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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - Digital Download

SKU: A0.1122089

Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089).

Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).

Birthday Suit

$2.01 1.91 € PDF SheetMusicPlus

Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download

SKU: A0.1122168

By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 117. David Warin Solomons #723318. Published by David Warin Solomons (A0.1122168).

Many years before Andrew Lloyd Webber's Cats I created my own setting of TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats). Originally it was intended for choir, but the estate of T S Eliot would not let me use the poem itself as a choral piece. However, they did allow me to use the word Jellicle in my instrumental titles. Each version follows the rhythms of the T S Eliot poem. Performers: The Budapest wind quartet, comprising Flute: Ildikó Szabady Oboe: Márton Belek Clarinet: Hunor Egyed Bassoon: Kristóf Szilágyi.

Jellicle Wind for wind quartet
Budapest Scoring wind quartet
$4.50 4.28 € PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Soprano Recorder - Level 2 - Digital Download

SKU: A0.575799

Composed by David Warin Solomons. 20th Century. Score and parts. 2 pages. David Warin Solomons #2028265. Published by David Warin Solomons (A0.575799).

Many years before Lloyd Webber's Cats I created my own setting for TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats) Originally it was intended for choir, but the estate of T S Eliot would not let me use the poem itself as a choral piece. However, they did allow me to use the word Jellicle in my instrumental titles. Each version follows the rhythms of the T S Eliot poem. The sound sample is a live performance with Tasse on recorder and the composer on guitar. The versions available are: A duo for descant recorder and guitar (Jellicle Duo for recorder and guitar) A quartet for recorders (Jellicle Quartet for recorders) and A quartet for strings (Jellicle Catgut for string quartet) There is also available a choral version of the music following the recorder quartet version, which is a drinking song for SATB choir, with new words by Jill Mitchell called Praise to the Vine.

Jellicle Duo for recorder and guitar

$6.00 5.71 € PDF SheetMusicPlus

Small Ensemble Bass Clarinet,Pipa - Level 5 - Digital Download

SKU: A0.982536

Composed by William Grosvenor Neil. Contemporary. Score and parts. 41 pages. TheComposerStudio.Com, LLC #6701343. Published by TheComposerStudio.Com, LLC (A0.982536).

Other Echoes Inhabit the Garden (2009) for clarinet, bass clarinet, pipa, and erhu (score and parts) I composed this piece imagining myself in a garden of images, sonorities, and aromas that all merge in an idyllic moment in time.  I have taken a line from one of T.S.Eliot’s poems in the Four Quartets, for my title, Other Echoes Inhabit the Garden. The poem, Burnt Norton, concludes with the poignant truth that humankind cannot bear very much reality. I often wonder whether my work as a composer really has any significance or meaning beyond helping my listeners temporarily escape their personal realities. In recalling Eliot’s line, What might have been and what has been/ point to one end, which is always present I am reminded that a melody, a single line of lyric pitch flow evokes memory in the mind of the listener and that rhythm and accent often draws our attention to the present moving towards the future. So, with these inherent powers

of music in mind, it was my goal to create a piece of vibrant and engaging music that relentlessly draws the listener into the present moment. Eliot also alludes to a timeless merging of present and past in this poem. His line, then a cloud passed and the pool was empty brought back memories of being a child watching clouds almost unnoticeably move across the sky. I was similarly inspired to conclude Other Echoes Inhabit the Garden with music that evokes an ecstatic stillness tempered with a longing for the past. WGN

Other Echoes Inhabit the Garden

$35.00 33.3 € PDF SheetMusicPlus

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - Digital Download

SKU: A0.886685

Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3573129. Published by Panagiotis Theodossiou (A0.886685).

 Between Times Time past and time future... for clarinet, viola and piano (2017) op.73
Work written within the framework of composer's postgraduate studies on Composition for Vocal and Instrumental Ensembles in Ionian university and dedicated to the professor Josef Papadatos. Based on an excerpt from the Four Quartets by T.S.Eliot is polystilistic in idiom and in concertante style.
Time present and time past 
Are both perhaps present in time future 
And time future contained in time past.
If all time is eternally present 
All time is unredeemable. 
What might have been is an abstraction Remaining a perpetual possibility 
Only in a world of speculation. 
What might have been and what has been 
Point to one end, which is always present. 
(T.S.Eliot, Four Quartets)
Τα μέÏη:
I.Adagio misterioso (Outer Space, Gravity Zero)
II.Allegro (Into a time vortex)
III.L'istesso tempo (Escape) to Antonio Vivaldi & Dmitri Shostakovitch
IV.Andante rubato (Tranquillity Nebula) to Olivier Messiaen
V.Allegro (Gravitational Disorder) to Keith Emerson
VI.Adagio misterioso (Eternal Present)
Premier by Ionian Islands Festival Ensemble (Alexandros Michailidis, Helias Sdoukos, Stefanos Nassos) at Ionian Academy Theater in 2017.
The work was chosen by International Society for the Contemporary Music to represent Greece in 2018 ISCM World New Music Days in BeijingModern Music Festival, China. Performance by Trio Clavino (Doris Hall - Gulati, Simon Maurer, Xun Pan).

Between Times for clarinet, viola and piano

$30.00 28.54 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.575798

Composed by David Warin Solomons. 20th Century. Octavo. 5 pages. David Warin Solomons #2028255. Published by David Warin Solomons (A0.575798).

Many years before Lloyd Webber's Cats I created my own setting for TS Eliot's Song of the Jellicles
(from Old Possum's book of practical cats)
The estate of T S Eliot would not let me use the poem itself as a choral piece.
 So this is the choral version of the Jellicle music as a drinking song for SATB choir,
 with new words by Jill Mitchell called Praise to the Vine

Bring out the goblets! Pour the wine!
 Praise to the vintage, red and white!
 Salute to the harvest of the vine!
 Banish sobriety! Welcome delight!

 The performance is a live recording from a concert by Duodecimo.
 Other (instrumental) versions of the Jellicle music which are available are:
A duo for descant recorder and guitar (Jellicle Duo for recorder and guitar)
A quartet for recorders (Jellicle Quartet for recorders) and
A quartet for strings (Jellicle Catgut for string quartet).

Praise to the Vine for SATB choir
Chorale SATB

$2.99 2.84 € Chorale SATB PDF SheetMusicPlus

Flute,Guitar,Instrumental Duet - Level 2 - Digital Download

SKU: A0.1369648

Composed by David Warin Solomons. 20th Century,Contemporary. 2 pages. David Warin Solomons #954012. Published by David Warin Solomons (A0.1369648).

Many years before Lloyd Webber's Cats I created my own setting for TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats). Originally it was intended for choir, and then I went on to make instrumental duos and quartets from the bouncy kittenish theme. Each version follows the rhythms of the T S Eliot poem.

Jellicle Cats come out to-night
Jellicle Cats come one come all:
The Jellicle Moon is shining bright—
Jellicles come to the Jellicle Ball.

Jellicle Cats are black and white,
Jellicle Cats are rather small;
Jellicle Cats are merry and bright,
And pleasant to hear when they caterwaul.
Jellicle Cats have cheerful faces,
Jellicle Cats have bright black eyes;
They like to practise their airs and graces
And wait for the Jellicle Moon to rise.

Jellicle Duo for flute and guitar
Flûte et Guitare

$7.00 6.66 € Flûte et Guitare PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download

SKU: A0.575801

Composed by David Warin Solomons. 20th Century. 13 pages. David Warin Solomons #2028269. Published by David Warin Solomons (A0.575801).

Many years before Lloyd Webber's Cats I created my own setting for TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats)
Originally it was intended for choir, but the estate of T S Eliot would not let me use the poem itself as a choral piece.
 However, they did allow me to use the word Jellicle in my instrumental titles.
This version includes various ornamentations based on the playfulness of my cats.
The pdf file here contains the score and parts.
The sound sample is performed by musicians in Costa Rica.

Jellicle Catgut for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$12.00 11.42 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

English Horn,Guitar,Instrumental Duet - Level 3 - Digital Download

SKU: A0.1369644

Composed by David Warin Solomons. 20th Century,Contemporary. 2 pages. David Warin Solomons #954008. Published by David Warin Solomons (A0.1369644).

Many years before Lloyd Webber's Cats I created my own setting for TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats). Originally it was intended for choir, and then I went on to make instrumental duos and quartets from the bouncy kittenish theme. Each version follows the rhythms of the T S Eliot poem.

Jellicle Cats come out to-night
Jellicle Cats come one come all:
The Jellicle Moon is shining bright—
Jellicles come to the Jellicle Ball.

Jellicle Cats are black and white,
Jellicle Cats are rather small;
Jellicle Cats are merry and bright,
And pleasant to hear when they caterwaul.
Jellicle Cats have cheerful faces,
Jellicle Cats have bright black eyes;
They like to practise their airs and graces
And wait for the Jellicle Moon to rise.

Jellicle Duo for cor anglais and guitar

$7.00 6.66 € PDF SheetMusicPlus

B-Flat Clarinet,Guitar,Instrumental Duet - Level 2 - Digital Download

SKU: A0.1369698

Composed by David Warin Solomons. 20th Century,Contemporary. 2 pages. David Warin Solomons #954062. Published by David Warin Solomons (A0.1369698).

Many years before Lloyd Webber's Cats I created my own setting for TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats). Originally it was intended for choir, and then I went on to make instrumental duos and quartets from the bouncy kittenish theme. Each version follows the rhythms of the T S Eliot poem.

Jellicle Cats come out to-night
Jellicle Cats come one come all:
The Jellicle Moon is shining bright—
Jellicles come to the Jellicle Ball.

Jellicle Cats are black and white,
Jellicle Cats are rather small;
Jellicle Cats are merry and bright,
And pleasant to hear when they caterwaul.
Jellicle Cats have cheerful faces,
Jellicle Cats have bright black eyes;
They like to practise their airs and graces
And wait for the Jellicle Moon to rise.

Jellicle Duo for clarinet and guitar

$7.00 6.66 € PDF SheetMusicPlus

Guitar,Soprano Recorder - Level 3 - Digital Download

SKU: A0.1369447

By David Warin Solomons - guitar and Tasse (Nigel Tasane) - recorder. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 50. David Warin Solomons #953810. Published by David Warin Solomons (A0.1369447).

Many years before Lloyd Webber's Cats I created my own setting for TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats). Originally it was intended for choir, and then I went on to make instrumental duos and quartets from the bouncy kittenish theme. Each version follows the rhythms of the T S Eliot poem.


The sound sample is a live performance with Nigel Tasane on recorder and the composer on guitar.

Jellicle Duo for soprano recorder and guitar (mp3)
David Warin Solomons - guitar and Tasse (Nigel Tasane) - recorder
$4.50 4.28 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1274945

Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Blues,Broadway,Jazz,Musical/Show,Standards. Score. 3 pages. John Fries #867059. Published by John Fries (A0.1274945).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.

Spring Can Really Hang You Up The Most
Piano seul

$5.99 5.7 € Piano seul PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download

SKU: A0.500150

Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #113333. Published by John Fries (A0.500150).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.

Spring Can Really Hang You Up The Most
Instruments en Do

$3.99 3.8 € Instruments en Do PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1200032

Composed by Fran Landesman and Tommy Wolf. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #798844. Published by John Fries (A0.1200032).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Spring Can Really Hang You Up the Most (1955) is a popular song with lyrics by Fran Landesman, set to music by Tommy Wolf. The title is a jazz rendition of the opening line of T.S. Eliot's The Waste Land, April is the cruellest month. The song describes how somebody feels sad and depressed despite all the good things associated with spring. The song was featured in the 1959 Broadway musical The Nervous Set, but was written in 1955 before this musical and was incorporated into it.

Spring Can Really Hang You Up The Most
Piano, Voix et Guitare

$4.99 4.75 € Piano, Voix et Guitare PDF SheetMusicPlus






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