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Instrumental Solo,Organ - Level 4 - Digital Download

SKU: A0.1319568

Composed by Traditional. Arranged by James M. Guthrie. Christian,Easter,Holiday,Religious,Standards. Individual part. 71 pages. Jmsgu3 #908128. Published by jmsgu3 (A0.1319568).

The Liturgical Organbook, Volume 1 - Contents:
Deo gracias 1: Free harmonic treatment a3, cantus in soprano
Deo gracias 2: Free counterpoint a3, cantus in middle voice
Dickenson College 1: Bicinium, cantus in bass, coda a4
Dickenson College 2: Free harmonization a4, cantus in soprano
Dickenson College 3: Bicinium, cantus in bass
Down Ampney 1: Free harmonization a4
Down Ampney 2: Free counterpoint a3, cantus in soprano
Down Ampney 3: Cantus in canon at the octave, free middle voice
Down Ampney 4: Cantus in canon by inversion at the fourth, free middle voice
Down Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and alto
Down Ampney 6: Free counterpoint a3, cantus in alto
Down Ampney 7: Free counterpoint a3, augmented cantus in pedal
Down Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voice
Down Ampney 9: Fugue a4 with 5th voice added at last subject entrance

 The Liturgical Organbook, Volume 2 - Contents:
Dundee 1: Free harmonization a3, cantus in soprano
Dundee 2: Free contrapuntal introduction a4, followed by an augmented statement of cantus in soprano
Dundee 3: Bicinium, cantus in bass
Dundee 4: Canonic treatment of fauxbourdon at the octave with free middle voice
Dundee 5: Free counterpoint a3, cantus in soprano
Dundee 6: Free counterpoint a3, cantus in middle voice
Dundee 7: Fugato a3
Dundee 8: Bicinium, cantus in bass
Easter Hymn 1: Free harmonization a4
Easter Hymn 2: Free harmonization a3
Easter Hymn: Interlude
Easter Hymn 3: Fugato a3
Erhalt uns, Herr: Free harmonization
Gopsal 1: Bicinium, cantus in bass
Gopsal 2: Free harmonization
Gopsal 3: Free harmonization
In Babilone 1: Free harmonization a4
In Babilone 2:
Interlude
In Babilone 3: Fugato a3

The Liturgical Organbook, Volume 3 - Contents
Lauda anima 1: Free harmonization a4
Lauda anima 2: Free counterpoint with cantus exchange between soprano and alto
Lauda anima 3: Free counterpoint a3, cantus in alto
Lauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the soprano
Lauda anima 5: Free counterpoint a4, cantus in tenor
Lauda anima 6: Fughetta
Southwell 1: Canon a3, at the octave with free middle voice
Southwell 2: Fugato a3
Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the soprano
Stuttgart 1: Free counterpoint a3, cantus in soprano
Stuttgart 2: Free counterpoint a3, cantus in soprano, triple meter
Wachet auf 1: Free exchange of cantus
Wachet auf 2: Free counterpoint a3, cantus in soprano
Wer nur den lieben Gott 1: Free harmonization a3, cantus in soprano
Wer nur den lieben Gott 2: Free harmonization, a3.

Guthrie: The Liturgical Organbook Complete
Orgue

$49.95 47.05 € Orgue PDF SheetMusicPlus

French Horn Duet Horn - Level 1 - Digital Download

SKU: A0.550333

Composed by Josquin des Prez (1450-1521). Arranged by James M. Guthrie. Instructional,Renaissance,Sacred,Standards. Score. 11 pages. Jmsgu3 #4607991. Published by jmsgu3 (A0.550333).

Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in developing modern tonality and musical genres. Josquin's compositions encompassed secular and sacred works, including chansons and Italian frottola. He is regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.

The significance of Josquin Des Prez's Bicinia lies in its contribution to the development of Renaissance music. Josquin Des Prez, a renowned composer of the Renaissance, emphasized the relationship between text and music, departing from the early Renaissance tendency towards lengthy melismatic lines on a single syllable. His Bicinia, two-part compositions, showcase his mastery of polyphony and his innovative approach to musical expression. Josquin is universally regarded as the greatest composer of the Renaissance, and his music, including the Bicinia, played a significant role in shaping the musical landscape of his time and beyond.


