Piano Solo - Level 3 - Digital Download

SKU: A0.1486801

By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 20th Century,Instructional,Jazz. Score. 7 pages. In Son Zeng #1063868. Published by In Son Zeng (A0.1486801).

Introduction of Op.3 No.10-12 by In Son Zeng:

Op.3 No.1-12 is composed by In Son Zeng (from Macau) to cater to a variety of musical tastes and skill levels, offering a diverse range of experiences for the player.

Op. 3 No. 10 How Beautiful the Countryside

The tenth song in Op.3 uses an old country musical style. It depicts a gently flowing river, which does not create large ripples throughout the day, yet the surroundings are so beautiful that one cannot help but be captivated! The entire piece extensively designs two voice parts at the higher range. The upper voice often features non-legato triplets, while the left-hand employs a fixed rhythm common in country music, enhancing the picturesque scenery that the music evokes.

Op. 3 No. 11 Charming New Orleans

The eleventh song is composed in a New Orleans jazz style that traces back to the origin of Jazz music! Being one of the ancestors of jazz, it poetically and lyrically reflects a refined lifestyle. This music is a great companion to the beauty of nature: listening to the relaxed, old-style jazz while strolling through a New Orleans park is truly invigorating!

The entire piece is written in A-flat major and is divided into two short sections, both in an AA format (where the two sections are similar but differ in chord density). When practicing, it is important to prepare for an increase in intensity and atmosphere one measure before transitioning into the second section.

Op. 3 No. 12 Summer Sun

The twelfth song, in terms of jazz style, is a lively Boogie Woogie piece. Playing this music conjures images of people in bikinis dancing rhythmically on the beaches of Macedonia, surrounded by enthusiastic beach-loving tourists. The bustling crowd adds vibrant color to the hot summer beach.

The entire piece is written in E-flat major and is also divided into two short sections in an AA format. During practice, there is a breathe and relax moment one measure before transitioning to the second section. It is important to play with a sense of relaxation at that point, followed by an augmented chord leading into the next section.

Piano Solo - Level 3 - Digital Download

SKU: A0.1486768

By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. Classical,Instructional,Romantic Period. Score. 14 pages. In Son Zeng #1063836. Published by In Son Zeng (A0.1486768).

Introduction of Op.3 No.1-3 by In Son Zeng:

Op.3 No.1-12 is composed by In Son Zeng (from Macau) to cater to a variety of musical tastes and skill levels, offering a diverse range of experiences for the player.

The first piece, Op.3 No.1, titled Eternal, is a space-themed composition with a dreamy atmosphere, written in A minor with a 6/8 swing. It features an ABA' structure with a tranquil A section and a lively B section, concluding with a Picardy Third to evoke a longing for the cosmic journey.

Op.3 No.2 is a complex practice piece focusing on compound time signatures and the smooth execution of chord progressions. It includes a surprise key change from E minor to F# minor, enhancing the player's ability to navigate pop song modulations.

The third piece, Op.3 No.3, is a tribute to Jay Chou, featuring a groove-centric approach with a cyclical melodic line over an E minor chord. It showcases dynamic variations and the use of speed signs to highlight nuanced musical expression.

Piano Solo - Level 3 - Digital Download

SKU: A0.1486771

By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. Classical,Instructional,Romantic Period. Score. 12 pages. In Son Zeng #1063840. Published by In Son Zeng (A0.1486771).

Introduction of Op.3 No.4-6 by In Son Zeng:

Op.3 No.1-12 is composed by In Son Zeng (from Macau) to cater to various musical tastes and skill levels, offering a diverse range of experiences for piano players.

Op.3 No.4 is a meticulously crafted étude that pays homage to Czerny's teaching methods. It employs ascending arpeggios in the A section and descending ones in the B section, honing the player's arpeggio technique.

Op.3 No.5, When Joe Hisaishi Comes, is a picturesque piece inspired by the sky castle theme. It features challenging left-hand turns and a poignant atmosphere, with key changes from A minor to C minor and back.

Op.3 No.6 is a warm-up exercise that refines the player's broken chord technique, using thirds and sixths to create a harmonious sound.

Piano Solo - Level 4 - Digital Download

SKU: A0.1486757

By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 19th Century,Classical,Instructional. Score. 4 pages. In Son Zeng #1063821. Published by In Son Zeng (A0.1486757).

The E minor Op.11 No.3 is named Lightening, written by In Son Zeng through vivid rhythmic patterns and a brilliant cadenza, symbolizing hope and faith.

