Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427). Volume 1 Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in the middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entranceThe Liturgical Organbook Volume 1 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Deo gracias, English ballad melody, Trinity College MS. (15th century)Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)Down Ampney, Ralph Vaughn Williams (1872-1958).

Small Ensemble C Instrument - Level 2 - Digital Download SKU: A0.869917 Composed by Gene Klosner. Contemporary,Praise & Worship,Sacred. Lead Sheet / Fake Book. 6 pages. Cher & Gene Klosner #6019881. Published by Cher & Gene Klosner (A0.869917). USCCB-approved Responsorial Psalm refrain. Verbatim Text on refrain; paraphrased verses. Duration: 3:53.Contemporary setting of Psalm 121, style comparable to John Denver, Dan Fogelberg.Use for 29th Sunday in Ordinary Time C (ord29C), Graduations, Baccalaureate, Funerals, more.Themes: Shelter/Light/Pathway/Journey/Comfort/God our Help/LentOfficial Liturgical text: Our help is from the Lord, who made heaven and earth.Coming soon: Octavo and Soloist/Small Group formats, as well as verbatim chant verses versions. MP3s available.https://www.facebook.com/LTFMusic/www.LTFMusic.comwww.youtube.com/cgklosner

C Instrument - Level 2 - Digital Download SKU: A0.1317267 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Contemporary,Easter,Praise & Worship,Religious. Lead Sheet / Fake Book. 8 pages. Cher & Gene Klosner #905927. Published by Cher & Gene Klosner (A0.1317267). Contemporary setting of Psalm 4. Responsorial Psalm, paraphrased refrain and verses.Official Liturgical text: “Lord, let your face shine on us.� Or “Lord, let your face shine on me.� Use for 3rd Sunday of Easter, Year B (east3B) and the three weekday masses listed below,or any opening/closing, especially for: Lent 2CEaster 3B, 6COrdinary Time 3A, 20A, 23C, 27ATuesday of the 10th Week in Ordinary Time (I) (ord10TuI)Tuesday of the 10th Week in Ordinary Time (II) (ord10TuII)Saturday of the 26th Week in Ordinary Time (II) (ord26SaII)Baccalaureate/GraduationThemes:Face Shine on Us/Darkness into Light/Lamplight/Shelter/Safe/Seeking/God's Wonders/Call on God/God Listens/Hear My Prayer/Love of God/JoyScriptural Passages:Num 6:25; Ps 4:2-9; Ps 18:28; Ps 27:1, 4, 7-8; Ps 31:16; Ps 67:1; Ps 80:3, 7, 19; Ps 119:135. This PDF contains the following versions: - Lead Sheet (for lead tenor, guitar accompanist, piano chorders - similar to fake books) - Assembly (for director, worship aid makers)...with descriptions and tips for the director and musiciansAvailable separately in Lead Sheet and PGV formats and Full Octavo Package.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosner.

Choral Choir (SA) - Level 1 - Digital Download SKU: A0.958126 Composed by Adam Judd. Arranged by Adam Judd. Christian,Sacred. Octavo. 3 pages. Adam Judd #3130261. Published by Adam Judd (A0.958126). John 1:1 places Christ at the creation of the world, stating In the beginning was the Word, or LOGOS. LOGOS Song adapts the text of John 1:1-6 into language that younger singers can manage, then follows with a simplified doxology, all set to a beautiful yet simple melody with excellent support from the piano accompaniment. This setting provides beginning singers an opportunity to contribute gorgeous, liturgically solid music to the worship service. If your chorus mixes younger voices with more experienced trebles, this 2-part treble version of the piece will offer both groups an appropriate challenge. For a treble chorus more comfortable singing only the melody, there is also a unison version available (S0.249747). Each octavo includes both a piano/vocal score and a one-page chart showing only the vocals.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719521 Composed by Curtis Hanson. Christian,Sacred. Octavo. 10 pages. Curtis Hanson #2032827. Published by Curtis Hanson (A0.719521). Nunc Dimittis is a concert setting of Simeon's expression upon seeing the child Jesus before his own death. Set for SATB chorus and organ (orchestral score and parts available separately), it begins in free chant before stating the text in the basses with an original melody. The optional middle section is based on Regina Fryxell's interpretation with permission of Augsburg Fortress. The piece concludes with a grand four-part restatement of the original melody followed by the Gloria Patri. Though perhaps best suited in a concert setting, it could also be sung liturgically, in full or in part, in a worship setting.

