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Piano and voice - Digital Download

SKU: LV.24121

Composed by George L. Cobb. Shaking hands, Cotton plantations, African Americans, Mansions, Ploughs, Homesickness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24121).

Are You From Dixie? ('Cause I'm From Dixie, Too!. Words by Jack Yellen. Music by George L. Cobb. Published 1915 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Shaking hands, Cotton plantations, African Americans, Mansions, Ploughs, Homesickness. First line reads Hello, there, stranger! how do you do?..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Are You From Dixie? ('Cause I'm From Dixie, Too!)
Piano, Voix

$5.99 5.7 € Piano, Voix PDF SheetMusicPlus

Guitar - Digital Download

SKU: A0.941966

By Somethingelseyt. By Adam Ortiz, Dillon Tyler Deskin, and William Egan. Arranged by Daniel Roberts. Contemporary. Guitar Tab. 3 pages. Daniel P Roberts #6094731. Published by Daniel P Roberts (A0.941966).

I'm Something Else by SomethingElseYT guitar tab.
I'm kinda mad, sad, shaking in, back forth

Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download

SKU: A0.801045

Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages. Connie Boss #4285309. Published by Connie Boss (A0.801045).

A song for Good Friday. I have one out there in treble clef. This one is in bass clef for men to sing it. It has piano accompaniment and guitar chords as well as written in duet. The ending is unique (my mp3 doesn't show it because I couldn't get it to play it right) but after Pound # 11 I'm no longer breathin', it ends in complete silence at that point.

The attached video is in SA and cello. 

Questions or requests, email cdboss@cvalley.net

Lyrics:

Refrain: How can it be, the pain that I feel, pounding through my hands be from the hammer and the nail? When as a child, so young, but aware, I watched Joseph use the hammer and the nail. To create things that were so beautiful. How can this pain be from the hammer and the nail? Verse Pound #1 What have I done Pound #2 They know not what they do Pound #3 I’m shaking in my knees Pound #4 Leads to many more Refrain: Verse Pound #5 I’m barely alive Pound #6 They poke me with a stick Pound #7 Soon I’ll be in heaven Pound #8 I’m feeling faint Refrain: Pound #9 I’m dying inside Pound #10 Father please forgive them Pound #11 I’m no longer breathin’.

The Hammer and the Nail - in bass clef - A Good Friday Song

$5.50 5.23 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1248632

By Herb Alpert. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #843127. Published by Timothy Stapay (A0.1248632).

This is an arrangement of This Guys In Love With You for intermediate piano solo.

This Guy's in Love with You is a song written by Burt Bacharach and Hal David, and recorded by Herb Alpert. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, arranged by Bacharach. An earlier recording of the song was by British singer Danny Williams titled That Guy's in Love, which appears on his 1968 self-titled album.

As documented in an A&E Biography episode featuring Bacharach, the recording originated when Alpert, while visiting at Bacharach's office, asked, Say, Burt, do you happen to have any old compositions lying around that you and Hal never recorded; maybe one I might be able to use? Alpert said he made it his practice to ask songwriters that particular question: often a lost pearl was revealed. As it happened, Bacharach recalled one, found the lyrics and score sheet in his office filing cabinet, and offered it to Alpert: Here, Herb ... you might like this one.

Lyrics:

You see this guy
This guy's in love with you
Yes, I'm in love
Who looks at you the way I do
When you smile I can tell
We know each other very well
How can I show you
I'm glad I got to know you, 'cause

I've heard some talk
They say you think I'm fine
Yeah, I'm in love
And what I'd do to make you mine
Tell me now, is it so?
Don't let me be the last to know
My hands are shaking
Don't let my heart keep breaking, 'cause

I need your love
I want your love
Say you're in love
In love with this guy
If not, I'll just die

Tell me now, is it so?
Don't let me be the last to know
My hands are shaking
Don't let my heart keep breaking, 'cause
 
I need your love
I want your love
Say you're in love
In love with this guy
If not, I'll just die.

This Guy's In Love With You
Piano seul
Herb Alpert
$6.99 6.65 € Piano seul PDF SheetMusicPlus

Piano and voice - Digital Download

SKU: LV.21449

Composed by M.B. Lawry. Portraits, Flags, Farewell, Shaking hands, Soldiers, Mothers & children, Grief, Explosions, Naval warfare, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21449).

Say Goodbye to Mother, or, I'll Remember the Maine and Brother Jack. A Thrilling Ballad of the War. Words by Jere O'Halloran. Music by M.B. Lawry. Published 1898 by The Vivian Music Pub. Co. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Flags, Farewell, Shaking hands, Soldiers, Mothers & children, Grief, Explosions, Naval warfare, Patriotism. First line reads Down in old, Havana bay lie the heroes of the day..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Say Goodbye to Mother, or, I'll Remember the Maine and Brother Jack. A Thrilling Ballad of the War
Piano, Voix

$5.99 5.7 € Piano, Voix PDF SheetMusicPlus

Piano - Digital Download

SKU: LV.11608

Composed by Nina M. P. Duval. Fraternal organizations, Shaking hands, Symbols, Keys (Hardware), Emblems. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11608).

Sigma Chi Waltz. Composed by Nina M.P. Duval. Published 1872 by F.A. North & Co., 1026 Chestnut St. in Philadelphia. Composition of sectional with piano instrumentation. Subject headings for this piece include Fraternal organizations, Shaking hands, Symbols, Keys (Hardware), Emblems.

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Sigma Chi Waltz
Piano seul

$5.99 5.7 € Piano seul PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download

SKU: LV.23526

Composed by M. H. McChesney. Shaking hands, Temperance, Alcoholic beverages, Happiness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23526).

