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Trombone Quartet Bass Trombone - Level 4 - Digital Download

SKU: A0.792328

Composed by Traditional. Arranged by Kempton, Jeremy. Folk,Hanukkah,Jewish,Multicultural,World. 15 pages. Gordon Cherry #4804623. Published by Gordon Cherry (A0.792328).

Hava Nagila is one of the most well known and beloved folk songs. Let Us Rejoice (translation from Hebrew) is a traditional Jewish song that has become a staple at all Jewish celebrations. Since being introduced to the rest of the world in April 1959 by Harry Balafonte at Carnegie Hall it has grown in popularity to be a mega-hit, played everywhere, by everyone! The song's origins are from the Ukraine and words were added in 1918 by Israeli musicologist Abraham Idelsohn. Jeremy Kempton has now arranged this iconic song for Trombone Quartet .... and ... it is kosher for it to be played at occasions other than weddings and Bar Mitzvahs!! About 3 minutes in length it is scored for moderately advanced performers.

Hava Nagila Israeli Folk Song for Trombone Quartet
Quatuor de cuivres: 4 trombones

$20.00 19 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Chamber Orchestra - Digital Download

SKU: A0.944036

Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036).

Kantes del verdgel de granadasSongs from the Pomegranate Garden

A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra

Composer’s notes:

Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself.

The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation.

The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation.  

Duration: ca. 24 min.

Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com


Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre

$54.00 51.3 € Orchestre de chambre PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download

SKU: A0.773335

Composed by Folk. Arranged by Yoel Epstein. Christian,Jewish,Sacred,World. Score and parts. 10 pages. Yoel Epstein #4286157. Published by Yoel Epstein (A0.773335).

This song has become an icon of remembrance of the six million Jews who died in the Holocaust. It is traditionally played on Holocaust Day, which is on the 28th day of the Hebrew month of Nissan in Israel, or January 27th in the rest of the world.

Ani Maamin (I Believe): The words to this simple song are of the Jewish prayer I believe with perfect faith in the coming of the Messiah. The tune is attributed to Azriel David Festig, a leading Warsaw hazzan (cantor) who died in the Holocaust. The song was performed after the war by Rabbi Shaul Yedidia Eliezer Taub, the Admor (Rabbinical leader) of the Modzitz Hassidic sect, and has become the iconic song of the remembrance in the Hassidic community. 

This is one of four songs for Holocaust Remembrance Day that I have arranged for string quartet. The set of songs is available for download at https://www.sheetmusicplus.com/title/four-songs-of-the-holocaust-arranged-for-string-quartet-digital...

The other songs are 

Unter Dyne Vyse Shteren (Under the Starry Sky) was written by Avraham Sutskover, a leading Yiddish poet, while trapped in the ghetto of Vilna, in July 1943.

Shtiller Shtiller (Hush Hush) was written by Alexander Volkovitzky, then a 12-year-old boy, in the Vilna Ghetto in the spring of 1943. 

Hatikva (the Hope) is Israel's national anthem. The words are by Naftali Zvi Imber, and the tune is a traditional eastern European tune.

You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com.  Hope you enjoy.






Ani Maamin (I Believe) - A song of the Holocaust arranged for string quartet Quatuor cordes: 2 violons, alto, violoncelle

$1.99 1.89 € Quatuor cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.773330

Composed by Various. Arranged by Yoel Epstein. Christian,Contemporary,Jewish,World. Score and parts. 37 pages. Yoel Epstein #4285845. Published by Yoel Epstein (A0.773330).

These six songs have become icons of remembrance of the six million Jews who died in the Holocaust. They are traditionally played on Holocaust Day, which is on the 28th day of the Hebrew month of Nissan in Israel, or January 27th in the rest of the world.

Unter Dyne Vyse Shteren (Under the Starry Sky) was written by Avraham Sutskover, a leading Yiddish poet, while trapped in the ghetto of Vilna, in July 1943. Days before the ghetto was destroyed and all the Jews murdered, Sutskover escaped to the forest with his wife. He reached Russia, and in 1947 moved to Palestine. He died in Israel in 2010 at the age of 96. The poem was set to music by Avraham Brodna, a simple laborer in the Vilna ghetto who died in a concentration camp.

