SATB choir with optional Congregation (With Optional Congregation) - Digital Download SKU: LX.55-1015L Composed by John Purifoy. Choral Cantatas. Easter. 64 pages. Lorenz Publishing - Digital Sheet Music #e55/1015L. Published by Lorenz Publishing - Digital Sheet Music (LX.55-1015L). UPC: 000308031270.A serious, but triumphant musical expression of the message of the Easter story; a loving Savior willing to die to secure our salvation, giving the Christian a deep, abiding sense of peace and confidence that, no matter what the challenge, It is well with my soul. This marvelous truth of the Christian faith is given new expression in the captivating music, traditional texts, familiar hymn tunes, and inspiring new melodies for choir, soloists and congregation. Narrations, taken from scriptures, may be read by one narrator or divided among members of the choir. The choral writing is strongly supported by sturdy, creative accompaniments and hymn sheets are provided for duplication to involve the congregation in the worship experience. Approximate performance time, 35 minutes. Instrumental parts for Flute, Oboe, Trumpets I and II, F Horn, Trombone, and Tuba are available separately.

Composed by Amazing Grace: Robert Lowry and John Newton and Jesus Paid It All: John T. Grape and Elvina Hall. Arranged by Cathy Stamegna. Christian, Praise & Worship, General Worship, Easter, Lent. Score. 8 pages. Published by Cathy Stamegna

Bass Guitar - Level 3 - Digital Download SKU: A0.1035485 Composed by William James Barnes. Arranged by Daniel Roberts. New Age,Rock. Score. 1 pages. Daniel P Roberts #640699. Published by Daniel P Roberts (A0.1035485). Car Seat Headrest, It's Only Sex note for note bass transcription 4 string bass with TAB. The other night I cried while thinking of having sex with you Not out of desire or shame but some subconscious impulse to feel pain I wiped my tears on my face and neck and the backs of my ears And said, Now it's sweat, now it's sweat, it's sweat now Just to see you It's such a treasure But when I feel you My flesh yields no pleasure And honey I'm cultured I'm very sex positive So what is this feeling? It ain't so positive I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only OK, so I've been reading all the sex blogs And they all talk about how OK it is to be gay And straight and bisexual and asexual And have sex however you like But I don't care about hundreds of hypothetical people And their hypothetical sex deals I care about me, and my sex deal! What about my problems? Baby, my body Constantly betrays me I try to betray it I only hurt myself Yeah, yeah I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only- It's only sex It's only It's only sex C'mon, sexual desire, speak! I want to hold you tight I want to feel your love physically I want to sleep with you But only in the literal sense I can't tell you if I like it, I like it What happens if I don't like it? I like you I can't tell you if I like it, I like it What happens if I don't like it? It's only- I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only- It's only sex (it's only sex) It's only- It's only sex (no, it's not) It's only sex It's only- It's only sex It's only sex It's only-.

Concert Band - Level 2 - Digital Download SKU: A0.897950 Composed by Phillip P. Bliss. Arranged by Dana Usealman. Christian,Praise & Worship,Spiritual. Score and parts. 20 pages. Dana Usealman #3861451. Published by Dana Usealman (A0.897950). It Well With My Soul for small Concert Band. Includes score and parts: Flute, Clarinet, Alto Sax 1, Alto Sax 2, Bb Trumpet, Trombone (or Baritone), Mallets, Bass Drum, and Cymbals. When I arranged this, I only had early elementary clarinet players so that part is entirely written below the break. It can be taken up an octave for more advanced players. There is a flute solo for your best flute player, it could also be omitted if necessary. The mallet part could also be omitted in a pinch. It Is Well With My Soul is a hymn penned by hymnist Horatio Spafford and composed by Philip Bliss. First published in Gospel Songs No. 2 by Ira Sankey and Bliss (1876), it is possibly the most influential and enduring in the Bliss repertoire and is often taken as a choral model, appearing in hymnals of a wide variety of Christian fellowships. Horatio Spafford's original lyrics are included below. I had verses 1, 2, 3, and 6 in mind for this arrangement: When peace like a river, attendeth my way,When sorrows like sea billows roll;Whatever my lot, Thou hast taught me to knowIt is well, it is well, with my soul.RefrainIt is well, (it is well),With my soul, (with my soul)It is well, it is well, with my soul.Though Satan should buffet, though trials should come,Let this blest assurance control,That Christ has regarded my helpless estate,And hath shed His own blood for my soul.My sin, oh, the bliss of this glorious thought!My sin, not in part but the whole,Is nailed to the cross, and I bear it no more,Praise the Lord, praise the Lord, O my soul!For me, be it Christ, be it Christ hence to live:If Jordan above me shall roll,No pang shall be mine, for in death as in life,Thou wilt whisper Thy peace to my soul.But Lord, 'tis for Thee, for Thy coming we wait,The sky, not the grave, is our goal;Oh, trump of the angel! Oh, voice of the Lord!Blessed hope, blessed rest of my soul.And Lord, haste the day when the faith shall be sight,The clouds be rolled back as a scroll;The trump shall resound, and the Lord shall descend,A song in the night, oh my soul!

Piano Solo - Level 4 - Digital Download SKU: A0.779342 Composed by Edmund S. Lorenz. Arranged by Shelton Ridge Love. Christian,Sacred. Score. 4 pages. Shelton Ridge Love #2967957. Published by Shelton Ridge Love (A0.779342). Early Advanced Piano SoloPerformance time: 3:05Suggested lyrics to use with arrangement:Are you weary? Are you heavy-hearted?Tell it to Jesus; tell it to Jesus.Are you grieving over joys departed?Tell it to Jesus alone.Tell it to Jesus; tell it to Jesus;He is a friend that's well-known.You've no other such a friend or brother;Tell it to Jesus alone.Do you fear the gathering clouds of sorrow?Tell it to Jesus; tell it to Jesus.Are you anxious what shall be tomorrow?Tell it to Jesus alone.Tell it to Jesus; tell it to Jesus;He is a friend that's well-known.You've no other such a friend or brother;Tell it to Jesus alone.Tell it to Jesus alone.Tell it to Jesus alone.Lyrics by Jeremiah E. Rankin.

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Small Ensemble Piano Solo - Level 2 - Digital Download SKU: A0.596626 By Juan María Solare. By afro american traditional USA. Arranged by Juan Maria Solare. Christmas,Classical,Contemporary,Praise & Worship,Traditional. Score. 4 pages. Juan Maria Solare #6486845. Published by Juan Maria Solare (A0.596626). 'Go Tell It on the Mountain': this song is one of my earliest memories: it was sung at church (in Spanish!) when I was a little child. Much later I learned that the original melody was a world famous African-American Spiritual and that it was also used as a protest song in the USA in the 50es-60es. Therefore, 'Go Tell it on the Mountain' is a Christmas carol that celebrates the Nativity of Jesus, but sometimes refers implicitly to the civil rights struggle. This piano arrangement was made by Juan María Solare, Argentinean pianist and composer, recorded and released on Spotify an all other streaming platforms. Go Tell It on the Mountain (piano) on all platforms Go Tell It on the Mountain (piano) directly in Spotify Go Tell It on the Mountain (piano) on YouTube 'Go Tell It on the Mountain': esta canción es uno de mis primeros recuerdos: se cantaba en la iglesia (¡en español!) cuando yo era un niño. Mucho más tarde me enteré de que la melodía original era un Spiritual y que incluso se utilizó como canción de protesta en los Estados Unidos en los años 50 y 60. Go tell it on the mountain es un villancico que celebra la Natividad de Jesús, pero que a veces se refiere implícitamente a la lucha por los derechos civiles. Este arreglo para piano fue realizado por Juan María Solare, pianista y compositor argentino, grabado y lanzado en Spotify y demás platformas de streaming. Go Tell It on the Mountain (piano) en todas las plataformas Go Tell It on the Mountain (piano) directamente en Spotify Go Tell It on the Mountain (piano) en YouTube

Piano Solo - Level 4 - Digital Download SKU: A0.1280638 By Ronnie Milsap. By Archie Jordan and Hal David. Arranged by Timothy Stapay. Country,Film/TV,Singer/Songwriter,Standards,Wedding. Score. 4 pages. Timothy Stapay #872051. Published by Timothy Stapay (A0.1280638). A piano solo arrangement of the country-classic, It Was Almost Like A Song, famously sung by Ronnie MilsapIt Was Almost Like a Song is a song written by Hal David and Archie Jordan, and recorded by American country music singer Ronnie Milsap. It was released in May 1977 as the first single and title track from the album It Was Almost Like a Song. It became one of the greatest hits of his recording career upon its release in 1977. In July 1977, It Was Almost Like a Song was Milsap's eighth No. 1 song on the Billboard magazine Hot Country Songs chart. The song also became his first Billboard Hot 100 chart entry, peaking No. 16. and also on Billboard's Hot Adult Contemporary Singles chart, where it peaked at No. 7.It Was Almost Like a Song provided the basis for the title of Milsap's biography, Almost Like a Song, which he co-wrote with Tom Carter.Lyrics:Once in every lifeSomeone comes alongAnd you came to meIt was almost like a songYou were in my armsRight where you belongAnd we were so in loveIt was almost like a songJanuary through DecemberWe had such a perfect yearThen the flame became a dying emberAll at once you weren't hereNow my broken heartCries for you each nightAnd It's almost like a songBut it's much too sad to writeNow my broken heart.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1142093 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by Mario Stallbaumer. Christmas,Jazz,Pop. Score. 3 pages. Mario Stallbaumer #742465. Published by Mario Stallbaumer (A0.1142093). With this sheet music, you can play Let It Snow! Let It Snow! Let It Snow! on piano! It's a jazzy, carefully created piano arrangement of the famous Christmas song, loosely based on the famous recording by Dean Martin. Written in Hollywood in 1945 by Sammy Cahn and Jule Styne, Let It Snow has been recorded by countless great artists, including Dean Martin, Frank Sinatra, Bing Crosby, Michael Bublé, Ella Fitzgerald, and many others... Let It Snow! Let It Snow! Let It Snow! makes for a beautiful piano cover!

Piano Solo - Level 3 - Digital Download SKU: A0.1142097 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by Mario Stallbaumer. Christmas,Jazz,Pop. Score. 2 pages. Mario Stallbaumer #742471. Published by Mario Stallbaumer (A0.1142097). With this sheet music, you can play Let It Snow! Let It Snow! Let It Snow! on piano! It's a jazzy, carefully created piano arrangement of the famous Christmas song, loosely based on the famous recording by Dean Martin. Written in Hollywood in 1945 by Sammy Cahn and Jule Styne, Let It Snow has been recorded by countless great artists, including Dean Martin, Frank Sinatra, Bing Crosby, Michael Bublé, Ella Fitzgerald, and many others... Let It Snow! Let It Snow! Let It Snow! makes for a beautiful piano cover!

Piano,Vocal,Voice - Digital Download SKU: A0.504884 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Mario Stallbaumer. Pop. Score. 6 pages. Published by Mario Stallbaumer (A0.504884). With this sheet music, you can play The Winner Takes It All by ABBA on piano! It's an accurate, carefully created piano arrangement of the full song, in the original key of Gb major. The vocal melody is included in the piano part, so it makes for a perfect piano solo cover. Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a staff for the vocals, as well as the song's full lyrics! The Winner Takes It All was the first single from ABBA's 1980 album Super Trouper, which became the best-selling album of that year in the UK. The song became a huge international success, and their last top 10 hit in the US before the band broke up in 1982. It is often assumed that the famous ballad was inspired by the divorce between Björn Ulvaeus (who wrote the song's lyrics) and Agnetha Fältskog (who sang the lead vocals), but Ulvaeus said the song was the experience of a divorce, but it's fiction. 'Cause one thing I can say is that there wasn't a winner or a loser in our case. A lot of people think it's straight out of reality, but it's not. In any case, The Winner Takes It All is a fantastic ballad, an iconic hit from the early 80s, and it makes for a fantastic piano cover!