Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloise�, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                                                     Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1305309 By Zac Efron & Zendaya. By Benj Pasek and Justin Paul. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 13 pages. Sarah Cellobat Chaffee #894748. Published by Sarah Cellobat Chaffee (A0.1305309). Written by Benj Pasek and Justin Paul for the feature film The Greatest Showman, Rewrite The Stars is an exciting anthem in which Phillip, played by Zac Efron, works to convince his lover that they are meant to be together despite the odds against them. This catchy song was a huge hit even independently of the movie, reaching the Billboard Hot 100 and receiving a Teen Choice Award for Best Collaboration. It has also become a popular song for weddings, chosen by couples to symbolize their bright future together...so you can't go wrong having this one in your gig books! Originally written for a wedding ceremony, this Cellobat arrangement for violin and cello duet maintains the soaring melodies and exciting driving beat of the original, and it even features beautiful cello solos at the beginning and the end! Intermediate-level arrangement; this will be playable for students and sightreadable for professionals.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Easy Piano - Level 1 - Digital Download SKU: A0.762395 Composed by Lori Cummings. Children,Classical,Contemporary,Contest,Festival,Instructional. Score. 1 pages. Lori Cummings #6067113. Published by Lori Cummings (A0.762395). The Swimmer is a song that is meant as an exercise to help with finger dexterity in the right hand using Middle C position.  As we exercise our fingers, feel the swimmer as she goes against the current in the stream.  Then feel the swimmer's hard work as she returns to the beginning again.  Make your strokes nice and even as you play, just like the swimmer has to swim with even strokes.  This song has a simple bass line to add interest to the song.  It is perfect for beginner to late beginner students.  .

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1270625 Composed by Blue Apollo Music. 20th Century,21st Century,Chamber,Classical,New Age. 28 pages. George Henry Williams III #862998. Published by George Henry Williams III (A0.1270625). The song begins with a steady rhythm, mimicking the waves of the ocean. The melody flows with the waves, mimicking the sway of the ship. The Brass Quintet creates a powerful and dramatic sound that matches the intensity of the situation. The climax of the song is marked by a triumphant horn and trumpet, signifying the ship's eventual victory over the current. Overall, the instrumental piece is a beautiful and emotional tribute to the perseverance of sailors facing difficult challenges on the open sea.

Drum Set,Drums - Level 3 - Digital Download SKU: A0.1154121 By Against The Current. By Audra Mae Butts, Christina Nicola Costanza, Daniel Gow, Thomas James Schleiter, and William Ferri. Arranged by COPYDRUM. Pop. Score. 4 pages. COPYDRUM #754395. Published by COPYDRUM (A0.1154121).

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.835161 Composed by Cody Weinmann. Christian,Gospel,Praise & Worship,Sacred. Score. 6 pages. Cody Weinmann #6121269. Published by Cody Weinmann (A0.835161). About Temples of The LordThe thought behind Temples of the Lord was tocreate a song that would ultimately bring peopleto the only salvation of Jesus Christ and what he didon the cross for all of our sins, past, present, and future.There is a scripture in the bible talking about howwe are temples of the Lord. The song talks abouthow we long to do what is in the mind of Christ, butour flesh wars against the spirit and what we would,we do not do (Romans 7)There is also an aura of how much is it going to takefor us to get on our knees and get back to God. Weare all guilty of making these empty cisterns that can hold no water, and until we are cleared and cleaned of all of these so that God is the only being we have left, it will be a continual fight this side of heaven.About the Composer:Cody Weinmann is a composer and songwriter of many differentgenres from writing lead sheets to pieces for band, choir, and orchestra. One cannot put him in a box. He continues towrite music especially in the Christian worship music genres tobring the Gospel to those in the world who need it.He is a lover of all different types of sound textures and color,a pianist, and a writer of all things beautiful.In the midst of the current pandemic, the lead sheet could be really accessible for those who play piano,guitar, or different solo instruments and sing. This way,one could have an intimate time of worship at home.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.844466 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3384667. Published by Phil Beaman (A0.844466). This beautiful tune was written by Felix Mendlessohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint.  This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendlessohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendlessohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)

Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.844460 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. 2 scores. 4 pages. Phil Beaman #3383067. Published by Phil Beaman (A0.844460). This beautiful tune was written by Felix Mendelssohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint.  This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendelssohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendelssohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)

Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844461 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3383081. Published by Phil Beaman (A0.844461). This beautiful tune was written by Felix Mendelssohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint.  This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendelssohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendelssohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. For 2 Altos or 2 Tenors. (2 page score, 1 page Parts)

Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.844464 Composed by Felix Mendlessohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3384007. Published by Phil Beaman (A0.844464). This beautiful tune was written by Felix Mendlessohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint.  This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendlessohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendlessohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)

Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download SKU: A0.1316925 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 33 pages. White Piano International Publishing #905605. Published by White Piano International Publishing (A0.1316925). THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands 33 Pages(Piano I Original Piano Score)                      &(Piano II Orchestra Adaptation)Advanced Approx. Duration 13 minutes; 30 secondsBy ROBERT VAN HORNE Composing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto, capturing the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression of seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.�After many years of offering the original Conductor’s Piano & Orchestra Score of the concerto with instrumental parts (currently available at Sheet Music Plus and Sheet Music Direct), the Duo Piano Score of THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands is now also available at those two websites.Both Piano I and Piano II parts are clearly notated with phrasing, dynamics, accents, suggested fingerings and musical word descriptions for 2 Pianos, 4 Hands performances. THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands makes a wonderful and memorable performance piece for two piano recitals as well as a score for practicing with an orchestra, since Piano I is the original piano part.A 2 Pianos, 4 Hands recording or video of THE GREAT WALL CONCERTO is not available at this time, however, a 2006 recorded version with Piano & Orchestra is available for demo purposes only. Except for the piano, all other instruments included are digital samples. A YouTube video can be viewed at: http://www.youtube.com/watch?v=S_Zr10XMnJc In conclusion, THE GREAT WALL CONCERTO For Piano and Orchestra is not only a tribute to the Great Wall of China, but also to the power of music in expressing the inexpressible.Published by White Piano International Publishing Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com