String Orchestra - Level 4 - Digital Download SKU: A0.1217215 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Sacred. Score and Parts. 16 pages. FRC Music #813753. Published by FRC Music (A0.1217215). Bach: Nun Komm'der Heiden Heiland - from 3 chorales, P. 167: No. 1. Lento assai, BWV 659 - Orchestral interpretation by Ottorino Respighi.Nun komm, der Heiden Heiland (original: Nu kom der Heyden heyland, English: Savior of the nations, come, literally: Now come, Saviour of the heathen) is a Lutheran chorale of 1524 with words written by Martin Luther, based on Veni redemptor gentium by Ambrose, and a melody, Zahn 1174, based on its plainchant. It was printed in the Erfurt Enchiridion of 1524.Nun komm, der Heiden Heiland continues to be used in modern settings. It appears in liturgically oriented Christian hymnals, for example the Lutheran Book of Worship, and as the cantus firmus for organ compositions.The song was the prominent hymn for the first Sunday of Advent for centuries. It was used widely in organ settings by Protestant Baroque composers, most notably Johann Sebastian Bach, who also composed two church cantatas beginning with the hymn. Later settings include works by Ottorino Respighy, Max Reger, Brian Easdale and Siegfried Strohbach.English versions include Savior of the nations, come by William Morton Reynolds, published in 1851.for String Orchestra (Bassoon Optional).from 3 Choirs: orchestral interpretation by Ottorino Respighi (3 corali : interpretazione orchestrale di Ottorino Respighi).from Bach - 3 chorales, P. 167:   No. 1. Lento assai  (after J.S. Bach's Nun komm, der Heiden Heiland, BWV 659) for String Orchestra (with basson optional). Orchestration by Ottorino Respighi (1930).Advanced Intermediate LevelFormat: Concert, 9 x 12 inches16 pagesFull Score and Orchestral Parts.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1241260 By Lisa Waites. By Lisa Waites. Christian,Holiday,Praise & Worship,Religious,Sacred. Score. 2 pages. Servant Song Music and Ministry #836654. Published by Servant Song Music and Ministry (A0.1241260). We Believe gives you the opportunity to teach your congregation about the timeless truths of the Christian faith, making this contemporary creed a perfect choice for Trinity Sunday, Confirmation Sundays, Creation, Pentecost, the Baptism of Christ, Christ the King Sunday, or on any other pastoral occasion when you want to celebrate faith in Christ, the power of the Holy Spirit, and emphasize our Triune God. The simple, catchy melody of We Believe is paired with enough rhythmic interest to captivate singers of any level, while remaining highly accessible for beginners. Set in the key of D Major, the score is offered in a Piano/Vocal/Guitar format that your church musicians will appreciate. This three-verse hymn is short enough to be used as a sung congregational response after the confession of the Nicene or Apostle's Creed, or it can function liturgically as a contemporary sung creed as an alternative to the traditional, spoken creeds. Alternatively, this piece can be used as a contemporary hymn for many different pastoral occasions and scriptural themes. It also works well as part of a multi-song worship package.  Many Christians are not reading the Word regularly or attending church often enough to know the core content of the faith; this contemporary creed harnesses the power of music and rhythm to reinforce Trinitarian theology in a compelling and memorable way. Try it out with your congregants, and you'll be helping them to learn more about their faith while simultaneously lifting up their voices in praise to God!

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.958125 Composed by Adam Judd. Christian,Sacred. Octavo. 3 pages. Adam Judd #3130259. Published by Adam Judd (A0.958125). John 1:1 places Christ at the creation of the world, stating In the beginning was the Word, or LOGOS. LOGOS Song adapts the text of John 1:1-6 into language that younger singers can manage, then follows with a simplified doxology, all set to a beautiful yet simple melody with excellent support from the piano accompaniment. This setting provides beginning singers an opportunity to contribute gorgeous, liturgically solid music to the worship service. If your chorus mixes younger voices with more experienced trebles, consider programming the 2-part treble version of this piece (S0.249749)to offer both groups an appropriate challenge.Each octavo includes both a piano/vocal score and a one-page chart showing only the vocals.

