Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1414908

By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise & Worship,Religious,Sacred. Score. 7 pages. Martin Music Editions #996658. Published by Martin Music Editions (A0.1414908).

In this stripped-down yet deeply emotive arrangement of Nothing But the Blood of Jesus, crafted in the style of Fernando Ortega and Jesus Culture, the focus is on the interplay between violin, voice, and piano. This rendition radiates a sense of intimacy and contemplation, drawing listeners into a sacred space of worship and reflection.

The piano introduces the piece with gentle, lingering chords that evoke a sense of reverence. Its melodies are reminiscent of Fernando Ortega's contemplative style, creating a foundation that supports and uplifts the subsequent elements of the arrangement.

As the vocalist begins, their voice carries the timeless lyrics with sincerity and warmth. Each word is infused with meaning, resonating against the piano's backdrop. The vocal delivery, reminiscent of Jesus Culture's heartfelt expression, conveys both vulnerability and deep conviction, inviting listeners to engage with the profound message of the hymn.

The violin enters delicately, weaving its melodic lines around the vocal phrases. Its tone is expressive and soul-stirring, adding a poignant layer of emotion to the arrangement. The violin's presence evokes Fernando Ortega's introspective sensibility, enhancing the lyrical depth and drawing out the thematic richness of the hymn.

As the arrangement progresses, the piano's role evolves, providing rhythmic support and harmonic depth. The vocal and violin melodies intertwine, creating a dialogue that reflects the spiritual journey depicted in the lyrics. The simplicity of the instrumentation allows each element to shine individually while blending harmoniously together.

During the chorus, the arrangement swells with emotional intensity. The vocalist's delivery becomes more impassioned, emphasizing the profound truth encapsulated in the refrain. The piano responds with cascading arpeggios, underscoring the soaring declarations of faith and redemption.

In the quieter moments, the violin takes center stage, offering introspective solos that invite contemplation. Its melodic lines soar above the piano's accompaniment, articulating the yearning and gratitude expressed in the hymn's verses.

As the arrangement reaches its culmination, the trio of voice, violin, and piano unites in a transcendent climax. The vocal harmonies rise in unison, resonating with the instrumentation to create a moment of profound connection and worshipful response.

In this arrangement of Nothing But the Blood of Jesus, the collaboration between voice, violin, and piano channels the spirit of Fernando Ortega and Jesus Culture. Rooted in simplicity yet imbued with deep emotion and spiritual depth, this rendition invites listeners to experience the transformative power of grace and redemption through music.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1487493

By Fernando Ortega. By Jerome Clark and Robin Williams. Arranged by Bruce Chadbourne. Christian,Easter,Folk,Religious,Singer/Songwriter. Score. 2 pages. Ceadda Music #1064446. Published by Ceadda Music (A0.1487493).

Don't Let Me Come Home a Stranger, as sung and performed by Fernando Ortega on his This Bright Hour album (1997). This gentle, meditative tune is arranged for vocal and either fingerstyle guitar or piano, given the chords and bass line. The style of the female descant part is also indicated.

Piano Solo - Level 3 - Digital Download

SKU: A0.859689

Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 4 pages. Sydney Stevens, Water Music #3861871. Published by Sydney Stevens, Water Music (A0.859689).

Contact: sydneystevenspianostudio@gmail.com

Again With You:
Reflective, peaceful piano solo with classical overtones. Evokes compassion and warmth.
Composed by Sydney Stevens (ASCAP).  All Rights Reserved.

Sounds like: Fernando Ortega, Michael Whalen, Laura Sullivan, David Nevue, Liz Story, A la Windham Hill, Michele McLaughlin

Theme: Music that portrays the emotion of peaceful surrender to both love's longing and the complications of making a long distance relationship survive.

Mood: Introspective, peaceful, sentimental.

Musical traits: Contrapuntal interplay between right and left hand. Strong melodic line in right hand piano part.
Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.

Performance time: 2:41

Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic

More Links:

https://sydneystevenswatermusic.com/

https://www.linkedin.com/in/sydney-stevens-532a113a/

BIOGRAPHY:
Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. Sydney's father is a jazz pianist, so both jazz and classical influences came at an early age. Her strong sense of artistry has evolved from years of composing music that expresses a wide range of emotions. Sydney is a master at creating musical landscapes which evoke strong imagery.
A natural composer, Stevens finished her music composition degree after years of honing her artistry in the absence of outside influences. After completing her formal training in music composition, Sydney graduated cum laude from University of Redlands in California, receiving the prestigious Sigma Alpha Iota Composer's Award. Stevens also studied music composition at University of York, England and with composer and recording artist Bill Douglas in Boulder, Colorado.
In addition to her large body of piano works and vocal songs, Sydney has composed music for chamber and symphony orchestra. Born in Los Angeles, California and raised in Seattle, Washington, Stevens currently resides in the beautiful Columbia River Gorge. A prolific composer, Stevens also teaches private piano lessons to students of all ages.