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Choral Choir (Unison) - Level 4 - Digital Download

SKU: A0.727123

Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. Octavo. 11 pages. Carol Troutman Wiggins #2907289. Published by Carol Troutman Wiggins (A0.727123).

The Christmas Wish
Vocal Solo for Alto
Would you like a different kind of Christmas wish this year? Here it is!
This song is based on the poem Christmas Wishes written by contemporary author and poet Mary White Pustrom. Mary wrote many poems with the theme of Christmas, including what she thought people should wish for at Christmas. While so many adults wish for a new car, a sparkling diamond ring, or celebrating with a nice vacation in the tropics, she believes that Christmas wishes should be taken a step further by considering the wishes and needs of others more so than our own. In her poem Christmas Wishes, her desire for reaching out to others and granting them their wishes for the simple things in life take on great meaning:

Christmas Wishes

by Mary White Pustrom

Now that Christmas is drawing near I cannot help but see

All the poor and needy people who are reaching out to me.

It seems that everywhere I look there is a need to fill;

I feel so inadequate when their wishes I can't fill.

Among the lights and decorations, there is hunger and despair,

Faces filled with sadness while bright carols fill the air;

Little children who are cold and hungry wait for Santa Claus,

Wishing that he would bring them food, for that's a worthy cause.

 Others laughing, smiling, singing - so completely unaware

Of all the pain and suffering that's around them everywhere;

They wish for generosity in our thoughts, time, and deeds,

And wish that here at Christmas time, someone could fill their needs.

My wish is that we reach out to our sisters and our brothers,

Who depend on us for kindness from one to another;

Fill our hearts with Christmas cheer, and teach us how to share,

So that Christmas wishes will be fulfilled all throughout the year.

It sounds like she might have the right idea. At this time of year, it is so easy to get caught up in buying and receiving presents, the lights, and the Christmas tree, without considering the simple needs of others. Maybe this year, these simple wishes will come true for some:

·        Sick little children to be healed

·        Homeless people and children to find a family

·        For the less fortunate to have enough food, clothing, shelter, and shoes on their feet

·        That no one spends Christmas lonely and alone, and spent the way it should be, with loving family and friends.

 Most of all, wish that by caring for one another, Christmas wishes would come true all year long.

~ Carol Troutman Wiggins


The Christmas Wish (Vocal Solo) Chorale Unison

$5.95 5.71 € Chorale Unison PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1255098

Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098).

It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.

Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.

Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.

For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.

The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  
http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.html

We can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.

A living orb cloaked white and blue and green
Revolving and evolving, tight-hugged in orbit flight
We ride her back; dependent, fragile offspring.
Suckling all the while …but have we bonded?

A world unlike any other world we’ve seen
Gifted with Water, Air, Earth and perfect Light.
The essentials of life. Freely, these gifts she brings.
Free for all but how have we responded?

                                                                     Poem© 2020 Derek Dowding
Ross Fiddes
January 2023.

Toasting Mother Earth Piano, Voix

$35.00 33.62 € Piano, Voix PDF SheetMusicPlus

Level 3 - Digital Download

SKU: A0.1488249

Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249).

I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.

The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).

However, in the future, I don't rule out creating a version for the standard quintet too!

On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.

But then it's no surprise, Bach's music is always extraordinary and surprising!

The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.

Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of ??the arrangement and for studying the individual parts.

Good music!

am.

Contrapunctus I - From The Art of The Fugue ~ BWV 1080
$4.99 4.79 € PDF SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download

SKU: A0.565178

By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178).

This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.

The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.

This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:

 . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEB

For the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEB

Blessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEB

Lyrics for my favorite 3 verses:
O when the saints go marching in,
O when the saints go marching in,
O Lord I want to be in that number,
When the saints go marching in.

O when the trumpet sounds its call,
O when the trumpet sounds its call,
O Lord I want to be in that number,
When the trumpet sounds its call.

