C Instrument - Level 2 - Digital Download

SKU: A0.1475308

By Shaboozey. By Chibueze Collins Obinna, Collins Obinna Chibueze, Jerrell Jones, Joe Anthony Kent, Mark Allen Williams, Nevin Sastry, and Sean Cook. Arranged by Barry McCormick. Country,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 5 pages. B. McCormick #1052851. Published by B. McCormick (A0.1475308).

“A Bar Song (Tipsy)” Lead Sheet and Guitar Chord Sheet

Our Lead Sheet and Guitar Chord Sheet for “A Bar Song (Tipsy)” provide a concise yet comprehensive way to perform this lively track. Here’s what you’ll find:

Lead Sheet:

1. Melody and Chords: The melody is notated alongside guitar chords, making it easy for singers and instrumentalists to follow.
2. Strumming Pattern: We’ve included the suggested strumming pattern to capture the song’s rhythm.
3. Key Parts: Important sections, including the prominent Fiddle/Violin part in the chorus, are clearly marked.
4. Differentiation: Vocal melody notes are distinguished using small noteheads.

Guitar Chord Sheet:

1. Bonus for Guitarists: The chord sheet complements the Lead Sheet, providing guitar players with an alternative way to play the song.
2. Strumming Rhythm with Arrows: Instead of standard notation, we’ve used arrows to convey the strumming rhythm. This accommodates different learning styles.
3. Capo Chords: Gives the Capo Chord version for eaier chords. 
4. Accessibility: Whether you’re a beginner or an experienced musician, this arrangement ensures accessibility and ease of learning.

Who is this for?:

Educators and Pupils:

1. Music Teachers: Use the Lead Sheet for classroom instruction and group practice.
2. Students: Quickly grasp the core of the song for performances.
3. Solo Performers and Ensembles:
   1. Singers: Perform the melody confidently with chord support.
   2. Guitarists: Explore the chord sheet for an alternative approach.

Unleash the spirit of ‘A Bar Song (Tipsy)’ with our Lead Sheet and Guitar Chord Sheet. Simplify learning, enhance performances, and enjoy making music!

String Trio Violin - Level 3 - Digital Download

SKU: A0.1342515

By Sia. By Greg Kurstin and Sia. Arranged by Grape Mango. Christmas,Holiday,Pop,R & B,Singer/Songwriter. 6 pages. Grape Mango #928013. Published by Grape Mango (A0.1342515).

An arrangement for 3 treble instruments (violin, flute etc.) of Snowman by Sia - featured in Disney's 'Olaf's Frozen Adventure' and in many TikTok videos from 2020. Merry Christmas!

tags: string duet, violin duet, flute duet, violin and flute duet, 2 violins, 2 flutes, chamber music.

Choral Choir (SATB) - Level 5 - Digital Download

SKU: A0.535387

Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387).

I. Sinfonia
II. To Mary on the vigil of her Assumption
III. A Votive Song
IV. The Heliotrope-the mind of man turned to God

Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and is
dedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.
The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poet
Jakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.
In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religious
expression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strong
correlation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked in
classical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary and
relevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)
The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forward
momentum is interrupted several times before the movement settles tonally. The first choral movement employs a
bouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song on
the acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The final
movement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describes
the speaker’s journey and compares a purposeful sea voyage to a directed life.
Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poetic
English created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literal
translation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.
Carson P. Cooman, January 2009, Cambridge, Massachusetts, USA
PERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin
(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W sound
often used by classical Latinists.)
The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroque
instruments. It is suggested that 16–24 singers be employed (no fewer than 12).
As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected that
director and performers will inflect lines expressively and naturally. The organ part is notated for a small portatif
organ with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smaller
registration plan should be kept in mind so as to create balance with the instruments and choir

Choral Choir (SATB) - Level 5 - Digital Download

SKU: A0.535388

Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388).

I. Sinfonia
II. To Mary on the vigil of her Assumption
III. A Votive Song
IV. The Heliotrope-the mind of man turned to God
Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and is
dedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.
The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poet
Jakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.
In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religious
expression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strong
correlation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked in
classical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary and
relevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)
The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forward
momentum is interrupted several times before the movement settles tonally. The first choral movement employs a
bouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song on
the acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The final
movement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describes
the speaker’s journey and compares a purposeful sea voyage to a directed life.
Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poetic
English created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literal
translation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.
Carson P. Cooman, January 2009, Cambridge, Massachusetts, USA
PERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin
(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W sound
often used by classical Latinists.)
The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroque
instruments. It is suggested that 16–24 singers be employed (no fewer than 12).
As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected that
director and performers will inflect lines expressively and naturally. The organ part is notated for a small portatif
organ with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smaller
registration plan should be kept in mind so as to create balance with the instruments and choir.

Violin Duet Violin - Level 3 - Digital Download

SKU: A0.589167

Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Multicultural,Wedding,World. 4 pages. David McKeown #6019099. Published by David McKeown (A0.589167).

Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for two Violins.

Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.

Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

C Instrument - Level 2 - Digital Download

SKU: A0.1449537

By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. Lead Sheet / Fake Book. 3 pages. Lytingale Music #1029293. Published by Lytingale Music (A0.1449537).

A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.

The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for optional Violin or Flute. Whew!

Lyrics:
All I Really Want is Peace on Earth
(c)2017 Lois J Henrickson (Lytingale)
 
When they ask me what I wish for
On this holy holiday,
I can only think of all the ways
The world has lost its way.

And I hope that we will see the Light
In every baby’s birth,
And expand our love to everyone.
All I really want is peace on earth, peace on earth.

