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SATB choir unaccompanied - Medium - Digital Download

SKU: MQ.8252-E

Composed by Robert Lehman. Magnificat/Nunc Dimittis, Annunciation, 21st Century. Octavo. 20 pages. Duration 6 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8252-E. Published by E. C. Schirmer Music Company - Digital (MQ.8252-E).

UPC: 600313482526. English. Luke 1:46-55; Luke 2:29-32.

There is a strong and enduring relationship that has been forged between the Roman Catholic Benedictine Abbey of St. Mary and St. Louis, and the Episcopal Church of St. Michael & St. George in St. Louis, Missouri. Each season, the monks visit and sing Vespers at the church and, in turn, the Choir of the Church of St. Michael & St. George travels to the Abbey to sing Evensong. This setting of the evening canticles was composed for one such visit. The stunning acoustics of the Abbey Church are captured fully by the its slow harmonic motion and expansive writing.
Duration: 6:15.

Magnificat and Nunc dimittis (The Saint Benedict Service) (Downloadable)
Chorale SATB

$3.15 2.92 € Chorale SATB PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_AX1

E-flat Alto Saxophone. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_AX1).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Again and Again: E-flat Alto Saxophone
Saxophone (partie séparée)

$3.00 2.78 € Saxophone (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_BTX

E-flat Baritone Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_BTX).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Again and Again: E-flat Baritone Saxophone
Saxophone (partie séparée)

$3.00 2.78 € Saxophone (partie séparée) PDF SheetMusicPlus

Jazz Ensemble - Digital Download

SKU: AX.00-PC-0016189_AX2

2nd E-flat Alto Saxophone. Composed by Benny Carter. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_AX2).

UPC: 038081331959.

Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.

Again and Again: 2nd E-flat Alto Saxophone
Saxophone (partie séparée)

$3.00 2.78 € Saxophone (partie séparée) PDF SheetMusicPlus






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