Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.811871 By Alison Moyet. By Alison Moyet. Arranged by G. Franklin. Contemporary,Pop. Score. 7 pages. Inner Marshland #5299735. Published by Inner Marshland (A0.811871). As heard on the duo's Upstairs at Eric's album.

B-Flat instrument,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1168640 By Alison Moyet. By Allan Roberts and Doris Fisher. Arranged by Gail Ford. Jazz. Score and individual part. 6 pages. Gail Ford #768980. Published by Gail Ford (A0.1168640). Alison Moyet's deep, smooth, creamy voice perfectly suited this song, and gave her a well deserved hit.  Beautiful stylish ballad, arranged here for the brass section's lead balladeer (can I say that?) the trumpet.  Gentle swing, lots of style.  Great for encores, 40's nights, Billie Holiday tribute evenings, and Valentine's Day.  Maybe the odd proposal?...

By Roberta Flack, Alison Moyet. Pop. GTRCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.333885). - GTRCHD - Pop - Hal Leonard - Digital Sheet Music

By Alison Moyet. By Tony Swain and Steve Jolley. Pop. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.127718). - Piano/Vocal/Guitar (chords only) - Pop - Hal Leonard - Digital Sheet Music

By Alison Moyet, Various Artists. Arranged by G. Tiago. Score. 6 pages. Published by gunthi

Brass Ensemble - Level 3 - Digital Download SKU: A0.966760 By Yazoo. By Vince Clarke and Vincent Clarke. Arranged by David Fretwell. A Cappella. Score and parts. 36 pages. Collegiate Publishing #4362721. Published by Collegiate Publishing (A0.966760). Originally recorded by the English Synth-pop Duo Yazoo, comprised of Alison Moyet & Vince Clarke, this classic song from their debut album Upstairs At Eric's reached Number 2 in the UK Charts in 1982. Further success followed a year later when the song was released by the 'a cappella' vocal group The Flying Pickets when it was crowned 'Christmas Number 1' in the UK Charts and stayed there for 5 weeks.This arrangement will enhance any programme throughout the year, not just at Christmas and should sound effective played by brass bands from any section.

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1374403 By Yazoo. By Vince Clarke. Arranged by Glenda Lloyd. 20th Century,A Cappella,Barbershop,Pop. 6 pages. Glenda Lloyd #959006. Published by Glenda Lloyd (A0.1374403). Four part a cappella harmony in the barbershop style. Would also work well for contemporary a cappella and choral groups.SSAA with a solo for the lowest voice (barbershop bass). A somewhat challenging arrangement with a lot of bell chords and a vocal instrumental section.Ballad from the 80s that showed off Alison Moyet's deep voice to perfection.To see more of my work, visit www.lloydsong.com or www.facebook.com/Glenda.LloydSong/.

By Alison Moyet. Pop. Guitar (chords only). 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.351184). - Guitar (chords only) - Pop - Hal Leonard - Digital Sheet Music

By Johnny Mathis, Alison Moyet. Pop. PNOCHD. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.352437). - PNOCHD - Pop - Hal Leonard - Digital Sheet Music

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.928258 Composed by Vince Clarke. Arranged by Simon James. 20th Century,Pop. Score and parts. 5 pages. DML #5742517. Published by DML (A0.928258). Only You is a song written by English musician Vince Clarke. He wrote it while with Depeche Mode, but recorded it in 1982 after forming the duo Yazoo with Alison Moyet. It was released as Yazoo's first single on 15 March 1982 in the United Kingdom, and became an instant success on the UK singles chart, peaking at number 2. It was released again in 1983 in an a cappella version by the Flying Pickets and became the UK Christmas No 1 that year. Vince Clarke originally wrote the music for the song on a guitar, and transposed the riff into synthesizer notes. This is clear from the chord structure so I have arranged it using a constantly descending bass for the first two verses. For the final verse, to give a sense of drama which is clear from the lyrics, I have switched to a three fingered chord rhythm but kept elements of the descending bass. The little tune on the outro could be sung but if you have a second guitarist could also be played.