Yesterday I saw an angel.
She was teaching kids to read.
And another one gave up his coat
For somebody in need.
Oh, it’s all around the city
And in every single town,
Lots of people helping people.
All they really want is peace on earth, peace on earth.

And if you search the whole world over,
This is what you’ll see:
People just want to take care of their family.

And when we realize our differences are
Really very small,
Every person is a part of us all.
 
Everybody has a purpose,
Their place is guaranteed.
Doesn’t matter what they look like,
Or what holy books they read.
Oh, we all belong together
In one caring family.
We are here to love each other.
All we really want is peace on earth,
Peace on earth,
Sweet peace on earth,
Peace.

Instrumental Duet Flute,Instrumental Duet,Violin - Level 3 - Digital Download

SKU: A0.588843

Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019047. Published by David McKeown (A0.588843).

Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Violin.

Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.

Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download

SKU: A0.588676

Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019093. Published by David McKeown (A0.588676).

Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Violin and one Clarinet.

Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.

Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download

SKU: A0.588653

Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019029. Published by David McKeown (A0.588653).

Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Violin.

Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.

Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download

SKU: A0.589187

Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019095. Published by David McKeown (A0.589187).

Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Violin and one Viola.

Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.

Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Violin Duet Violin - Level 3 - Digital Download

SKU: A0.589297

Composed by Traditional. Arranged by David McKeown. Jewish,Multicultural,Wedding,World. 4 pages. David McKeown #6020793. Published by David McKeown (A0.589297).

Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Violins.

Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.

Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 

Violin Duet Violin - Level 2 - Digital Download

SKU: A0.1098918

Composed by Traditional. Arranged by Wendy Loder, ASCAP. Chamber,Praise & Worship,Religious,Sacred,Traditional. 2 pages. LarkAngel Productions #702771. Published by LarkAngel Productions (A0.1098918).

Amazing Grace is arranged here for 2 violins, with words & chords included for more instruments and singers to join in. The melody stays in violin 1 while the violin 2 has lots of variations. This is a great arrangement to accompany a student, and includes the lyrics for the 4 most commonly sung verses.

Small Ensemble Banjo,Guitar,Ukulele,Violin - Digital Download

SKU: A0.975492

Composed by Lionel Belasco. Arranged by Simon Browne. Latin,Traditional,World. Score and parts. 2 pages. Simon Browne #6293809. Published by Simon Browne (A0.975492).

Esperanzas (Hopes) is a Venezuelan-style waltz recorded in 1914 by Belasco's Band - the Trinidadian dance orchestra led by pianist Lionel Lanky Belasco. He later re-recorded it as Roses of Caracas in the 1930s.

Belasco was the foremost Trinidadian musician and composer of his era, and is lauded in Venezuela as the man who introduced jazz to the country. He emigrated to the US in 1915 and was one of the most prolific West Indian recording artists of the early 20th Century, accompanying the first Calypso singers in the late 1920s and 30s.

Originally performed on violins, cello, flute, clarinet, piano and a variety of strumming instruments (guitar, mandolin, cuatro and braga).

Arranged for violin and guitar (or other strumming instruments).

Part of Paseos and Waltzes of Trinidad Vol.1 which can be purchased complete for $29.99 and included 12 paseos and waltzes as recorded by Lovey's Band and Lionel Belasco's Orchestra from 1912-1918.

Arrangements for larger ensembles (strings and wind) are available on request.

Small Ensemble Banjo,Guitar,Ukulele,Violin - Digital Download

SKU: A0.975493

Composed by Lionel Belasco. Arranged by Simon Browne. Latin,Traditional,World. Score and parts. 2 pages. Simon Browne #6293811. Published by Simon Browne (A0.975493).

recorded in 1914 by Belasco's Band - the Trinidadian dance orchestra led by pianist Lionel Lanky Belasco.

Belasco was the foremost Trinidadian musician and composer of his era, and is lauded in Venezuela as the man who introduced jazz to the country. He emigrated to the US in 1915 and was one of the most prolific West Indian recording artists of the early 20th Century, accompanying the first Calypso singers in the late 1920s and 30s.

Originally performed on violins, cello, flute, clarinet, piano and a variety of strumming instruments (guitar, mandolin, cuatro and braga).

Arranged for violin and guitar (or other strumming instruments).

Part of Paseos and Waltzes of Trinidad Vol.1 which can be purchased complete for $29.99 and included 12 paseos and waltzes as recorded by Lovey's Band and Lionel Belasco's Orchestra from 1912-1918.

Small Ensemble Banjo,Guitar,Ukulele,Violin - Digital Download

SKU: A0.975491

Composed by Lionel Belasco. Arranged by Simon Browne. Latin,Traditional,World. Score and parts. 2 pages. Simon Browne #6292287. Published by Simon Browne (A0.975491).

Germaine (paseo) is a two-step calypso dance recorded in 1914 by Belasco's Band - the orchestra led by pianist Lionel Lanky Belasco.

Belasco was the foremost Trinidadian musician and composer of his era, and is lauded in Venezuela as the man who introduced jazz to the country. He emigrated to the US in 1915 and was one of the most prolific West Indian recording artists of the early 20th Century, accompanying the first Calypso singers in the late 1920s and 30s.

Originally performed on violins, cello, flute, clarinet, piano and a variety of strumming instruments (guitar, mandolin, cuatro and braga).

Arranged for violin and guitar (or other strumming instruments).

Part of Paseos and Waltzes of Trinidad Vol.1 which can be purchased complete for $29.99 and included 12 paseos and waltzes as recorded by Lovey's Band and Lionel Belasco's Orchestra from 1912-1918.

Arrangements for larger ensembles (strings and wind) are available on request.