Cello,Flute,Harpsichord,Multi-Percussion,Oboe,Orff Instrument,Piano,Recorder,Violin - Digital Download SKU: A0.1070029 Composed by Edna J. Bloom. Children,Classical,Concert,Instructional. Accompaniment. Duration 236. Bloom Musicnotes #5030329. Published by Bloom Musicnotes (A0.1070029). This audio is a companion to the Kitchenette Minuet (SO695763), an excellent classroom or studio resource set for harpsichord, recorder, and various kitchen percussion. Through study of the minuet dance, students learn about music and European court life in the 17th - early 19th century.  The instrumentation is multi-leveled to accommodate a variety of music reading abilities and to promote a sense of fun.  For instance, Recorder 1 ranges over the G scale while Recorder 2 utilizes only B, A, & G.  Goblets can be tuned or not, providing opportunity to explore the Glass Armonica and principles of sound.  This flexible piece has something for every age and ability.

By Liz Kitchen. Children; Film/TV. 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.153167). - - Children; Film/TV - Hal Leonard - Digital Sheet Music

Interactive Download SKU: HX.362901 By Liz Kitchen. This edition: Interactive Download. Children,Film/TV. 5-Finger Piano. 2 pages. Published by Hal Leonard Europe (HX.362901).

Double Bass,Medium Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.826962 Composed by Elizabeth Skola Davis. Children,Contemporary. 18 pages. Elizabeth Ann Davis #2849783. Published by Elizabeth Ann Davis (A0.826962). Wolf Skin, an original song for male voice, upright bass, and piano, was written to accompany a prose poem of the same name by Mary McMyne, which originally appeared in the Los Angeles Review and was subsequently reprinted as the title poem in McMyne's Elgin-Award-nominated collection (Wolf Skin, Dancing Girl Press, 2014). The lyrics and music retell the Little Red Riding Hood folktale from the huntsman's perspective, putting the listener into the position of the hero in the Brothers Grimm variant as he enters the grandmother's house. Inside, the baritone sings, the shadows shape a riddle, a story. The half-burnt candle in the kitchen, the unwashed dishes. The cloth-covered basket by the door. With these lines, we travel into the grandmother's house with the huntsman, the bass conjuring the strange buzzing sound of the wolf's snores, the piano manifesting the huntsman's realization of what happened before he arrived. The discord between the three voices in the trio, like the poem, questions the classic tale, interrogating the familiar trope of huntsman as hero at the same time as it pays homage to Franz Schubert's Erlkönig with its driving rhythm and dark tone.Bass part may be played by cello.Tenor version also available.

Double Bass,Piano Accompaniment,Tenor Voice - Level 4 - Digital Download SKU: A0.826963 Composed by Elizabeth Skola Davis. Children,Contemporary. 19 pages. Elizabeth Ann Davis #2849785. Published by Elizabeth Ann Davis (A0.826963). Wolf Skin, an original song for male voice, upright bass, and piano, was written to accompany a prose poem of the same name by Mary McMyne, which originally appeared in the Los Angeles Review and was subsequently reprinted as the title poem in McMyne's Elgin-Award-nominated collection (Wolf Skin, Dancing Girl Press, 2014). The lyrics and music retell the Little Red Riding Hood folktale from the huntsman's perspective, putting the listener into the position of the hero in the Brothers Grimm variant as he enters the grandmother's house. Inside, the baritone sings, the shadows shape a riddle, a story. The half-burnt candle in the kitchen, the unwashed dishes. The cloth-covered basket by the door. With these lines, we travel into the grandmother's house with the huntsman, the bass conjuring the strange buzzing sound of the wolf's snores, the piano manifesting the huntsman's realization of what happened before he arrived. The discord between the three voices in the trio, like the poem, questions the classic tale, interrogating the familiar trope of huntsman as hero at the same time as it pays homage to Franz Schubert's Erlkönig with its driving rhythm and dark tone.Bass part may be played by cello.Baritone version also available.

Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397678 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 84. Heather Mueller Music #5xLZSjV5GkhKkO9rF7D59V. Published by Heather Mueller Music (A0.1397678). Key: G major.Title: The Pipe On The Hob Type/Genre: Traditional Fiddle Tune - Jig (Irish) Availability: Sheet Music for Sale Get swept away by the lively rhythms of Irish tradition with The Pipe On The Hob, a spirited jig that embodies the essence of Celtic music. Key Features: Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, allowing for personalized renditions of The Pipe On The Hob. Tailor the tune to suit your playing style, facilitating enjoyable practice sessions and confident performances. Authentic Irish Flavor: The Pipe On The Hob is deeply rooted in the rich tapestry of Irish music, reflecting the lively rhythms and melodic motifs that define the jig genre. Immerse yourself in the vibrant spirit of Celtic tradition as you explore this beloved tune. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by The Pipe On The Hob. Delve into scales, bowing techniques, and rhythmic patterns derived from this spirited melody, honing your mastery of Irish fiddling techniques with each practice session. Cultural Connection: Connect with the cultural heritage of Ireland as you explore The Pipe On The Hob. Let the music transport you to the cozy hearths and lively kitchens where Irish musicians have long celebrated the joy of music and dance. Whether you're a seasoned performer or a newcomer to Irish music, The Pipe On The Hob offers an exhilarating musical experience that celebrates the rich tapestry of Celtic culture. Join in the celebration of Irish tradition and let the music inspire your own musical journey.

Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397634 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 69. Heather Mueller Music #5pf0ca5ChyN5jLSSUpcuhs. Published by Heather Mueller Music (A0.1397634). Key: A major.Title: Stan Chapman's Type/Genre: Traditional Fiddle Tune - Jig (Canadian) Availability: Sheet Music for Sale Experience the vibrant rhythms of Canadian musical tradition with Stan Chapman's, a spirited jig that pays homage to the rich heritage of fiddling in Canada. Key Features: Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, allowing for personalized renditions of Stan Chapman's. Tailor the tune to suit your playing style, facilitating enjoyable practice sessions and confident performances. Canadian Fiddling Flavor: Stan Chapman's is deeply rooted in the unique tapestry of Canadian fiddling, reflecting the lively rhythms and melodic motifs that define the jig genre in this country. Immerse yourself in the spirited energy of Canadian tradition as you explore this beloved tune. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Stan Chapman's. Delve into scales, bowing techniques, and rhythmic patterns derived from this lively melody, honing your mastery of Canadian fiddling techniques with each practice session. Cultural Connection: Connect with the cultural heritage of Canada as you explore Stan Chapman's. Let the music transport you to the lively kitchens and vibrant dance halls of Canadian communities, where fiddlers have long been celebrated for their skill and passion. Whether you're a seasoned performer or a newcomer to Canadian music, Stan Chapman's offers an exhilarating musical experience that celebrates the rich tapestry of Canadian fiddling tradition. Join in the celebration of Canadian culture and let the music inspire your own musical journey across the provinces and territories.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (A0.893864). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song is dedicated to my spouse Marly's parents, Isaac and Sybil who were a part of the crew who helped the plane people in Gander through their involvement in the Anglican church. WHEN THE WORLD DROPS IN TO TOWN     Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell.  With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town  All the stores they opened up their doors, the supplies, how fast they flew! Take it all to help the plane people, it’s the least that we can do! Aunt Winnie baked two dozen of her partridgeberry pies She said, I think those plane people will be in for some surprise! So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in.  Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away.  So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met.  Chorus:

Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!� Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!� So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.

Bass Guitar - Level 3 - Digital Download SKU: A0.1113598 By Coolio Featuring L.V. By Artis Ivey, Doug Rasheed, Larry Sanders, and Stevie Wonder. Arranged by Daniel Roberts. 20th Century,Film/TV,Hip-Hop,Instructional,R & B. Score. 2 pages. Daniel P Roberts #715501. Published by Daniel P Roberts (A0.1113598). Bass line of Synth Bass arranged for 5-string Bass with TAB. Use octave pedal. As I walk through the valley of the shadow of death I take a look at my life and realize there's not much left 'Cause I've been blastin' and laughin' so long, that Even my mama thinks that my mind is gone But I ain't never crossed a man that didn't deserve it Me be treated like a punk, you know that's unheard of You better watch how you're talkin', and where you're walkin' Or you and your homies might be lined in chalk I really hate to trip but I gotta loc As they croak, I see myself in the pistol smoke, fool I'm the kinda G the little homies wanna be like On my knees in the night, sayin' prayers in the streetlight Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Look at the situation they got me facin' I can't live a normal life, I was raised by the street So I gotta be down with the hood team Too much television watchin' got me chasin' dreams I'm an educated fool with money on my mind Got my ten in my hand and a gleam in my eye I'm a loc'd out gangsta set trippin' banger And my homies is down so don't arouse my anger, fool Death ain't nothin' but a heartbeat away I'm livin' life, do or die, what can I say I'm 23 now, but will I live to see 24? The way things is going, I don't know Tell me why are we, so blind to see That the ones we hurt, are you and me? Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Power and the money, money and the power Minute after minute, hour after hour Everybody's runnin', but half of them ain't lookin' It's goin' on in the kitchen, but I don't know what's cookin' They say I gotta learn, but nobody's here to teach me If they can't understand it, how can they reach me I guess they can't, I guess they won't I guess they front, that's why I know my life is out of luck, fool Been spendin' most their lives, livin' in the gangsta's paradise Been spendin' most their lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Keep spendin' most our lives, livin' in the gangsta's paradise Tell me why are we, so blind to see That the ones we hurt, are you and me? Tell me why are we, so blind to see That the ones we hurt, are you and me?