Josquin: Five Duets for French Horn Duo
2 Cors (duo)

$29.95 28.21 € 2 Cors (duo) PDF SheetMusicPlus

Instrumental Solo,Organ - Level 4 - Digital Download

SKU: A0.1318850

Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 23 pages. Jmsgu3 #907489. Published by jmsgu3 (A0.1318850).

The Liturgical Organbook, Volume 2 - Contents
Dundee 1: Free harmonization a3, cantus in soprano
Dundee 2: Free contrapuntal introduction a4, followed by augmented statement of cantus in soprano
Dundee 3: Bicinium, cantus in bass
Dundee 4: Canonic treatment of fauxbourdon at the octave with free middle voice
Dundee 5: Free counterpoint a3, cantus in soprano
Dundee 6: Free counterpoint a3, cantus in middle voice
Dundee 7: Fugato a3
Dundee 8: Bicinium, cantus in bass
Easter Hymn 1: Free harmonization a4
Easter Hymn 2: Free harmonization a3
Easter Hymn 3: Interlude
Easter Hymn 3: Fugato a3
Erhalt uns, Herr: Free harmonization
Gopsal 1: Bicinium, cantus in bass
Gopsal 2: Free harmonization
Gopsal 3: Free harmonization
In Babilone 1: Free harmonization a4
In Babilone 2: Free harmonization a3
In Babilone: Interlude
In Babilone 3: Fugato a3

The Liturgical Organbook Volume 2 Sources: 
All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.
Dundee, from the CL Psalmes of David (1615)
fauxbourdon: from the Psalmes of David in Prose and Meeter (1635)
Easter Hymn, from Lyra Davidica (1708)
Erhalt uns, Herr, from Geistliche Lieder (1543)
Gopsal, George Frideric Handel (1685-1759)
In Babilone, from Oude en Nieuwe Hollantse Boerenlities en Contrdanseu (1710).

Guthrie: The Liturgical Organbook, Volume 2
Orgue

$32.95 31.04 € Orgue PDF SheetMusicPlus

Woodwind Ensemble - Level 1 - Digital Download

SKU: A0.550324

Composed by Josquin des Prez (1450-1521). Arranged by James M. Guthrie. Instructional,Renaissance,Sacred,Standards. 11 pages. Jmsgu3 #4605637. Published by jmsgu3 (A0.550324).

Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in developing modern tonality and musical genres. Josquin's compositions encompassed secular and sacred works, including chansons and Italian frottola. He is regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.

The significance of Josquin Des Prez's Bicinia lies in its contribution to the development of Renaissance music. Josquin Des Prez, a renowned composer of the Renaissance, emphasized the relationship between text and music, departing from the early Renaissance tendency towards lengthy melismatic lines on a single syllable. His Bicinia, two-part compositions, showcase his mastery of polyphony and his innovative approach to musical expression. Josquin is universally regarded as the greatest composer of the Renaissance, and his music, including the Bicinia, played a significant role in shaping the musical landscape of his time and beyond.

Josquin: Five Duets for Clarinet Duo
2 Clarinettes (duo)

$29.95 28.21 € 2 Clarinettes (duo) PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download

SKU: A0.1194016

By Dusty Springfield. By P. Donaggio, Simon Napier-Bell, V. Pallavicini, and Vicki Wickham. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 29 pages. Marek Czekala #793493. Published by Marek Czekala (A0.1194016).

You Don't Have to Say You Love Me (originally a 1965 Italian song, 'Io che non vivo (senza te), by Pino Donaggio and Vito Pallavicini) is a 1966 hit recorded by English singer Dusty Springfield that proved to be her most successful single, reaching number one on the UK Singles Chart and number four on the Billboard Hot 100. Elvis Presley recorded a cover version in 1970 which was a hit in both the US and the UK. Other covers have charted in the UK, Ireland, Italy and Finland.
Wikipedia.

You Don't Have To Say You Love Me
Orchestre
Dusty Springfield
$50.00 47.09 € Orchestre PDF SheetMusicPlus

Instrumental Solo,Organ - Level 4 - Digital Download

SKU: A0.1318427

Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427).

