SKU: A0.829062

Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.

There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.

The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.

This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.

SKU: A0.1262853

Trumpet Voluntary (EASY PIANO) “Prince of Denmark's March� [Jeremiach Clarke]

Simplified arrangement for pianists of Trumpet Voluntary “Prince of Denmark's March� by Jeremiach Clarke. Prince of Denmark's March | For Piano Keyboard or Organ | Beginner Version in F Major | Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial. 

Step into the regal world of classical music with my meticulously crafted easy-level piano sheet music for the iconic Trumpet Voluntary, also known as Prince of Denmark's March, composed by Jeremiah Clarke. Perfectly suited for beginner pianists, this timeless piece allows you to immerse yourself in the grandeur of the Baroque era.

Experience the thrill of performing this majestic composition as you follow the expertly marked fingering, articulation, and dynamics in the sheet music. These essential notations provide the necessary guidance to bring out the beauty and brilliance of each note.

To enhance your learning journey, my sheet music package includes a captivating video YouTube tutorial. This tutorial serves as your personal instructor, offering valuable insights, techniques, and interpretations, allowing you to master the piece with confidence and finesse.

Indulge in the allure of classical music as you grace your piano with the magnificent melodies of the Trumpet Voluntary. With my sheet music, you'll embark on a musical adventure that cultivates your skills, transports you to a bygone era, and evokes a sense of elegance and majesty.

Keywords: sheet music, piano, pianist, beginner, easy level, Jeremiah Clarke, Trumpet Voluntary, Prince of Denmark's March, Baroque era, fingering, articulation, dynamics, video tutorial, classical music, melody, composition, regal, grandeur, musical adventure, elegance, majesty.

SKU: A0.810733

Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year  for Victor Records. During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August. Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag. This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet. Instrumentation is for: 2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo) Horn, Trombone Tuba/Bass Trombone The sound track features Mr. Bergler from his student days as Cornet soloist.

SKU: A0.750883

A medley of two of Jeremiah Clarke’s tunes: An English Baroque composer (1674-1707) - arranged for Solo Trumpet and Organ – There is also a Brass Quartet arrangement at this site as well...

King William's March  was composed in honor of William of Orange who had become King of England following the Glorious Revolution of 1688. Clarke's better known Prince of Denmark's March which follows, honored William's brother-in-law Prince George of Denmark.

Trumpet Voluntary - The most celebrated trumpet voluntary is the Prince of Denmark's March, a composition by Jeremiah Clarke written circa. 1700. It is properly a rondo for keyboard and was not originally called a trumpet voluntary. It is very popular as wedding music and was played at the 1981 wedding of Charles, Prince of Wales, and Lady Diana Spencer. [Wikipedia]

The MP3 was recorded with NotePerformer 3. (Solo Trumpet with Organ )

Grade = 3   Duration = 3:45 mins.

SKU: A0.792594

The Ernest Clarke Updated Method for Trombone is the result of James Biddlecome’s study of the original method book with his teacher, Roger Smith, as well as using it and modifying it in his own teaching studio for over thirty years. This updated version marks F-attachment and alternate positions and includes additional exercises composed by the editor with minor scales, mixed meter, slurring and long tones, most of which are left alone by Clarke. The first 20 of Clarke’s exercises are replaced by the above, making it more of an intermediate/advanced method compared to the original.

Mr. Biddlecome’s edition is very well thought out and should be a staple for any serious young performer of the Trombone.