SKU: A0.1366252

Performed by Bette Midler, originally by The Andrews Sisters.  This Concert Band Scores accompanies the SSA/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion.  This song is about a famous bugler that gets drafted into the Army, then entertains the troops.  The song refers to trumpet man, Chicago, boogie style, boogie woogie, being drafted, Uncle Sam, Company B, blowing it eight to the bar, bass and guitar, putting the boys to sleep, waking them up early, clapping hands, stomping feet.  

This arrangement is designed for high school or college show choir, concert choir or community choir.  SSA/Piano Score also available.  Performance time is approximately 2:25.

SKU: A0.1321332

Violin and cello duo (duet) of this fantastic war-time tune made famous by The Andrews Sisters. There's a wonderful version by Bette Midler, and for this arrangement I also listened to the recording by Michael Maxwell and his Orchestra. Strings can swing!

SKU: A0.1366250

Performed by Bette Midler, originally by The Andrews Sisters.  This song is about a famous bugler that gets drafted into the Army, then entertains the troops.  The song refers to trumpet man, Chicago, boogie style, boogie woogie, being drafted, Uncle Sam, Company B, blowing it eight to the bar, bass and guitar, putting the boys to sleep, waking them up early, clapping hands, stomping feet.  

This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment also available.  Performance time is approximately 2:25.

SKU: A0.1129411

The Boogie Woogie Bugle Boy sensation made famous again by Bette Midler.

SKU: A0.924695

This fun arrangement of this well known Andrews Sisters' song from the big band/WW2 era is arranged for female voices and would be suitable for an octet (minimum), choir or barbershop chorus.

The texture varies throughout, but where the tune is featured this is mainly sung by a trio of voices (which can be more than 3 people in a larger choir performance), with a backing group of 4 parts in close harmony texture, plus an additional walking-bass line which frequently features low Ebs (normal for barbershop groups, although normal altos may consider this very low) and one low D at the end. 

There is also an opportunity for a solo scat, with neutral backing. If this is not desired, it would be possible to cut from beat 2 in bar 44 to the 2nd beat in bar 55.