Volume 1 Contents:
Deo gracias 1: Free harmonic treatment a3, cantus in soprano
Deo gracias 2: Free counterpoint a3, cantus in the middle voice
Dickenson College 1: Bicinium, cantus in bass, coda a4
Dickenson College 2: Free harmonization a4, cantus in soprano
Dickenson College 3: Bicinium, cantus in bass
Down Ampney 1: Free harmonization a4
Down Ampney 2: Free counterpoint a3, cantus in soprano
Down Ampney 3: Cantus in canon at the octave, free middle voice
Down Ampney 4: Cantus in canon by inversion at the fourth, free middle voice
Down Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and alto
Down Ampney 6: Free counterpoint a3, cantus in alto
Down Ampney 7: Free counterpoint a3, augmented cantus in pedal
Down Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voice
Down Ampney 9: Fugue a4 with 5th voice added at last subject entrance

The Liturgical Organbook Volume 1 Sources: 
All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.
Deo gracias, English ballad melody, Trinity College MS. (15th century)
Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)
Down Ampney, Ralph Vaughn Williams (1872-1958).

Guthrie: The Liturgical Organbook, Volume 1
Orgue

$32.95 31.04 € Orgue PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download

SKU: A0.1176600

Composed by Jose Luis Armenteros Sanchez and Pablo Herrero Ibarz. Arranged by Luis Turina and Nonamé Música. 20th Century,Classical,Latin,Multicultural,Wedding,World. Score and parts. 9 pages. Nonamé Música #776677. Published by Nonamé Música (A0.1176600).

(English below) (De Wikipedia) Venezuela es una canción popular venezolana, con letra y música de [...] Los Relámpagos  [...]. La popularidad y el sentimiento que evoca en los venezolanos es tal, que se la considera el cuarto himno de Venezuela, [tras] el Himno Nacional, «Alma llanera» y «Conticinio, del venezolano, Laudelino Mejías»...

Con los millones de venezolanos que hay emigrados por todo el mundo, era casi un crimen no tener esta canción disponible para ellos. Novios y novias lloran por igual al entrar en sus bodas escuchando estos acordes, invitados cantando y abrazándose... Toca mucho el corazón.

Mientras el cello hace casi un continuo, viola y violines se van alternando la melodía, con multitud de contratemas, adornos, segundas voces y contrapuntos. Una gozada tocarla, muy sencilla además. Cuidado con el calderón del cambio de tono.

Arreglo en una página por instrumento para facilitar su interpretación al aire libre. Arcos, matices y letras de ensayo para poder hacer una buena lectura a primera vista. Más arreglos de Nonamé en nuestro canal:
Nonamé Música.

(From Wikipedia) Venezuela is a popular Venezuelan song, with lyrics and music by [...] Los Relámpagos [...]. The popularity and sentiment it evokes in Venezuelans is such that it is considered the fourth anthem from Venezuela, [after] the National Anthem, Alma llanera and Conticinio, from the Venezuelan, Laudelino Mejías...

With millions of Venezuelans emigrating all over the world, it was almost a crime not to have this song available to them. Grooms and brides alike cry when they enter their weddings listening to these chords, guests singing and hugging each other... It really touches the heart.

While the cello plays almost a continuum, the viola and violins alternate the melody, with a multitude of counter-themes, ornaments, second voices and counterpoints. A joy to play it, very simple as well. Beware of the calderón of the change of tone.

Arrangement on one page per instrument to facilitate outdoor performance. Bowings, dynamics and rehearsal letters to be able to make a good sightreading.

More Nonamé arrangements on our channel: Noname Música.

Letra/Lyrics

Llevo tu luz y tu aroma en mi piel
Y el cuatro en el corazón
Llevo en mi sangre la espuma del mar
Y tu horizonte en mis ojos

No envidio el vuelo ni el nido al turpial
Soy como el viento en la miez
Siento el caribe como a una mujer
Soy así, ¿qué voy a hacer?

Soy desierto, selva, nieve y volcán
Y al andar dejo una estela
Del rumor del llano en una canción
Que me desvela 

La mujer que quiero tiene que ser
Corazón, fuego y espuelas
Con la piel tostada como una flor
De Venezuela

Con tu paisaje y mis sueños me iré
Por esos mundos de Dios
Y tus recuerdos al atardecer
Me harán más corto el camino

Entre tus playas quedó mi niñez
Tendida al viento y al sol
Y esa nostalgia que sube a mi voz
Sin querer se hizo canción

De los montes quiero la inmensidad
Y del río la acuarela
Y de ti los hijos que sembrarán
Nuevas estrellas

Y si un día tengo que naufragar
Y el tifón rompe mis velas
Enterrad mi cuerpo cerca del mar
En Venezuela

Venezuela Quatuor à cordes: 2 violons, alto, violoncelle

$17.99 16.94 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus


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