Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.

Piano Solo - Digital Download SKU: A0.503545 Composed by William H. Doane. Arranged by Doug Little. Instructional,Sacred,Traditional. Score. 39 pages. Published by Robert D Little (A0.503545). Nine intermediate-level piano solos of favorite hymn tunes composed by Wm. H. Doane. Arrangement use various technical and interpretive skill-developing means for the growing pianist. Performance-worthy for church, school, recital, and other public settings.

Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.998806 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064405. Published by Robert A. Howard (A0.998806). This piece is the 'Glory Be' section only, devised as a stand-alone item, from Howard's 2011 setting of the Magnificat and Nunc Dimittis (also available via Sheet Music Plus). The 'Glory Be' is based on the Magnificat's opening organ material, and aptly features varied harmonisations of the phrase 'world without end'. The text is in English. The piece is appropriate for 3-part choirs of any size and most standards, including school, student, community, church and cathedral choirs. The original 4-part SATB version of this Gloria Patri is also available via Sheet Music Plus.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.998805 Composed by Robert A. Howard. 21st Century,Contemporary,Jazz,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064399. Published by Robert A. Howard (A0.998805). This piece is the 'Glory Be' section only, devised as a stand-alone item, from Howard's 2011 setting of the Magnificat and Nunc Dimittis (also available via Sheet Music Plus). The 'Glory Be' is based on the Magnificat's opening organ material, and aptly features varied harmonisations of the phrase 'world without end'. The text is in English. The piece is appropriate for 4-part choirs of any size and most standards, including schools, students, community, church and cathedral choirs. The work is also available in a version for SSA choir, from Sheet Music Plus.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Level 2 - Digital Download SKU: A0.1405932 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Film/TV. 4 pages. Robert A. Howard #988973. Published by Robert A. Howard (A0.1405932). This work is flexibly scored in four instrumental parts. It evokes an imaginary film scene that gradually builds in tension, from a single, simple melody. Parts are gradually added as the texture thickens, pitch rises, and dynamics increase. The opening theme recurs in variation, including by adding harmonies created through symmetry. The piece reaches a climactic conclusion at the very end. Note: this document is the full score only. A full set of parts (with the score) is available by searching via the COMA Music Library.Duration: 3 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Level 4 - Digital Download SKU: A0.1471113 Composed by Robert A. Howard. 20th Century,Chamber,Contemporary,Folk,Instructional. 25 pages. Robert A. Howard #1048757. Published by Robert A. Howard (A0.1471113). Mirage Sextet is a single movement work, and is scored for a mixed chamber ensemble of clarinet (in A), bassoon, piano, violin, viola and cello. The work focuses on an exploration of the octatonic scale on C, in the semitone-tone variant. The piece has a loose ternary feel, as the outer sections present primary material and main themes that recur. Meanwhile, a middle section offers some contrast in a succession of mini cadenza-style solos for most of the instruments. The work develops 20th century folk-influenced idioms, such as those of Bartok, Kodaly, early Lutoslawski and Ligeti, as well as Stravinsky, Shostakovich and perhaps even Messiaen. The main compositional interests are: changing, as well as irregular, time signatures; the aforementioned octatonic scale to create folk-like motifs and melodies, added-note harmonies (with the importance of the augmented fourth interval); and percussive doublings of instruments in their lower (gritty/folky) registers, in octaves, as well as liberal actual doubling by the piano. The work is generally accessible to performers and audience. The attached document is the score only, with audio for reference.Duration: 8 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1398861 Composed by Robert A. Howard. 21st Century,A Cappella,Advent,Christmas,Classical. 8 pages. Robert A. Howard #982133. Published by Robert A. Howard (A0.1398861). This work is an unaccompanied choral setting of the famous poem by Christina Rossetti. It features a 3-verse structure (mirroring the text), with coda. The piece builds in textural complexity and density throughout, as an attempt to depict the increasing sense of abundant love, referred to in the text. The main melodic material is deliberately simple and rather folk/chant-like. This essentially appears as a single line in the first verse, becoming a two-part canon (by one bar) in the second verse, and finally a four-part canon (by half a bar) in the third verse. The imitative coda leads to ultimate resolution on an F major chord at the end. The work is highly accessible, and is designed for performance by good SATB choirs, able to effectively sustain such unaccompanied singing. Versions for SA choir, and for solo voice (both unaccompanied), are also available from Sheet Music Plus.Duration: 3 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 4 - Digital Download SKU: A0.998892 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Instructional,Religious. Score. 