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Choral Choir (SSAA) - Level 3 - Digital Download

SKU: A0.791964

By Kate Smith, Frank Sinatra, Ella Fitzgerald. By Irving Berlin. Arranged by Julie Gaulke. A Cappella,Jazz,Standards. Octavo. 5 pages. Julie Gaulke #398788. Published by Julie Gaulke (A0.791964).

This is Julie Gaulke's original arrangement of Always by Irving Berlin, scored for SSAA a cappella. There is one optional DIVISI note in the final measure (can be sung without it if only four singers). See full performance demo here: https://youtu.be/hUUkSg619KQ

LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: https://www.juliegaulketracks.com/store/p219/always.html

Please visit Julie's website Pianomom's Sheet Music for more great arrangements! https://www.pianomomsheetmusic.com/

Always (Irving Berlin) for SSAA a cappella
Chorale SSAA
Kate Smith, Frank Sinatra, Ella Fitzgerald
$2.99 2.83 € Chorale SSAA PDF SheetMusicPlus

Two horns & piano - Digital Download

SKU: IZ.IMF1816

Composed by Willard Zirk. Score and Parts. 22 pages. Imagine Music - Digital #IMF1816. Published by Imagine Music - Digital (IZ.IMF1816).

9 x 12 in inches.

I have always been in awe of Louis Armstrong's (1901-1971) and Ella Fitzgerald's (1917-1996) extraordinary musicianship and creative improvisations, hence the title, I like Louis and Ella. They performed and recorded together in the 1940s through the 1960s. In the 1950s they produced three duet records: two Ella and Louis albums, and their Porgy and Bess album.

I thought the best way to begin to understand their music was to imitate them. I sought to emulate Louis' warm humanity and musical efficiency--just the right note at the right time--and Ella's skillful and musically satisfying scat singing. There is only one quote in I Like Louis and Ella, the opening trumpet statement, but the rest of the music was written as my own impressions of their unique stylings.

I am grateful to my former student, Kyle Tolstyka, for commissioning this piece to benefit the horn scholarship fund at Eastern Michigan University. Thanks go to the donors to the scholarship fund in support of this project--my former horn students, Tania Dupuis, Liesl Caarn Hansen, Dr. William Cederquist and his parents, Dr. Jack Cederquist and Meg Kennedy-Shaw. Finally, I would like to thank jazz greats Phil Sims, the engraver of this music; and Adam Unsworth, horn professor at the University of Michigan, for their invaluable advice.

I Like Louis and Ella
2 Cors, Piano

$16.00 15.15 € 2 Cors, Piano PDF SheetMusicPlus

Ella Fitzgerald : The Nearness of You (voix Ella Fitzgerald, acc. piano et orchestre) Piano seul
Téléchargez la partition Piano The Nearness of You (voix Ella Fitzgerald, acc. piano et or…
5.99 € Piano seul PDF Tomplay

Ella Fitzgerald : Cry Me a River (voix Ella Fitzgerald, acc. piano et orchestre) Piano seul
Téléchargez la partition Piano Cry Me a River (voix Ella Fitzgerald, acc. pi…
5.99 € Piano seul PDF Tomplay

Ella Fitzgerald : Someone To Watch Over Me (voix Ella Fitzgerald, acc. piano et orchestre) Piano seul
Téléchargez la partition Piano Someone To Watch Over Me (voix Ella Fitzgeral…
5.99 € Piano seul PDF Tomplay

String Orchestra - Level 5 - Digital Download

SKU: A0.942953

Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953).

Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 9.46 € Orchestre à Cordes PDF SheetMusicPlus

Ella Fitzgerald : Le meilleur d'Ella Fitzgerald à jouer la flûte, Débutant, Vol. 1 Flûte traversière
Téléchargez la partition Flûte Le meilleur d'Ella Fitzgerald &agr…
15.99 € Flûte traversière PDF Tomplay

Ella Fitzgerald : Le meilleur d'Ella Fitzgerald à jouer la clarinette, Débutant, Vol. 1 Clarinette
Téléchargez la partition Clarinette Le meilleur d'Ella Fitzgerald &agra…
19.99 € Clarinette PDF Tomplay

Ella Fitzgerald : Le meilleur d'Ella Fitzgerald à jouer la clarinette, Facile, Vol. 1 Clarinette
Téléchargez la partition Clarinette Le meilleur d'Ella Fitzgerald &agra…
19.99 € Clarinette PDF Tomplay

Ella Fitzgerald : Les plus beaux morceaux d'Ella Fitzgerald à jouer au piano, Facile, Vol. 1 Piano seul
Téléchargez la partition Piano Les plus beaux morceaux d'Ella Fitzgeral…
18.99 € Piano seul PDF Tomplay

Ella Fitzgerald : Le meilleur d'Ella Fitzgerald à jouer la flûte, Difficile, Vol. 1 Flûte traversière
Téléchargez la partition Flûte Le meilleur d'Ella Fitzgerald &agr…
19.99 € Flûte traversière PDF Tomplay

Ella Fitzgerald : Le meilleur d'Ella Fitzgerald à jouer la clarinette, Difficile, Vol. 1 Clarinette
Téléchargez la partition Clarinette Le meilleur d'Ella Fitzgerald &agra…
19.99 € Clarinette PDF Tomplay

Ella Fitzgerald : Le meilleur d'Ella Fitzgerald à jouer la flûte, Facile, Vol. 1 Flûte traversière
Téléchargez la partition Flûte Le meilleur d'Ella Fitzgerald &agr…
19.99 € Flûte traversière PDF Tomplay






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