1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1391632 Composed by Rudesindo Soutelo. 21st Century,Children,Classical,Contemporary. Score. 14 pages. Publisher by Rudesindo Soutelo #975144. Published by Publisher by Rudesindo Soutelo (A0.1391632). Rudesindo SouteloFilhos da Revolução dos Cravos / Children of the Carnation Revolution (2024) for Piano Duet [ca. 5' 21]ISMN: 979-0-707704-21-9The songs of intervention that filled the revolutionary spirit are perceived by the generations born afterwards as grandfather’s little stories. The children of a revolution are always calm and carefree, but this complacent detachment contains within itself the germs of new tensions that could become the cause and beginning of a new revolution.The original version, for Orff instruments, was written for the Instrumental Group of the Vila Praia de Âncora Primary and Secondary School to celebrate the 50th anniversary of the Carnation Revolution.The generative complex that organises the whole work {6[2, 2, 2], 2, 9[3, 3, 3]} is taken from the number of letters in the words of the title.-oOo-Os cantos de intervenção que preencheram o espírito revolucionário são percebidos, pelas gerações que nasceram depóis, como as historinhas do avô. Os filhos duma revolução são sempre calmos e despreocupados, mas essa acomodada distensão encerra em si mesma os germes de novas tensões que podem vir a ser a causa e o princípio duma nova revolução.A versão original, para instrumentos Orff, foi escrita para o Grupo Instrumental da Escola Básica e Secundária de Vila Praia de Âncora para assim celebrar o cinquenta aniversário da Revolução dos Cravos.O complexo geratriz que organiza toda a obra {6[2, 2, 2], 2, 9[3, 3, 3]} está tomado do número de letras que contêm as palavras do título.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.505697 By Chick Corea. By Chick Corea. Arranged by Ulrich Charlé. Jazz. Score and parts. 64 pages. Published by U.Charlé (A0.505697). Big band arrangement of this fusion classic , apart from the standard line- up in the winds , electric piano , electric guitar - and bass are a must . Solo spots for Guitar and Piano ... and there are a few bars of Joe Farrell's piece Moon Germs hidden somewhere in the arrangement .

Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.1423143 Composed by Rudesindo Soutelo. Arranged by Orff Instruments (Score + Parts). 21st Century,Children,Classical,Contemporary. 48 pages. Publisher by Rudesindo Soutelo #1004474. Published by Publisher by Rudesindo Soutelo (A0.1423143). Rudesindo SouteloFilhos da Revolução dos Cravos / Children of the Carnation Revolution (2024) for Orff Instruments [ca. 5' 21]Première: 24-IV-2024. Auditório Ramos Pereira, Vila Praia de Âncora (Portugal). Int.: Clube Instrumental da EBS do Vale do Âncora. Prof. Manuela Moura.  ISWC: T-324.609.051-3ISMN: 979-0-707704-20-2Info: https://soutelo.euSample pages / Páginas de amostra: https://www.researchgate.net/publication/379996834The songs of intervention that filled the revolutionary spirit are perceived by the generations born afterwards as grandfather’s little stories. The children of a revolution are always calm and carefree, but this complacent detachment contains within itself the germs of new tensions that could become the cause and beginning of a new revolution.The piece was composed for the Instrumental Club of the Vale do Âncora Primary and Secondary School to celebrate the 50th anniversary of the Carnation Revolution. There is a version for piano 4 hands. The generative complex that organises the whole work {6[2, 2, 2], 2, 9[3, 3, 3]} is taken from the number of letters in the words of the title.-oOo-Os cantos de intervenção que preencheram o espírito revolucionário são percebidos, pelas gerações que nasceram depois, como as historinhas do avô. Os filhos duma revolução são sempre calmos e despreocupados, mas essa acomodada distensão encerra em si mesma os germes de novas tensões que podem vir a ser a causa e o princípio duma nova revolução.A obra foi escrita para o Clube Instrumental da Escola Básica e Secundária do Vale do Âncora para assim celebrar o cinquenta aniversário da Revolução dos Cravos. Há uma versão para Piano a 4 mãos. O complexo geratriz que organiza toda a obra {6[2, 2, 2], 2, 9[3, 3, 3]} está tomado do número de letras que contêm as palavras do título.

C Instrument - Level 4 - Digital Download SKU: A0.1403900 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #987069. Published by John Fries (A0.1403900). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. In the fall of 1968, Bacharach and David were in Boston for previews of Promises, Promises, the new musical for which producer David Merrick had asked if they would write the score, and Merrick realized, We're missing a song in the middle of the second act, and what we need is something the audience can whistle on their way out of the theater. But around this time, Bacharach was hospitalized with pneumonia and wasn't able to sit at a piano to write the music until after he was released. By that time Hal had already come up with the lyrics to 'I'll Never Fall in Love Again,' and my hospital stay had inspired him to write, 'What do you get when you kiss a girl? You get enough germs to catch pneumonia. After you do, she'll never phone you.' When he finally sat with the lyrics in front of him, he recalls, I wrote the melody for 'I'll Never Fall in Love Again' faster than I had ever written any song in my life..

By The Germs. Alternative; Pop. Guitar TAB. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.325717). - Guitar TAB - Alternative; Pop - Hal Leonard - Digital Sheet Music

Instrumental Duet Instrumental Duet,Ukulele,Voice - Level 3 - Digital Download SKU: A0.969030 Composed by Irving Kahal and Sammy Fain. Arranged by Art Levine. Contemporary. Score and parts. 3 pages. Art levine music #6016203. Published by art levine music (A0.969030). Famous song by Sammy Fain & Irving Kahal (pronounced like the leafy vegetable!) from 1938. You can almost feel the war at the door. The original verse lyrics: Cathedral bells were tolling, and our hearts sang on / Was it the spell of Paris, or the April dawn? / Who knows when we shall meet again / But when the morning chimes ring sweet again … I decided to make up my own covid-19 words for the verse, but if you long for the magic of the original, go for it. If you’re interested in my chord-melody arrangement for uke (one of about 350), it’s available (with the lyrics, natch) at Sheet Music Plus. Stay healthy, and stay away from germs. I’ll be seeing you, hahaha.  

Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.886113 Composed by Jason McChristian. Arranged by Text by Walt Whitman. Concert,Contemporary,Folk,Patriotic. 26 pages. Jason Gary McChristian #238175. Published by Jason Gary McChristian (A0.886113). I. Germs - Referencing the idea of small details making up larger formations, as expressed in the Whitman poem, I created a brief gesture made of cascading pitches. This gesture progresses throughout the work and varies texturally and harmonically. ​ ​II. Voices - This song features flourishes of arpeggios and flowing triplets signifying the joy expressed by the poem’s narrator. ​ ​III. When I Heard the Learn’d Astronomer - The narrator of this poem was not swayed by the lecturer’s sterile and purely academic approach to astronomy, but instead found wonder in the stars by simply gazing upward. This song begins with alternating couplings of fourths and fifths in the highest register of the piano, depicting the uninspiring calculations of the lecturer. Bell-like gestures mark a return to a more awe-inspiring and sincere fascination of the stars. ​ ​IV. Thoughts - This final song conveys a musical sense of finality expressed in tits text. Utilizing quartal and quintal sonorities, this song takes on a patient and passive quality. As the narrator of the poem alludes to mortality, then finally states Death, the music becomes more chromatic, creating tense agitation. The passive quality returns quickly, however, and the work gently comes to a close.