Willie Has Signed the Pledge. Song and Chorus. Words and Music by M.H. McChesney. Published 1871 by Lyon & Healy in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Shaking hands, Temperance, Alcoholic beverages, Happiness. First line reads Oh! May, have you heard the glorious news that mother was telling today?..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Willie Has Signed the Pledge. Song and Chorus
Chorale SATB

$5.99 5.7 € Chorale SATB PDF SheetMusicPlus

Ensemble (or chamber orchestra) - Digital Download

SKU: S9.Q19866

For ensemble (or chamber orchestra). Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 25 minutes. Schott Music - Digital #Q19866. Published by Schott Music - Digital (S9.Q19866).

Jörg Widmann dedicated 'Freie Stücke' to his teacher Wolfgang Rihm on his fiftieth birthday in 2002. The ten pieces for mixed ensemble or orchestra are 'inspired by the wish for concentration and reduction. Each piece focusses on one sound phenomenon (pulse, shaking ground, noise, monophony, overtone structures, etc.). All parts are locked together, however. The ending of each piece is the beginning of the next one. Thus, something disparate becomes something continuously narrated.' (Jörg Widmann)

2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 2 (1. auch Bassklar., 2. auch Kb-Klar., beide auch Pedalp.) · 1 (auch Kfg. und Lotosfl.) - 1 · 1 (auch Lotosfl.) · 1 · 0 – S. (I: Crot. · Lotosfl. · Wassergong [kl. Tamt.] · Wassergong [c']· Tamt. · Xylorimba · gr. Tr. · Beck. · Glsp. · 5 Woodbl. · 2 Peking-Oper-Gongs · Trillerpf. · hohes Tomt. · 2 hohe Tamb. · Steel Drum · Rototoms [chrom.] · Buckelgongs; II: Chin. Beck. · 5 Woodbl. · Lotosfl. · Pedalpauke [auch m. schwerem 20-Zoll-Ride-Beck. m. Kuppe aufgelegt] · 5 Beck. · Xylorimba · Peitsche · gr. Tr. · Crot. · Trgl. · Glsp · Flex. · Guiro · Peking-Oper-Gong · Trillerpf. · Röhrengl.) (2 Spieler) - Str. (1 · 1 · 1 · 1 · 1 [Kb. mit 5. Saite H], oder chorisch).

Free Pieces

$47.99 45.67 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1247227

By New Christy Minstrels. By Richard M. Sherman and Robert B. Sherman. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #841772. Published by Timothy Stapay (A0.1247227).

This is an arrangement of Chim Chim Cher-ee from the Walt Disney movie, Mary Poppins.

Chim Chim Cher-ee is a song from Mary Poppins, the 1964 musical motion picture, and also is featured in the 2004 Mary Poppins musical.

The song won the 1964 Academy Award for Best Original Song. In 2005, Julie Andrews included this song as part of Julie Andrews Selects Her Favorite Disney Songs.  The song was written by Robert B. Sherman & Richard M. Sherman (the Sherman Brothers) who also won an Oscar and a Grammy Award for Mary Poppins' song score.

The song was inspired by one of the drawings of a chimney sweep created by Mary Poppins' screenwriter, Don DaGradi. When asked about the drawing by the Sherman Brothers, DaGradi explained the ancient British folklore attributed to sweeps and how shaking hands with one or touching their sleeve could bring a person good luck.  In their 1961 treatment, the Sherman Brothers had already amalgamated many of the P.L. Travers characters in the creation of Bert. His theme music became Chim Chim Cher-ee. 

Lyrics:

Chim chiminey
Chim chiminey
Chim chim cher-ee
A sweep is as lucky
As lucky can be

Chim chiminey
Chim chiminey
Chim chim cher-oo
Good luck will rub off when
I shakes 'ands with you
Or blow me a kiss
And that's lucky too

Now as the ladder of life
'As been strung
You may think a sweep's
On the bottommost rung

Though I spends me time
In the ashes and smoke
In this 'ole wide world
There's no 'appier bloke

Chim chiminey
Chim chiminey
Chim chim cher-ee
A sweep is as lucky
As lucky can be

Chim chiminey
Chim chiminey
Chim chim cher-oo
Good luck will rub off when
I shakes 'ands with you

Chim chiminey
Chim chiminey
Chim chim cher-ee
A sweep is as lucky
As lucky can be

Chim chiminey
Chim chiminey
Chim chim cher-oo
Good luck will rub off when
I shakes 'ands with you

I choose me bristles with pride
Yes, I do
A broom for the shaft
And a brush for the flume

Up where the smoke is
All billered and curled
'Tween pavement and stars
Is the chimney sweep world

When the's 'ardly no day
Nor 'ardly no night
There's things 'alf in shadow
And 'alf way in light
On the roof tops of London
Coo, what a sight

Chim chiminey
Chim chiminey
Chim chim cher-ee
When you're with a sweep
You're in glad company

No where is there
A more 'appier crew

Than them wot sings
Chim chim cher-ee
Chim cher-oo
Chim chim cher-ee
Chim chim cher-ee chim cher-oo.

Chim Chim Cher-ee
Piano seul
New Christy Minstrels
$4.99 4.75 € Piano seul PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download

SKU: A0.1490010

Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010).

Whiter Than the Snow/Eden Reeder Latta  - Henry Southwick Perkins BLESSED BE THE FOUNTAIN
arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!
From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).
The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original.  The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.
The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.
I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.

Whiter Than the Snow
Chorale SATB

$2.99 2.85 € Chorale SATB PDF SheetMusicPlus






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