Interactive Download SKU: HX.378305 By Peter and Gordon. Arranged by Jim Beloff and Liz Beloff. This edition: Interactive Download. Pop,Rock. Ukulele. 2 pages. Published by Hal Leonard - Digital (HX.378305).

Organ: 3-staff - Intermediate SKU: LO.KK280 Composed by Gordon A. Young. Sacred. Sacred Music Press #KK280. Published by Sacred Music Press (LO.KK280). UPC: 000308011814.

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

Bass Trombone,Instrumental Solo - Level 4 - Digital Download SKU: A0.792787 Composed by Jean-Baptiste Arban. Arranged by Wade Goodwin. Instructional. Individual part. 134 pages. Gordon Cherry #6437485. Published by Gordon Cherry (A0.792787). The Arban Method has been a staple for cornetists, trumpeters, and trombonists for generations. Dr. Wade Goodwin has now compiled, arranged, and edited Selected Studies and Scales for Bass Trombone or Tuba from the famous method book.Also, he has taken many of the most relevant and transposed them into different keys to maximize the effectiveness of the most valuable studies. For tubists, some of these may be more appropriate on F Tuba.The range goes from very low Double Pedal D-flat to a high C (C5) an octave above middle C (C4) on the piano.This fantastic new addition to the repertoire contains over 139 pages of the best exercises and is sure to improve the technique of the performer.This method book is appropriate for intermediate to advanced performers.

Piano,Trumpet - Level 5 - Digital Download SKU: A0.792802 Composed by David Evan Thomas. 20th Century,Contemporary. Score and part. 124 pages. Gordon Cherry #6591121. Published by Gordon Cherry (A0.792802). Here is an excellent description of the 24 Lyric Preludes for Trumpet and Piano by the composer, David Evan Thomas:24 Lyric Preludes for Trumpet and Piano is a unified cycle of 24 contrasting pieces in all major and minor keys and may be played in sequence, by book, or excerpted in any order that makes musical sense. As in Chopin's 24 Préludes for piano, each major key is paired with its relative minor. But the 24 Lyric Preludes move softly down a descending ladder of thirds and flat-wise around the circle of fifths. Many aspects of the trumpeter's stock-in-trade are explored-double-tonguing, lip slurs, extremes of range and volume-as well as references to rhythms, patterns, and problems encountered by the orchestral player. The tonal spectrum may be widened further through judicious use of cornet and flugelhorn and creative choice of mutes. While there are a few notable links between movements (e.g., the Improvisation to the Nocturne; the return of the Prelude tune in the Finale), each piece deals with a characteristic style or musical idea, and most stand on their own. The piano is an equal partner throughout.Here is a testimonial of this very fine work:This is one of the most significant major works for trumpet and piano that I have seen in many years. It is a rare combination of great variety of nuance and challenges with a very broad audience appeal. I can recommend it highly and enthusiastically.David Baldwin, Professor Emeritus of Trumpet, University of Minnesota School of MusicThe complete work is about 36-40 minutes in length and is appropriate for advanced performers.

Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.

Brass Ensemble - Level 5 - Digital Download SKU: A0.707838 Composed by Antonio Vivaldi. Arranged by Gordon Cherry. Baroque,Classical,Renaissance,Romantic Period. Score and parts. 26 pages. Gordon Cherry #4726527. Published by Gordon Cherry (A0.707838). Newly transcribed for brass quintet & 2 solo trumpets in the key of Bb or C by Gordon Cherry, principal trombone of the Vancouver Symphony. The entire three movement Concerto features 2 dazzling soprano trumpet parts as soloists. Feature your two star trumpeters as soloists in this exciting work. Parts are as follows: two solo Eb cornets, two Bb cornets, Eb alto horn or Bb flugelhorn, Bb treble clef trombone and/or baritone and/or Euphoniums, Bass clef trombone, Bb treble Eb bass tuba, BBb treble bass tuba &  full score. This transcription is very tastefully done with detailed editing of phrasing and dynamics. This work is 10  minutes in length and requires advanced players on the solo parts and players between high intermediate and  advanced on the accompaniment parts. Vivaldi's composition is magnificent and will be a favorite on your program.

C Trumpet,Piano - Level 5 - Digital Download SKU: A0.1448770 Composed by Roger T. Petrich. 20th Century,Contemporary. Score and part. 21 pages. Gordon Cherry #1028584. Published by Gordon Cherry (A0.1448770). Roger T. Petrich (1938-2022) dedicated his three-movement Sonatina for Trumpet in C and Piano, a work from 1962 to his father. The introductory first movement recalling the ritornello form is followed by a quiet, slow movement. The recurring tone repetitions lend the third movement the character of a fanfare.Petrich studied composition with Pulitzer prizewinning composer Leo Sowerby and under Ernst Pepping in Berlin.The Sonatina was recorded by trumpeter Paul Neebe and organist Ulrich Knoerr in 2003. The CD is titled Te Deum under the label MDG.The 10 minute long work is appropriate for moderately advanced performers.