Piano Solo - Level 3 - Digital Download

SKU: A0.1486751

By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 19th Century,Classical,Instructional. Score. 3 pages. In Son Zeng #1063818. Published by In Son Zeng (A0.1486751).

The C-sharp minor Op.11 No.8 is a Nocturne written by In Son Zeng.

2 violins - Digital Download

SKU: S9.Q564129

Composed in the old style for King Ludwig II of Bavaria (first edition). Composed by Max Zenger. Downloadable, Score. Musikverlag Robert Lienau - Digital #Q564129. Published by Musikverlag Robert Lienau - Digital (S9.Q564129).

German • English • French.

For his now famous private performances, King Ludwig II of Bavaria commissioned three historical ballets. The subjects of these ballets were festivities held at the court of the French Kings Louis XIV and Louis XV, during which the respective kings held dances and shepard’s games. Ludwig II required in his ballets the strictest adherance to historical exactitude in all details of the plot. The music too was expected to be exactly in the style of the time. The Munich composer Max Zenger (1837-1911) was entrusted with the commission for the composition of the music because he was considered an outstanding connoisseur of older music. Despite of the fact that Zenger stood rather critical towards the music of Richard Wagner the King liked him and named him Royal Bavarian Professor of Music in 1882. This sonata is part of the ballet Amor and Psyche, played originally by twelve pages, it can be performed both as a violin duet and using section strings. It is of intermediate difficulty and an interesting example of historicist music at the end of the 19th century.

Piano Solo, Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Musikeo. Individual Part, Score. 5 pages. Published by Musikeo

Piano Solo - Early Intermediate - Digital Download Arranged by Musikeo. Score. 2 pages. Published by Musikeo

Piano Solo, Piano Accompaniment, Violin - Early Intermediate - Digital Download Arranged by Musikeo. Individual Part, Score. 5 pages. Published by Musikeo

Piano Solo, Piano Accompaniment, Violin, Cello - Early Intermediate - Digital Download Arranged by Musikeo. Individual Part, Score. 7 pages. Published by Musikeo

Marching Band - Level 3 - Digital Download

SKU: A0.1516009

By Alicia Domínguez Arcos Sonay. By Cristóbal Oudrid y Segura. Arranged by Alicia Domínguez Arcos. 19th Century,Contemporary,Historic,Patriotic,Traditional. 24 pages. Alicia Dominguez #1090255. Published by Alicia Dominguez (A0.1516009).

Cristóbal Oudrid y Segura was a Spanish pianist, composer of zarzuelas and conductor. He was the son of Cristóbal Oudrid y Estarón, born in Madrid in 1793, a musician in the Napoleonic troops stationed in Badajoz, and director of the National Militia's band from 1825, and Antonia Segura González, born in Badajoz in 1801. He was married to Vicenta Muñoz Vallejo, a native of the same city. As a composer, he is remembered for revitalizing the genre, for pieces in his zarzuelas El molinero de Subiza and El postillón de la Rioja, and for the piece El sitio de Zaragoza, originally the incidental music he composed for the eponymous drama by Juan Lombía. In 1851, together with Joaquín Gaztambide, Rafael Hernando, Francisco Asenjo Barbieri, José Inzenga y Olona y Salas, he founded the Sociedad Artístico Musical para el cultura de la zarzuela. As a conductor, he directed the orchestra of the Teatro Real in Madrid and the Teatro de la Zarzuela. He is buried in the patio de la Concepción de la Sacramental de San Isidro. His grave has a medallion with the composer's effigy made by the Italian sculptor Benedetto Civiletti, a specialist in funerary monuments for cemeteries. The siege of Zaragoza is a descriptive fantasy on military themes composed by Cristóbal Oudrid around 1848. The work was originally conceived as incidental music for the play El Sitio de Zaragoza of 1808 by Juan Lombía, a drama in three acts and written in verse. The music was to be played throughout the play and ended with a rondalla playing the Jota aragonesa. As the piece became very popular with the public, Oudrid made an anthology with it and the rest of the work to create the instrumental work in the form of a descriptive fantasy, independent of the play. During the second half of the 20th century, the work gained popularity due to the national exaltation of heroes of the sieges such as Agustina de Aragón. It was common for military bands and police groups to perform it in recitals and today it continues to be performed by municipal and military bands as well as by orchestras and groups in various versions that offer different readings of the work.