Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.

Piano and voice - Digital Download SKU: LV.19323 Composed by Frank Wood. Portraits, Cartoons, Anger, Telephones, Inventions, Debts, Storytelling, Actors, Marriage, Honeymoons. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19323). I'm Wanted on the 'Phone. Written & Composed Frank Wood. Published 1894 by Francis, Day & Hunter, 195 Oxford St. W. in London. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Cartoons, Anger, Telephones, Inventions, Debts, Storytelling, Actors, Marriage, Honeymoons. First line reads Now the song I'm going to sing is about a handy thing, And its usefulness to ev'ry one is known.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1500108 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 18 pages. Paul Burnell #1076184. Published by Paul Burnell (A0.1500108). Speak Your Mind, Compromise - Barter, Trust, by Paul Burnell, composed 2000 for wind quintet and other instruments as required. Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F Individual parts can be used for rehearsal. In performance the combined score/part can be used - each wind quintet instrument plays as written, with the bassoon playing as if with a bass clef, the others as if with a treble clef. Eb and alto clef parts (based on the horn in F) are also available to enable inclusion, in a larger ensemble, of alto saxophone, tenor horn, viola. Programme Note I wanted to write a piece that took inspiration from one aspect of the political process. The starting point was a quote from William Burke (1729-97): All government, indeed every human benefit and enjoyment, every virtue, and every prudent act, is founded on compromise and barter.  [Speech on Conciliation with America, 1775] This quote did not in itself suggest to me all that was required, and so I tried to suggest the ideas of 'SpeakYour Mind' and 'Trust' in the other two sections. The music is presented as a combined score/part and I felt that in this context the idea of musicians playing within a single 'forum' would have an extra resonance. The music is presented on two sides of a single page, and I deliberately preceded the third section 'Trust' with the instruction 'turn over...'. In this way I hope to evoke the idea of 'turning over a new leaf'.

Instrumental Duet Flute,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.905603 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Mace. Pop. Score and parts. 2 pages. Mace #5025501. Published by Mace (A0.905603). --- You can use this sheet music as a violin or flute player. ---

Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 2 - Digital Download SKU: A0.905602 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Mace. Pop. Score and parts. 2 pages. Mace #5025409. Published by Mace (A0.905602). --- You can use this sheet music as a trumpet or clarinet player. ---

Concert Band - Level 3 - Digital Download SKU: A0.1030342 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Tomáš Rulíšek. Pop. Score and parts. 48 pages. Tomas Rulisek #6318383. Published by Tomas Rulisek (A0.1030342). Instruments/parts (members): boomwhackers/backing voc./body percussion (8+), classical guitars (6+), el. guitar (1), bass guitar (1), cajon drumset (1), bongo cajon (1), lead voc (1 - 2).Musicians: 19 or moreArrangement for music school ensemble.

B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1261653 By Bon Jovi. By Jon Bon Jovi and Richie Sambora. Arranged by Josip Nežmahen. Multicultural,Rock,World. Individual part. 2 pages. Josip Nežmahen #854731. Published by Josip Nežmahen (A0.1261653). -original tonality-transcripted for trumpet and other brass/wind instruments in Bb-best used with backround score for karaoke-I personally use it for fun and relaxation at the end of a practice session, feel free to use it as you wish.

Multi-Percussion,Percussion Solo - Level 4 - Digital Download SKU: A0.1168350 Composed by Mudiwa Williams. Children,Contemporary. Individual part. 9 pages. Mudiwa Music #768681. Published by Mudiwa Music (A0.1168350). EMAIL ME FOR PARTS: mudiwamusic@gmail.comAlongside being a composer, my ambitions also focus on music education. I wanted to mix these parts of my identity in a piece, and to challenge myself, make it another percussion piece. My friend, Bianca, commissioned me to write a solo multi-percussion piece, and so I took ideas from my elementary music methods class, and the instruments you would typically see in an elementary music classroom, and here we are. The performer works double, acting as an elementary music teacher (with more Orff practices) and performing a piece that grows in difficulty over time. Come join the classroom, as the audience also acts as classmates in Ms. Borile’s class.

Full Orchestra - Level 2 - Digital Download SKU: A0.940117 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 99 pages. Christian James Jesse #5751477. Published by Christian James Jesse (A0.940117). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory

Level 2 - Digital Download SKU: A0.1372693 By Alicia Domínguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia Domínguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum� (Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.