SKU: A0.1415966

Dans le clip poignant de Si t'es pas là, l'artiste nous plonge dans un univers visuel et émotionnel profondément touchant, où la mélodie et les paroles se tissent ensemble pour raconter une histoire d'amour, de perte et de nostalgie.

Dès les premiers accords, la chanson captive par sa douceur mélancolique, portée par une instrumentation délicate qui souligne la vulnérabilité et l'intensité du message.

Si t'es pas là est plus qu'un simple clip musical ; c'est une expérience émotionnelle immersive qui invite les spectateurs à réfléchir sur leurs propres expériences de l'amour et de la perte. Avec sa réalisation artistique impeccable et sa narration visuelle captivante, ce clip se dresse comme un monument à la beauté mélancolique de l'amour éternel, et à la quête humaine universelle pour la connexion et le sens dans un monde en perpétuel changement.

SKU: A0.1167912

If you’ve ever seen a funny video on YouTube, Facebook, Tik Tok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.

Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at the 2 minute mark.

Scored for saxophone choir – 2 sopranos, 2 altos, 2 tenors, and baritone.  There is an optional bass that doubles the baritone.

This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!

Duration: 2 minutes.

SKU: A0.1194263

If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.

Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.

Scored for flute quartet - 4 C or 3 C and alto.

This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!

Duration: 2 minutes.

SKU: A0.1194302

If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.

Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.

Scored for clarinet quartet - 4 Bb or Eb and 3 Bb.

This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!

Duration: 2 minutes.

SKU: A0.1167904

If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.

Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.

Scored for clarinet choir – 4 Bb, alto, bass, and contrabass.  

This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!

Duration: 2 minutes.

SKU: A0.1194322

If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.

Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.

Scored for saxophone quartet - soprano, alto, tenor, and baritone.

This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!

Duration: 2 minutes.

SKU: A0.1167899

If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.

Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.

Scored for flute choir – 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that can help bring out the staccato notes in the contrabass, which can also be played by any C instrument in a similar range, such as a bassoon.

This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!

Duration: 2 minutes.

SKU: A0.1203650

Fantaisie Op. 79 was originally composed for flute and piano by French composer Gabriel Faure. The Fantaisie was commissioned by and dedicated to Paul Taffanel in 1898 for the Concours de flute, a flute competition held by the Conservatoire de Paris. Although performed as one single movement, Fantaisie can clear be divided into individual sections. A slow opening section that uses ideas from Fauré's incidental music to Pelléas et Mélisande, Op. 80, written at the same time, followed by a faster second section. Faure stated a performance of the piece should last for no longer than 4 minutes, 30 second.
 
This arrangement for flute and strings stays true to Faure’s original score for flute and piano. Adapted flutes parts for clarinet and bassoon are also available too.
 
For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/
 
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SKU: A0.1365990

TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! The original 1957 Broadway production, directed and choreographed by Robbins, marked Sondheim's Broadway debut. It ran for 732 performances before going on tour. The production was nominated for six Tony Awards, including Best Musical, in 1958, winning two. The show had an even longer-running West End production, a number of revivals, and international productions. A 1961 musical film adaptation, co-directed by Robert Wise and Robbins, was nominated for eleven Academy Awards and won ten, including Best Picture.