Ani Maamin (I Believe): The words to this simple song are of the Jewish prayer I believe with perfect faith in the coming of the Messiah. The tune is attributed to Azriel David Festig, a leading Warsaw hazzan (cantor) who died in the Holocaust. The song was performed after the war by Rabbi Shaul Yedidia Eliezer Taub, the Admor (Rabbinical leader) of the Modzitz Hassidic sect, and has become the iconic song of the remembrance in the Hassidic community.

Shtiller Shtiller (Hush Hush) was written by Alexander Volkovitzky, then a 12-year-old boy, in the Vilna Ghetto in the spring of 1943. Volkovitzky, who wrote the melody for a song contest organized to encourage the cultural life of the ghetto, eventually came to Israel where he (under the name Alexander Tamir) became a leading pianist and music educator. The words are by Shmerke Kacserginsky, a leading poet of Vilna, who later escaped the Holocaust and migrated to South America.

Papirossen (Cigarettes) actually predates the Holocaust by 15 years. It was written by Yiddish actor and composer Herman Yablokoff in 1922 in Grodno, Poland. Yablokoff later immigrated to America, where he produced a musical Papirossen that incorporated the song. It was later made famous by the Barry Sisters, a Yiddish popular music group.

Donna Donna was written by Shalom Secunda, with words by Aaron Zeitlin for the Yiddish musical Esterke in 1940. Though the song originally related to the 600-year-old legend of a Polish king who married a Jewess, it quickly became associated with the Holocaust because of its haunting message. The song has entered the popular folk repertoire, with canonical renditions by Joan Baez, Theodore Bikel, and many others.

 Hatikva (the Hope) is Israel's national anthem. The words are by Naftali Zvi Imber, and the tune is a traditional eastern European tune.

 You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.

 







Six Songs of the Holocaust, arranged for string quartet
Quatuor cordes: 2 violons, alto, violoncelle

$1.99 1.89 € Quatuor cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Handbell - Level 2 - Digital Download

SKU: A0.1382776

Composed by Hebrew Folk Song. Arranged by Sandra Zylstra. Instructional,Jewish,Multicultural,Wedding,World. Score. 2 pages. Sandra dee zylstra #967203. Published by sandra dee zylstra (A0.1382776).

Hava Nagila is a famous Hebrew Folk song arranged for level 2, 3 octave handbells. Purchase of this piece gives you permission to make copies for your bell choir only, it may not be duplicated for multiple groups. (Approximately 2 minutes, 3 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.

Hava Nagila (3 octave handbells)
Cloches

$15.00 14.25 € Cloches PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download

SKU: A0.850163

Composed by Folk. Arranged by Leah Ginzburg. Concert,Jewish,World. Score. 3 pages. Leah Ginzburg #6331705. Published by Leah Ginzburg (A0.850163).

The traditional Jewish song Rabbi Shimon Bar Yochai, which is usually sung on the Lag B'Omer holiday, is now available in piano solo arrangement, easy version.
.Bar Yochai (Hebrew: בַּר יוֹחַאי‎) is a kabbalistic piyyut (poem or hymn) extolling the spiritual attainments of Rabbi Simeon bar Yochai, the purported author of the preeminent kabbalistic work, the Zohar.
Hebrew:
בר-יוחַאי, נִמְשַׁחְתָּ - אַשְׁרֶיךָ
שֶׁמֶן שָׂשׂון מֵחֲבֵרֶיךָ
בַּר-יוחַאי, שֶׁמֶן מִשְׁחַת קדֶש
נִמְשַׁחְתָּ מִמִּדַּת הַקּדֶשׁ
נָשָׂאתָ צִיץ נֵזֶר הַקּדֶשׁ

"Rabbi Shimon Bar Yochai" רבי שמעון בר יוחאי (Lag ba-Omer song)
Piano Facile

$4.99 4.74 € Piano Facile PDF SheetMusicPlus


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