8 pages. Robert A. Howard #6572655. Published by Robert A. Howard (A0.998892). Ascension was originally conceived as a wind quintet. This second version was arranged for solo piano. This music gradually ascends in pitch, though a central chorale section suggests a deeper, religious meaning of ascent. The work conveys a 'procession' in which couples, represented by the dominant two-part texture, gradually make their way upwards. Crowds line the route. The scene evokes Christ's ascent to the crucifixion. The piece is highly accessible and is appropriate for more advanced pianists, including students and professionals. Duration: 7 minutes 45 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Choral Choir,Choral,SA Chorus - Level 3 - Digital Download SKU: A0.1401784 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise and Worship,Sacred. 10 pages. Robert A. Howard #984969. Published by Robert A. Howard (A0.1401784). This catchy two-part version of the original three-part anthem with accompaniment, sets a text by Revd Canon Dr Gordon Giles, and was composed for the 2022 RSCM Harold Smart Anthem Competition. The work plays with alternating A minor and A major tonalities, with three verses exploring textural variation in the choral parts. The imitative recurring chorus is also varied on each return. The coda gradually builds in dynamics, texture and pitch, in setting repetitions of the word 'Amen', leading to the final A minor climax. This anthem is also available in versions for solo voice, and for three-part choir, both with accompaniment, as well as a piano solo version titled 'Lauda', all from SMP.Duration: 3 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1089746 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 5 pages. Robert A. Howard #693953. Published by Robert A. Howard (A0.1089746). This is the fourth in a set of seven pieces that each elaborate upon ideas previously left dormant in sketch form. This cumulative four-section piece gradually descends in pitch by alternating hands in a minimalist build up of motifs, each followed by a chordal refrain. The piece is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Other works from the Sketch cycle, as well as the complete set, are also available via Sheet Music Plus. Duration: 3 minutes 45 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 3 - Digital Download SKU: A0.1398806 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 3 pages. Robert A. Howard #982079. Published by Robert A. Howard (A0.1398806). 'Minute Bagatelle' is a light, skittish, solo piano miniature. It features simple textural variations on a jaunty jig-like theme that is stated an octave lower on each statement. Harmonies almost exclusively feature added fourth chords. The piece is exactly one minute long in duration, as a response to Chopin's famous Minute Waltz. It was designed as an educational piece, but can be performed by most standards of pianists, from mid-grade students through to professionals. The work is composed in a highly accessible idiom. The piece could even be used as a carefree encore in recital or concert.Duration: 1 minute.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Level 2 - Digital Download SKU: A0.1408403 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,New Age. 2 pages. Robert A. Howard #990982. Published by Robert A. Howard (A0.1408403). Critical Mass is a sculptural installation by Antony Gormley (1995), which as been displayed at Tate St. Ives, Cornwall. It consists of multiple iron casts of the artist's body, in various poses. These are randomly distributed around the gallery space. This flexibly scored piece is a musical reflection of this artwork, in 6 sections (labelled A-F), for any mixed ensemble, with an untuned percussion part (F). Rhythms and pitch material remain similar throughout. However, following an initial solo statement (A), the texture is continually varied within the context of multiple free canons (B-E). The piece concludes with a conventionally notated and conducted unison section (in octaves), as the work comes full circle (F). Note: this document is the full score (with transpositions indicated). No audio track is provided here due to the considerable flexibility and variability of performances. The original score is available via a search of the COMA Music Library.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Level 2 - Digital Download SKU: A0.1404389 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary. 8 pages. Robert A. Howard #987462. Published by Robert A. Howard (A0.1404389). This work is all about memories and reminiscences. It is flexibly scored in 10 parts and is essentially written for 'sinfonietta' instrumentation of one of each main orchestral instrument plus piano (flute, oboe, clarinet, bassoon, French horn, 2 violins, viola, and cello), though other instruments can be substituted. The piece uses a harmonic sequence of jazz-like chords (only heard fully in the final passage). This material re-occurs out of sequence throughout the piece with only subtle changes (mainly of context). This helps to establish the 'reminiscence' aspect of the work. Note: the PDF provided is the full score only.Duration: 2 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Piano Solo - Level 2 - Digital Download SKU: A0.998887 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 14 pages. Robert A. Howard #6487369. Published by Robert A. Howard (A0.998887). This is the complete set of six piano pieces entitled Fragments (I-VI). The Fragment series was conceived specifically for almost any pianist to perform, from the early grade student through to the professional. As suggested in the title, each piece is based on a single compositional fragment or sketch that had otherwise remained incomplete and dormant. The cycle draws on a wide range of compositional techniques, and even styles, whilst always operating within the composer's own idiom. The piece is highly accessible. Each movement within this set is also available to purchase individually via Sheet Music Plus.Duration: 18 minutes 45 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk