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Alto Saxophone,Piano - Level 2 - Digital Download

SKU: A0.548976

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976).

Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10


Sheep May Safely Graze

Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire.

Programming

Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels.

Lyrics

Sheep may safely graze and pasture

In a watchful Shepherd’s sight.

Those who rule with wisdom guiding

Bring to hearts a peace abiding

Bless a land with joy made bright.

 

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

Bach: Sheep May Safely Graze for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 31.4 € Saxophone Alto et Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download

SKU: A0.548979

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979).

Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals.


Sheep May Safely Graze

Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire.

Programming

Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels.

Lyrics

Sheep may safely graze and pasture

In a watchful Shepherd’s sight.

Those who rule with wisdom guiding

Bring to hearts a peace abiding

Bless a land with joy made bright.

 

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

Bach: Sheep May Safely Graze for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 31.4 € Saxophone Baryton, Piano PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.534138

Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 204 pages. Musik Fabrik Music Publishing #3133407. Published by Musik Fabrik Music Publishing (A0.534138).

Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.

By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.

The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs
from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages
should be played in the manner of “bel canto†ornamentation, always lyrical and songlike.  

This is the score and complete parts for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings)
and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version


Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
Orchestre d'harmonie
1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy
$90.95 86.69 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.534137

Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 pages. Musik Fabrik Music Publishing #3133405. Published by Musik Fabrik Music Publishing (A0.534137).

Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.

By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.

The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs
from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages
should be played in the manner of “bel canto†ornamentation, always lyrical and songlike.  

This is the score and solo part only for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings)
and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version


Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
Orchestre d'harmonie
1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy
$25.95 24.73 € Orchestre d'harmonie PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download

SKU: A0.534135

Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135).

Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.

By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.

The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs
from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages
should be played in the manner of “bel canto†ornamentation, always lyrical and songlike.  

Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings)
and for Concert Band (for sale).  The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version


Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
Saxophone Alto et Piano
1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy
$16.95 16.16 € Saxophone Alto et Piano PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.534136

Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #3133403. Published by Musik Fabrik Music Publishing (A0.534136).

Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.

By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.

The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs
from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages
should be played in the manner of “bel canto†ornamentation, always lyrical and songlike.  

This is the score and solo part for the orchestral version. Versions are available from Musik Fabrik for piano for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings)
and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version


Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and orchestra
Orchestre de chambre
1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy
$25.95 24.73 € Orchestre de chambre PDF SheetMusicPlus

Piano - Digital Download

SKU: LV.9566

Parlors, Drapery, Musicians, Couples, Ballroom dancing, Courtship. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9566).

Select Waltzes. No. 1. Thomaston. n. Published 1847 by Henry Prentiss, No. 33 Court St. in Boston. Composition of introduction and five sectional movements with piano instrumentation. Subject headings for this piece include Parlors, Drapery, Musicians, Couples, Ballroom dancing, Courtship.

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Thomaston
Piano seul

$5.99 5.71 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1042846

By DaCapo Primary Music. By Carl Herring and John Ashton Thomas. Arranged by Louis d’Heudieres. Contemporary. Score. 4 pages. DaCapo Primary Music #647578. Published by DaCapo Primary Music (A0.1042846).

Aaye chelera aye Mayra is an original score composed by John Ashton Thomas for DaCapo Primary Music as part of a suite named Around the World. The words were written by Carl Herring and this piano reduction was arranged by Louis d’Heudieres.

It can be performed by a children’s chorus in unison and a piano accompanist. The piano parts can be simplified or filled out more depending on the accompanist's abilities.

The piano part is polyrhythmic and experiments with the usual phrasing of 6/8 compound time. The melody is based on a Bangladesh folk tune and it remains uncomplicated throughout the piece despite the rhythmically sophisticated piano part. The piece modulates through several keys and tonalities including G major, E major, E mixolydian and several others.

This piece is approx 2mins and you can find more DaCapo pieces for Children’s Chorus and piano accompaniment at
DaCapo Music Shop.

Aaye Chelera Aaye Mayra (Bangladesh) Piano, Voix
DaCapo Primary Music
$2.99 2.85 € Piano, Voix PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download

SKU: A0.1452092

Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 18 pages. Jeremiah Lawson #1031408. Published by Jeremiah Lawson (A0.1452092).

Thomas Commuck (1804 to 1855) was a member of the Narragansett tribe and is considered the first Native
American to publish a musical work using Western European notation. The work, Indian Melodies, is a shape?note
hymnal published as a contribution to the hymnody of the Methodist Episcopal Church and was published in 1845.

Guitar Sonata on themes by Thomas Commuck is a traditional four?movement work with an opening sonata
movement (Mooanam); a double variation form (Menominie and Susquehannah); a canonic minuet with trio (Pequot and Missouri; and a closing prelude with fugue (Flathead). The melodies are labeled as they appear throughout the score, though not always with reference to their original forms. I made a few gentle modifications to Commuck’s melodies to better facilitate their use in polyphonic textures.

You can hear the second movement here
https://youtu.be/OR8NMAyXlRk
and the third movement here
https://youtu.be/OjF7SxlQok0

I'm publishing this work in June 2024 to commemorate the centennial of the Indian Citizenship Act of 1924.

Guitar Sonata on Themes by Thomas Commuck (Guitar Sonata No. 11 in B major)
Guitare

$5.00 4.77 € Guitare PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download

SKU: A0.890464

Composed by Thomas Morley. Arranged by Kathleen McGuire. Renaissance. Octavo. 10 pages. Kathleen McGuire #5828249. Published by Kathleen McGuire (A0.890464).

This renowned English madrigal from the Renaissance is fun for all ages. The arranger, Kathleen McGuire www.mcguiremusicworks.com, has added soprano and tenor recorders, plus a bodhrán (hand drum), to supplement the original and authentically draw the listener to the period. The bodhrán rhythm also aids in holding together the tricky fa la la section. With the addition of the recorders, the arrangement also works well with reduced vocal parts (eg SAB). Duration: 2'20.

NOW IS THE MONTH OF MAYING by Thomas Morley arr Kathleen McGuire (SATTB, recorders, percussion) Chorale SATB

$3.50 3.34 € Chorale SATB PDF SheetMusicPlus


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