Concert Band - Level 3 - Digital Download SKU: A0.1031499 Composed by Dan Dickerman. Contemporary,Jewish. Score and parts. 44 pages. True Indie Media #3424827. Published by True Indie Media (A0.1031499). Bringing folk melodies into modern repertoire has a long tradition, with many iconic works simultaneously celebrating and preserving melodies which might otherwise have been lost to history. Here we have the opportunity to celebrate and preserve a melody just as it starts to find its way in the musical world. By the time Debbie Friedman died in January 2011, just shy of her 60th birthday, she had created a large collection of music loved throughout the world’s Jewish community. She embodied the idea that each generation has a responsibility to contribute to the canon of sacred music, and her settings of liturgical texts have been sung regularly for decades. Her setting of Mi Shebeirach, the prayer for healing, is likely her most familiar tune, but Shalom Aleichem is a beautiful capstone to her legacy. It was in an early stage at the time of her death, having shared the melody among a few groups. This melody has since been sung worldwide, beginning with Friedman’s own memorial and the following Sabbath of Song (Shabbat Shira), and it has begun to take its rightful place in the liturgical canon. The music here is ordered as it would be sung: starting with a presentation of the chorus theme by clarinets in SATB choir voicing, with more of the band joining-in with each repetition of the theme or chorus. The melody and countermelodies move among the different sections until the full band has taken up the tune while the euphonium, horn, and clarinet weave a contrapuntal line through it. Slowly, the joy of the full band is stripped away, exposing the more solemn sound of a brass choir, juxtaposing the joy brought to so many by Ms. Friedman during her life with a quiet reflection at its end. 

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.921766 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Score. 1 pages. Servant Song Music and Ministry #6617305. Published by Servant Song Music and Ministry (A0.921766). This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing these musical Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Melody and harmony parts have been included in the score so that you can divide into soprano/alto parts if you'd like to, but the piece works equally well if you stick to the melody alone. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Published by Servant Song Music & Ministry, this piece is hot off the press for use in Advent 2021, but watch for an SATB Choral version to follow at Sheet Music Plus in the next week or two! There is also a video available on YouTube at https://youtu.be/orgm6VuEJVo which you are free to use for digital or hybrid worship services. The lyrics are Closed Captioned, so your people can learn to sing the piece in rhythm with the piano accompaniment.    .

3, 4, 5, 6 or 7 octaves handbells and optional 2, 6 or 7 octaves handchimes - Level 2+ - Digital Download SKU: C7.CGB1243 An Easter Chant. Composed by Cathy Moklebust. Easter, Eastertide. With optional 2, 6 or 7 octaves handchimes. Score. 8 pages. Chorister's Guild - Digital #CGB1243. Published by Chorister's Guild - Digital (C7.CGB1243). “Victimae paschali laudes is a sequence prescribed for the Catholic Mass and some liturgical Protestant Eucharistic services on Easter Sunday, and is one of the few sequences that are still in liturgical use today. It is usually attributed to the 11th-century Wipo of Burgundy. Cathy Moklebust’s 3-7 octave arrangement of this medieval chant begins with a simple original melody, which is also used as an interlude between sections. The chant follows, accompanied by an LV bass line, then again with optional handchimes in canon. The final portion grows in texture, volume, and intensity to the glorious “Amen. Alleluia!.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.921768 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Octavo. 2 pages. Servant Song Music and Ministry #6629007. Published by Servant Song Music and Ministry (A0.921768). We're Forgiven (God of Grace) was originally scored in a Piano/Guitar/Voice format, but for this Advent/Christmas season, Servant Song Music & Ministry has produced this full SATB Choral arrangement, as well! This particular arrangement is suitable for Beginner and Early Intermediate Church Choirs and Worship Teams, including very small ensembles. If you don't have any men in your choir, you can turn the score into a Soprano/Alto 2-part version pretty easily, too.   This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing the Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Please don't make illegal copies of this score; it is the primary way I recover the costs of arranging, engraving and publishing new music. I work on the honour system. If you truly can't afford to purchase copies of this piece for each of your singers/musicians, please contact me via email or my Facebook music page, and I'll make sure your group is taken care of. To God be the glory!  

Piano,Trombone - Level 3 - Digital Download SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacred. Score and part. 7 pages. Con Spirito Music #702001. Published by Con Spirito Music (A0.1098129). “Humbly I Adore Thee� is a eucharistic, or communion, hymn with text by St. Thomas Aquinas (1225-1274).The origin of the melody, “Adoro te Devote,� is unclear. In some places it is simply described as a Gregorian chant; in others as a 13th-century Benedictine plainsong; in others as a French church melody published in the Paris Processionale (hymnal or liturgical manual) of 1697. Regardless, it is a lovely, flowing tune well-suited for the legato “singing� capabilities of the trombone, euphonium, or cello.In this arrangement, the soloist plays the tune through on the first verse in D major, adds a descant over the melody played by keyboard in the second verse and, following a short modulation, recapitulates the tune in the concluding key of G major.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com