piece is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Other works from the Sketch cycle, as well as the complete set, are also available via Sheet Music Plus. Duration: 2 minutes 45 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Level 3 - Digital Download SKU: A0.1408881 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Instructional. 15 pages. Robert A. Howard #991482. Published by Robert A. Howard (A0.1408881). Promenade III takes its title from the Promenade group of five large sculptures by Anthony Caro (1996). This set of steel constructions is on permanent display in Yorkshire Sculpture Park. Musical material and form is derived from the contours and structures of the sculptures. Some sections of the piece are conventionally notated (and conducted), while other sections feature repetitive free improvisation on given material. Promenade III is flexibly scored in 15 instrumental parts. Suggestions for instrumentation are indicated. Note: this document is the full score only. The full set of parts (including transpositions), with score, is available via a search of the COMA Music Library.Duration: 6 minutes.Registered with PRS (Performing Rights Society).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1089752 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 21 pages. Robert A. Howard #693959. Published by Robert A. Howard (A0.1089752). This is the complete set of Sketches I-VII, that each elaborate upon ideas previously left dormant in sketch form. The first piece has a slow introductory feel, with a rising added-note chord sequence alongside a descending bass line, in crescendo. The second piece is based on a 7-bar ground bass (rising a minor third each time), that features considerable textural variation on each cycle, and culminates in a 3-part canon. The third piece explores the whole range of the piano in varied statements of a 10-bar semiquaver toccata theme, featuring canons and a superimposed scotch-snap theme. The fourth piece is cumulative, in four sections, and gradually descends in pitch by alternating hands in a minimalist build up of motifs, each followed by a chordal refrain. The fifth piece gradually builds up a right hand melody over various syncopated harmonies and appoggiaturas, before inverting the role of the hands. The sixth piece is a simple cycle of ascending repetitions of a 10-bar added-note chord sequence, with octave bass line, that rise by a perfect fifth each time. The seventh piece is a varied repetition of the opening movement (thus framing the cycle), with the initial chord sequence now arpeggiated, and with a fuller texture. The cycle is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Individual pieces from this Sketch cycle are also available separately, via Sheet Music Plus. Duration: 18 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk