Organ,Voice - Level 3 - Digital Download

SKU: A0.1406751

By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Religious,Sacred. Full Performance. Duration 160. School Sisters of St. Francis #989486. Published by School Sisters of St. Francis (A0.1406751).

“The Spirit of the Lord�  Sr. Theophane Hytrek OSF

Cathy Lundeen is currently a choir member and cantor at St. Luke Congregation in Brookfield, Wisconsin under the direction of Shawn Rochon. She is also a member of the School Sisters of St. Francis Chapel Singers directed by Sr. Bernadette Luecker OSF, as well as a member and coordinator of the Gaudete Chorale, directed by Brian McLinden.
Cathy credits her vocal “training� and love of music ministry first and foremost to her sisters Laura Monteen, a retired Director of Liturgy and Music for the Gary Diocese, Indiana and Nancy Johnson, currently a cantor and choir member at St. John Neumann Parish in Homewood, Illinois, as well as liturgical music mentors Sister Mary Jane Wagner, OSF, Sister Bernadette Luecker, OSF, Brian McLinden, Shawn Rochon, Fr. Kenneth Augustine, Fr. Charles Conley,  Ann Owen and Bill Erickson. 

TEXT:
The Spirit of the Lord is upon us. 
Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.
Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.
Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.

The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.

We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1206983

By John Michael Montgomery. By Chuck Cannon and Victoria Shaw. Arranged by John Fries. 20th Century,Country,Pop,Standards. Score. 3 pages. John Fries #805167. Published by John Fries (A0.1206983).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  I Love How You Love Me is a song written by Barry Mann and Larry Kolber. It was a 1961 Top Five hit for the pop girl group The Paris Sisters I Love How You Love Me was originally intended for Tony Orlando, to be arranged in the same upbeat style as Orlando's precedent hits Bless You and Halfway to Paradise.

C Instrument - Level 4 - Digital Download

SKU: A0.1206981

By John Michael Montgomery. By Chuck Cannon and Victoria Shaw. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #805165. Published by John Fries (A0.1206981).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  I Love How You Love Me is a song written by Barry Mann and Larry Kolber. It was a 1961 Top Five hit for the pop girl group The Paris Sisters I Love How You Love Me was originally intended for Tony Orlando, to be arranged in the same upbeat style as Orlando's precedent hits Bless You and Halfway to Paradise.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download

SKU: A0.1402823

Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823).

This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.
The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.

In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.
Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.
The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.
Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>
The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.
Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).

Electronic Keyboard,Organ,Piano and Keyboard - Digital Download

SKU: HX.1085774

By The Paris Sisters. This edition: scorch. E-Z Play Today. Pop. Score. 2 pages. Hal Leonard - Digital #361795. Published by Hal Leonard - Digital (HX.1085774).

About Hal Leonard E-Z Play Today

For organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.

C Instrument - Digital Download

SKU: HX.386410

By The Paris Sisters. This edition: scorch. Love,Oldies,Pop. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #361795. Published by Hal Leonard - Digital (HX.386410).

C Instrument,Chords,Guitar,Lyrics,Melody,Piano and Keyboard - Interactive Download

SKU: HX.429608

By The Paris Sisters. This edition: Interactive Download,scorch. Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #361795. Published by Hal Leonard - Digital (HX.429608).

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1332094

By The Andrews Sisters. By Don Raye and Hughie Prince. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Film/TV,Jazz,Traditional. Score. 8 pages. MTC Publishing #918871. Published by MTC Publishing (A0.1332094).

Boogie Woogie Bugle Boy - Arrangement for Vocal, Guitar and Piano by Michael Thomas Coull

Boogie Woogie Bugle Boy is a World War II jump blues song written by Don Raye and Hughie Prince, and was introduced by The Andrews Sisters in the 1941 Abbott and Costello comedy film Buck Privates.  

The Andrews Sisters’ Decca recording reached No. 6 on the U.S. pop singles chart in the spring of 1941 when the film was in release.  In 1942 Boogie Woogie Bugle Boy was nominated for the Academy Award for Best Original Song, but lost out to The Last Time I Saw Paris.

The song is ranked No. 6 on Songs of the Century.  

A classic jazz standard arranged for solo voice, guitar & piano that anyone will love to perform.  With that classic Andrew Sisters' style and a great boogie woogie piano accompaniment your audience will be tapping their feet along to the music!

Also available for SSA choir with piano accompaniment.

Small Ensemble Alto Saxophone,Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.802617

By Bette Midler. By Don Raye and Hughie Prince. Arranged by Peet du Toit. Contemporary. Score and parts. 44 pages. Peet du Toit #6016933. Published by Peet du Toit (A0.802617).

Boogie Woogie Bugle Boy is a song which became a major hit for The Andrews Sisters and an iconic World War II tune that first appeared in the Abbott & Costello comedy film, Buck Privates. It reached number six on the U.S. pop singles chart in early 1941. The song is ranked No. 6 on Songs of the Century. Bette Midler's 1972 recording of the song also reached the top ten on the U.S. Billboard Hot 100.

Boogie Woogie Bugle Boy was nominated for the Academy Award for Best Original Song but lost out to The Last Time I Saw Paris.

The song is closely based on an earlier Raye-Prince hit, Beat Me Daddy, Eight to the Bar, which is about a virtuoso boogie-woogie piano player.

This arrangement is for a slightly smaller ensemble, consisting of an alto sax, 4 trumpets, a french horn, 3 trombones, a tuba and percussion.