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Cello,Guitar,Violin - Level 3 - Digital Download SKU: A0.1329095 By Miles Davis, Gil Evans, Manuel de Falla. By Miles Davis, Gil Evans, Manuel de Falla. Arranged by Nick Mordal. 20th Century,Chamber,Classical,Jazz,Latin. 9 pages. Nick Mordal #917069. Published by Nick Mordal (A0.1329095). This is from the Miles Davis album Sketches of Spain and is arranged for violin, cello and guitar. You can also find the song in Manuel de Falla's ballet El Amor Brujo. There is a vamp at the end where the violinist in encouraged to improvise chromatically and cue the final measures. The piece has several origins. I first discovered it on Miles Davis' and Gil Evans' record Sketches of Spain, and mainly based the arrangement on that version. However, the melody is from ancient Spanish folk tradition and was brought to the popular world in Manuel de Falla's Ballet El Amor Brujo. It is a very haunting and moody work in each of it's versions. I believe I captured the feeling in a trio of guitar, violin and cello. Light percussion can work very nicely with it as well, as you can hear in this version performed by Mill City Caravan. 
Will o' the Wisp
Miles Davis, Gil Evans, Manuel de Falla
$20.00 16.86 € PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Baritone Saxophone,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Digital Download SKU: A0.1035242 By Miles Davis. By Conti Bilong, Kimberly Ann Nazarian, Miles Davis, and Peter Eldridge. Arranged by Drew Zaremba. Contemporary. Score and parts. 95 pages. ZarembaMusic #4767299. Published by ZarembaMusic (A0.1035242). This arrangement of the iconic 1959 tune All Blues was written for the 2019 Greeley Jazz Festival, for the UNC Lab I to perform as a tribute to the year 1959. The arrangement features a Gil Evans-esque treatement of the melody, and introduces each soloist with a 2 chorus harmonization of the transcribed original solos, including Miles, Cannonball, and Coltrane. This tune works well for students wanting to get into the original but performing it in a big band context.
All Blues
Miles Davis
$75.00 63.23 € PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
Orchestre

$9.99 8.42 € Orchestre PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1452388 Composed by Phil Kan. Arranged by Phil Kan. Blues,Jazz. 51 pages. Phil Kan #1031718. Published by Phil Kan (A0.1452388). An original blues, orchestrated for big band (5-4-4-4).  (Originally devised as practice piece for bass guitar, on which 4ths can be awkward to be play :)After a couple of statements of the head, an open soloing section follows. The backing parts introduce a new counter theme. This is followed by a bit of a slow Gil Evans type moment, with a final full on, no holds barred restatement. Hope you find it fun!Check out my other arrangements for Big Band, and feel free to contact me at pitdadphil@gmail.com for any questions, corrections, or alternatives. I hope you enjoy playing this as much as I did arranging it!
4th Blues
Ensemble Jazz

$49.00 41.31 € Ensemble Jazz PDF SheetMusicPlus


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