Full Orchestra - Level 4 - Digital Download SKU: A0.1233717 By Andrea Bocelli. By Lucio Dalla. Arranged by Marek Czekala. 20th Century,Classical,Opera. Score and Parts. 37 pages. Marek Czekala #829285. Published by Marek Czekala (A0.1233717). Caruso is one of the most well-known Italian love songs. Written in 1986 by singer-songwriter Lucio Dalla, it is dedicated to acclaimed Italian opera singer Enrico Caruso.In an interview, Dalla revealed the origin and meaning of the lyrics. After his boat broke down between Sorrento and Capri, the singer-songwriter had no choice but to spend the night in a hotel in Sorrento (known as Surriento in Neapolitan), a city overlooking the Bay of Naples. He chose the Excelsior Vittoria Hotel, and happened to stay in the very same hotel room that Enrico Caruso had stayed in, shortly before he passed away.(There’s no Lyrics in this Score).

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802529 By Il Divo. By Lucio Dalla. Arranged by Daniele Carnivali & Peet du Toit. Contemporary. Score and parts. 14 pages. Peet du Toit #5769201. Published by Peet du Toit (A0.802529). This song is dedicated to Enrico Caruso, a famous and well-loved Italian tenor. The song simply tells about the pain and longings of a man who is about to die while he is looking into the eyes of a girl who was very dear to him. Following a brilliant arrangement for concert band by Daniele Carnivali, I transcribed it for a brass quintet. This is music of the heart. Enjoy!

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Piano,Voice Duet Piano,Voice - Digital Download SKU: A0.955847 Composed by Alberto Pestalozza. Arranged by Scott S. Stewart. Romantic Period. 6 pages. Scott S. Stewart #6356345. Published by Scott S. Stewart (A0.955847). Ciribiribin, an Italian waltz style ballad. was composed by Alberto Pestalozza in 1898, with lyrics by Carlin Tiochet, and has been popular in Europe and North America ever since. The lyrics were originally written in the Piedmontese dialect of northwest Italy.  It has been recorded by such notables as Enrico Caruso, Mario Lanza, Grace Moore, Katherine Grayson, as well as the orchestras of Benny Goodman, Harry James, Glenn Miller. Ciribiribin has also been featured in many movies and television shows between (from at least) 1929 to the present day. This arrangement is scored as a duet for soprano & baritone with piano accompaniment. Original traditional Italian text is used and and English text also appears on this arrangement.  Performance time: 3:15.  This song is popular with outdoor ethnic festivals.

Clarinet,Piano - Digital Download SKU: A0.805599 Composed by Ruggiero Leoncavallo. Arranged by Marcus Martin. Concert,Romantic Period,Standards. Score and part. 6 pages. Cornelius Edition (uk) #6231391. Published by Cornelius Edition (uk) (A0.805599). Mattinata was the first song ever written expressly for the Gramophone Company (the present day EMI). Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano. Ever since, this piece has become a concert favourite of tenors. This new arrangement for Bb clarinet makes an attractive 3 minute item suitable for recitals and other occasions.

B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.    

Guitar,Piano - Level 2 - Digital Download SKU: A0.1264832 By Enrico Caruso. By Gaetano Donizetti. Arranged by Gaili Schoen for UpperHandsPiano.com. Classical,Opera,Romantic Period. Score and part. 1 pages. UpperHandsPiano.com #857665. Published by UpperHandsPiano.com (A0.1264832). This is an arrangement of Donizetti's beautiful and haunting Una furtiva lagrima. This early intermediate arrangement includes the essential themes from the original piece, but makes it playable for beginners to intermediate piano players. It originally appeared in the book The Music Remedy: No. 3 - 12 Passionate Pieces to Move You from Discouraged to Hopeful, available on Amazon.com.Upper Hands Piano creates arrangements that are easy to play with beautiful chords, at lower prices. For free monthly sheet music and valuable piano practice tips, follow our blog at http://blog.upperhandspiano.com. You can find our Upper Hands Piano method books for adults 50+ and Songs of the Seasons books on our website: https://www.upperhandspiano.com or on Amazon.com: http://amzn.to/2z49qAq  Thanks for your purchase!  http://blog.upperhandspiano.comhttps://www.upperhandspiano.comhttps://www.themusicremedy.com/.

Full Orchestra - Level 5 - Digital Download SKU: A0.966146 Composed by C. Adolfo Bracco. Arranged by Alexander Timofeev. Romantic Period. Score and parts. 144 pages. Alexander Timofeev #6669179. Published by Alexander Timofeev (A0.966146). This is an arrangement for Tenor and Orchestra of Souvenirs d'un concert (Serenata) by C. Adolfo Bracco. Lyricist: Enrico Caruso. This arrangement of Serenata was inspired by the famous recording sung by Mario Lanza. Tenor range: D3-B4.  Full Score, and Parts are included. The arrangement is scored for Tenor and Orchestra: 2-2-2-2, 2-0-2-0, 1 perc., harp, strings.  The number of parts included in the set: Flutes (2), Oboes (2), Clarinets in Bb (2), Bassoons (2), French Horns in F (2), Trombones (2), Percussion (1), Harp (1), Violin I (8), Violin II (8), Viola (6), Cello (6), Double bass (4).  If more string parts are needed, please purchase two or more copies of this arrangement.

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1167086 By Paola Taballione and Sunghyun Cho. By Ruggiero Leoncacallo. Arranged by Glenn Martin. 20th Century,Chamber,Classical,Contest,Festival,Film/TV. Score. 2 pages. Cornelius edition #767466. Published by Cornelius edition (A0.1167086). Mattinata was the first song ever written expressly for the Gramophone Company (the present day EMI).Composed by Ruggero Leoncavallo in 1904, this song was dedicated to Enrico Caruso, who was the first to record it in 1904 with the composer at the piano.Ever since, this piece has become a concert favourite for tenors.This arrangement for two flutes is suitable for classroom study, competions, and all occasions. Duration: 3:00.

Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

Full Orchestra - Level 4 - Digital Download SKU: A0.809593 Composed by E. di Capua. Arranged by Marilyn Thompsona. Christian,Christmas,Gospel,Sacred. Score and parts. 32 pages. Marilyn Thompson #6293831. Published by Marilyn Thompson (A0.809593). The tune was adapted from that of the Italian song, O Sole Mio, recorded in 1916 by famous by opera star Enrico Caruso. William Emmanuel Booth-Clibborn, the grandson of William Booth, the founder of the Salvation Army, is the lyricist. Down from His Glory is likely more of a solo (and in this case a moving choral selection than a congregational hymn), but it speaks effectively of the Saviour’s willing condescension. The Orchestral Score and SATB/Piano are available on separate posts. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP

French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108220 Composed by Sir Arthur Seymour Sullivan and Words by Adelaide Anne Porter. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 11 pages. Piacere Music Sheets #710835. Published by Piacere Music Sheets (A0.1108220). Opus/Catalog Number: IAS 42Key/Tone: F MajorMovements/Sections: Andante moderatoYear/Date of Composition: 1858/1877Difficulty: Grade 4/12 (Intermediate)Vocal range: C4-F5Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18.This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays.This is an arrangement for Low Voice and piano.Included: Full score and separated parts for each instrument.