O when they crown him Lord of all,
O when they crown him Lord of all,
O Lord I want to be in that number
When they crown him Lord of all.
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet) 2 Pianos, 4 mains
Sharon Wilson
$5.99 5.75 € 2 Pianos, 4 mains PDF SheetMusicPlus

Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download

SKU: A0.1013048

Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048).

HEAVY METAL (2006, 18')
for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments.

Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.

About the Composer

Christine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes.  Website: www.kotekan.com
Heavy Metal for Balinese gamelan and chamber ensemble
$25.00 24.01 € PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download

SKU: A0.809406

By Simon And Garfunkel. By Paul Simon. Arranged by Academia Unimusica. Pop,Rock. Score. 1 pages. Unimusic Academy (Academia Unimusica) #6251769. Published by Unimusic Academy (Academia Unimusica) (A0.809406).

The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over several months in 1963 and 1964. A studio audition led to the duo signing a record deal with Columbia Records, and the original 'acoustic' version of the song was recorded in March 1964 at Columbia Studios in New York City and included on their debut album, Wednesday Morning, 3 A.M.. Released on October 19, 1964,[2] the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University.

In 1965, the song began to attract airplay at radio stations in Boston, Massachusetts, and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the song's remix until after its release.

The song hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album.

It was featured in the 1967 film The Graduate and was included on the film's soundtrack album. It was additionally released on the Mrs. Robinson 'EP' in 1968, along with three other songs from the film: Mrs. Robinson, April Come She Will and Scarborough Fair/Canticle.

The song was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being culturally, historically, or aesthetically important in 2012, along with the rest of the Sounds of Silence album.

Originally titled The Sounds of Silence on the album Wednesday Morning, 3 A.M., the song was shortened for later compilations, beginning with the 1972 compilation album Simon and Garfunkel's Greatest Hits.[3]


The Sound Of Silence Piano seul
Simon And Garfunkel
$8.00 7.68 € Piano seul PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download

SKU: A0.1263847

Composed by Matthew Nunes. Chamber,Classical,Hip-Hop,Pop,R & B,Rock. 107 pages. Matthew Nunes Music #856760. Published by Matthew Nunes Music (A0.1263847).

Listen to this piece here

Kids in the Corner is a piece especially composed for Thomas Smith, a family friend and former trumpeter, as a personal thank you for his generous donation to my “ Get Matt to Maryland†Rally via rally.org.
With this work I aimed to explore some dance styles that don’t tend to be invited to other suites. I wanted to challenge myself with these various styles while infusing the quirkiness of Thomas into the heart of the piece.

I. Hip
This summer I was able to pass through New York City on my way to a graduate school audition. On the train ride there I ended up next to a kid who was grooving to music I could hear snippets of through his headphones. This movement reflects characteristics of the sounds I heard on my way into the city.

II. One for the lovebirds…
It’s time to cuddle up next to your partner and take a trip down memory lane. This movement is an ode to the slow songs one may have experienced from a dance in the 1950’s.

III. Swung
For quite some time I have been intrigued with early instrumental dances and this movement explores their defining characteristics while hinting at this work’s overall structure.

IV. Posh, Prim, and Proper
This axiomatic propinquity of the Minuet and Trio is a coruscating combination of tonal and temporal creation. A suite as brilliant as this is but an inchoate one without homage to music’s finest moment. It is propitious that I elucidated an exposition featuring a Bach cello suite with motives from the Brahms Requiem in fugal counterpoint set against themes by Mahler.

V. Jig
A trumpet player I was performing with was warming up before a concert and cascading a peculiar series of long tones in to the hall. After he finished I approached him and asked him what he was playing. What he revealed to me was hilarious and this movement is homage to that occurrence.

- Matthew Nunes
Windsor, December 2014.

Kids in the Corner Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.99 24 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download

SKU: A0.1407365

By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365).

Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. 

Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. 

For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. 

Titles included in this collection: 
Prelude
Pastoral
Serenade
Intermezzo
Nocturne
Fantasia
Finale 

Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/
Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands) 2 Pianos, 4 mains
Sharon Wilson
$17.99 17.28 € 2 Pianos, 4 mains PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1119079

By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period,Video Game. Score. 14 pages. Blaze Scheuerman #720207. Published by Blaze Scheuerman (A0.1119079).

The 3rd and final movement to Blaze Scheuerman's A Journey Through Time Piano Sonata, A Struggle For The Future follows a conflict between two separate themes for control. Set in Rondo form, this piece tells an accurate depiction of a common day to day experience. We all in a way start off usually feeling fine like how the melody in the A Theme sounds, but then through the journey of the day meet some other conflict or competition that clashes with our calmness and causes an ensuing struggle. This piece was inspired by Beethoven’s Piano Sonatas, primarily Sonata in C Minor No. 8 “Pathetiqueâ€.

A Struggle For The Future Piano seul
Blaze Scheuerman
$4.99 4.79 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.573349

Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age. Score. 4 pages. James M Stevens Music ASCAP #5317955. Published by James M Stevens Music ASCAP (A0.573349).

Written March 20, 2020, this is an original piano composition in the ancient Greek mode of D Phrygian. It is in a darkly reflective style. Some of the sounds in the melody and harmony you hear might not sound quite right because it is in neither major or minor. This particular mode is not used as much as some of the others because of the minor 2nd in the scale and because there is not a true dominant feeling chord because the V chord does not have a perfect fifth and is naturally a diminished chord. Sometimes I like to write a piece that is just an exercise in 20th century music theory utilizing the ancient modes. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.

In the Shadow of the Phrygian Sea - Dark Piano Piano seul

$4.99 4.79 € Piano seul PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.870387

Composed by Randy A. Steinberg. Contemporary,Folk. Score and parts. 181 pages. Randy A. Steinberg #1932601. Published by Randy A. Steinberg (A0.870387).

This work commemorates the founding and settlement of the western United States. The piece consists of a number of musical episodes that evoke key historic milestones that took place as the west developed and grew over time. The work opens with a fanfare tribute to the mountains and valleys that were first seen by those arriving there. The fanfare starts out majestically and leads into a chorale tune that evokes the calmness of the river and the greenery around it. The clock then moves to a later time when the area was settled by bands of Indian tribes, dwellings and villages. This then melds into tribal life along the river and growth of the Indian culture. Suddenly, the sound of Indian raiding tribes is heard. This then settles down and Pioneer Wagon Trains are heard heading west, their wheels stumbling through mud and rock. In comes the U.S. Calvary. Trumpet calls are heard as the Calvary advances and eventually overcome the Indians, pushing them out of the west. The choral tune heard earlier is brought back which then leads to the sounds of the first trains heading west. As more and more trains arrive, the sound of towns and cities sprouting up is heard. At this point, the music gains momentum as more and more settlers arrive. Dance hall music can suddenly be heard followed by a segment that evokes the building of farms and raising of livestock. The music picks up into the 20th century culminating in a grand return of the opening River Valley fanfare heard at the start of the piece. A popular piece that resonates well with audiences bringing them a spirit of renewal and hope that they will find most uplifting.

Echoes Of The American West Orchestre d'harmonie

$45.00 43.22 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1438470

By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470).

A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. 

Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.

Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.

Part 2  It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.

Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind.  No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.

Part 4  The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.

The Cross Kirk and the lang walk Orchestre d'harmonie
Graham Hamilton
$40.00 38.42 € Orchestre d'harmonie PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download

SKU: A0.1438467

By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467).

A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. 

Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.

Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.

Part 2  It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.

Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind.  No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.

Part 4  The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.

The Cross Kirk and the lang walk Graham Hamilton
$40.00 38.42 € PDF SheetMusicPlus






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