Drum Set - Level 3 - Digital Download SKU: A0.1314716 Composed by Aaron Staebell. Jazz. Educational Exercises. 24 pages. Aaron Staebell #903489. Published by Aaron Staebell (A0.1314716). This collection of eight solos aims to capture the styles and vocabulary of 10 masters of jazz drumming, and present that material in an accessible way. Much of the music available for drum set solos is difficult and geared towards those with a good amount of experience. These solos can be played by students as early as their first year of study on the drumset. It will give them exposure to material grounded in the jazz tradition, while hopefully remaining playable and generating interest and inspiration to forge deeper into the jazz drumming tradition.The eight solos are:NASHTY is inspired by Lewis Nash, and his intro on Say Hello to Calypso from a Jim Hall record called Grand Slam.ILADELPH is inspired by the classic vocabulary of Philly Joe Jones.CHILD'S PLAY brings to mind the carefree playing of both Paul Motian and Jorge Rossy.BREAKTHROUGH is inspired by the masterful vocabulary of Billy Higgins, particularly on Hank Mobley's The Break Through.THE TWISTED BARON tries to capture the vamp-oriented solos and sonic variety of Joey Baron.SOME TASTY STEW comes from the worlds of both Bill Stewart and Nasheet Waits, particularly Nasheet's intro on Kinda Dukish with Jason Moran.THANK YOU MATT WILSON! is based on the melodic soloing of Matt Wilson, specifically on his own tune, Thank You Billy Higgins!.BLAKEY’S TRY is inspired by the ferocious drumming of the great Art Blakey.

Choral Choir (SSAA) - Digital Download SKU: A0.927003 Composed by W. Benton Overstreet & Billy Higgins. Arranged by Randi Grundahl Rexroth. A Cappella. Octavo. 10 pages. Randi Rexroth #4291401. Published by Randi Rexroth (A0.927003). Inspired by The Boswell Sisters There'll Be Some Changes Made provides an opportunity for SSAA ensembles to strut their stuff. This setting will be satisfying for intermediate to advanced ensembles and is the perfect addition to any program. Purchasers of this arrangement receive live performance rights, recordings rights (live or remote), and the right to post your recording on social media. **Please note that this is for the choir(s) for whom the purchase is being made. Please do not share the resources with other choirs/choir directors. **

C Instrument,Voice - Digital Download SKU: HX.1049392 By Billy Higgins. Arranged by Robert Rawlins. This edition: scorch. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Hal Leonard - Digital #829350. Published by Hal Leonard - Digital (HX.1049392).

Digital Download SKU: HX.343216 By Billy Higgins and W. Benton Overstreet. Arranged by Kirby Shaw. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #270703. Published by Hal Leonard - Digital (HX.343216).

Concert Band - Level 2 - Digital Download SKU: A0.1405543 Composed by Lee Morgan. Arranged by John Ivor Holland. 20th Century,Film/TV,Jazz,Soul,Standards. 92 pages. John Ivor Holland #988601. Published by John Ivor Holland (A0.1405543). 'The Sidewinder' is a 1964 album by jazz trumpeter Lee Morgan, recorded in New Jersey, U.S. It was released on the Blue Note label and the title track is perhaps Morgan's all-around best-known composition; it would go on to become a jazz standard and was additionally released as a single, entering the Billboard Hot 100 in January 1965. Morgan recorded the track with tenor saxophonist Joe Henderson, pianist Barry Harris, double bassist Bob Cranshaw and drummer Billy Higgins. The album became Blue Note's best-selling record ever, breaking the previous sales record and saving the label from near bankruptcy. Record producer Michael Cuscuna recalls the unexpected success: the company issued only 4,000 copies upon release. Needless to say, they ran out of stock in three or four days. And 'The Sidewinder' became a runaway smash. The title track was used as the music in a Chrysler television advertisement during the 1965 Baseball World Series, without Morgan's permission; he threatened to sue, Chrysler agreed not to show the advertisement again and settled the case. This arrangement has been adapted from the jazz ensemble version by Mark Taylor, retaining solos for alto sax and trumpet, although an optional cut can be taken if necessary to skip these.