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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download

SKU: A0.844239

By Miles Davis. By Miles Davis and Victor Feldman. Arranged by Gerhard Guter. Jazz. 49 pages. Gerhard Guter #3618999. Published by Gerhard Guter (A0.844239).

The beloved Miles Davis / Victor Feldman composition and title track for the 1963 Columbia recording featuring Miles, George Coleman (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums). This saxophone quintet with bass (electric is preferred, but upright could work) and drums opens with a funky hook figure and settles into a swinging, harmonized treatment of the melody. Chord changes are provided for the tenor sax soloist, who is accompanied by background figures performed by the other saxes. A challenging, Supersax-style soli takes place over the chord progression. A fun and lighthearted straight eighth waltz treatment of the melody gives way to swing and, finally, a return to the funky, swinging shuffle. A demo of the full soli section only is available at  http://gutermusic.com/Site/Writer.html

Demos produced and performed by Gerhard Guter, using the Roland Aerophone A-10 digital wind instrument.

Backing tracks available here:
http://tiny.cc/inosuz






Seven Steps To Heaven
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Miles Davis
$39.99 37.99 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download

SKU: A0.844244

By John Coltrane. By John Coltrane. Arranged by Gerhard Guter. Jazz. 10 pages. Gerhard Guter #4267419. Published by Gerhard Guter (A0.844244).

If you’re looking for an up-tempo, minor blues swing with plenty of space for scatting and instrumental improvisation, then dig P.C.! This arrangement of the John Coltrane classic, which pays tribute to legendary jazz bassist and Miles Davis compatriot Paul Chambers, provides an exciting introduction, statement of the theme in varied textures, a challenging (optional) soli, and room for lots of energetic drum solos. Following an introductory figure reminiscent of Miles Davis and Victor Feldman’s well-known Seven Steps to Heaven collaboration, the arrangement features two optional background choruses to keep the blowing fresh and interesting. After the improvisation, the drums and piano drop out, sending off a challenging, optional soli (18 second mark in demo) featuring a doubled, walking vocal and acoustic bassline. As this section concludes, the acoustic bass drops out and the drums re-enter, propelling a fugal statement of the melody (25 second mark in demo). Following a return to the head, the arrangement modulates upward by whole step to its exciting conclusion.

Piano, bass, and drums read off the included composite rhythm section part. The arrangement, which makes prominent use of sharp ninth chords during the head, is a great teaching tool for basses and altos in any vocal jazz ensemble!






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