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Piano Solo - Level 3 - Digital Download SKU: A0.1487826 Composed by Vagif Mustafazadeh. Arranged by Zellev. 20th Century,Blues,Classical,Film/TV,Jazz. Score. 4 pages. Zellev Music #1064763. Published by Zellev Music (A0.1487826). Key Signature: E majorTime Signature: 4/4Tempo: Doucement expressif (with gentle expressiveness)(about 70bpm),con pedale (with pedal).Difficulty: IntermediateMustafazadeh (1940-1979) was an Azerbaijani jazz pianist and composer, acclaimed for fusing jazz and the traditional Azerbaijani folk music known as mugham. According to many world famous jazz musicians, Mustafazadeh is one of the pioneers and the architect of jazz in Azerbaijan. Musical prohibitions during the 1940s and 1950s meant that the playing of jazz was banned in the USSR, including Azerbaijan. Since there was no opportunity to get jazz records from anywhere, Mustafazade listened to jazz pieces, learning from movies where he heard jazz music and BBC radio and sang Meykhana, rhythmic poetry, which had also been banned. After listening on the radio, he and his friend Vagif Samadoglu attempted to recreate the music on the piano.From the 1960s, prohibitions put on jazz music were gradually lifted and thus the late 1960s and 70s became a time when Baku was a real center of locally inspired jazz. By this time, Mustafazade was making his way to his audience and his popularity grew. His name was often mentioned among other jazz musicians and he participated in festivals held in his native land, as well as in and outside the Soviet countries. Since making a strong impression in his early years at college, his music progressed and popularity grew; he appeared in many festivals.In 1966, Willis Conover, conductor of the Jazz Time radio program, even went as far as to say, Vagif Mustafazadeh is an extraordinary pianist. It is impossible to identify his equal. He is the most lyrical pianist I have ever known.
MART
Piano seul
this time, Mustafazade was making his way to his audience and his popularity grew His name was often mentioned among other jazz musicians and he participated in festivals held in his native land, as well as in and outside the Soviet countries
$7.00 6.69 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.1217036 Composed by Eduard Schutt. Arranged by Zellev. 19th Century,Children,Classical,Contemporary,Wedding. Score. 3 pages. Zellev Music #813567. Published by Zellev Music (A0.1217036). Schütt was a russian (-austrian) composer, pianist and conductor (1856-1933). His father was a skilled cellist, and the family was acquainted with the pianist Anton Rubinstein. At the age of sixteen, Schütt decided to pursue an artistic career, against the opposition of his father. Rubinstein's influence ultimately convinced Schütt's father to let him pursue his artistic aspirations. Schütt graduated from the St. Petersburg Conservatory in 1875 with distinction.Around 1882, he composed and premiered his first piano concerto, Op. 7, in several major European cities. From 26 January 1881 to 20 October 1887, he was conductor of the Wiener akademischer Wagner-Verein (Vienna Academic Wagner Society).In 1887, he declined an invitation from Cosima Wagner to become the music director for the Bayreuth Festival. Thereafter, he devoted himself fully to composition and spent a considerable amount of his time at his villa in Meran, which he called Mon Repos (My Peace in French).His primary residence, however, remained in Vienna, where he also did a limited amount of teaching.The set was published in 1903.
Feuillet d'album
Piano seul

$4.00 3.82 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1490133 Composed by Émile-Robert Blanchet. Arranged by Zellev. 19th Century,Classical,Historic,Patriotic,Thriller. Score. 4 pages. Zellev Music #1066983. Published by Zellev Music (A0.1490133). Key Signature: NaturalTime Signature: 6/8 (3/8 in some measures)Tempo: Trés calme. (very calm), (about 60bpm)Difficulty: Advanced intermediateÉmile-Robert Blanchet (abbrv E. R. Blanchet) (1877-1943). Swiss pianist and composer. After early studies with his father, the organist Charles Blanchet (1833–1900), and then with his mother, Marie Schnyder, an excellent pianist, Blanchet attended the Cologne Conservatory from the age of 18, where his teachers included Gustave Jensen for harmony and counterpoint, Friedrich Wilhelm Frankel and Seiss. In 1898 he left Cologne for Berlin, and subsequently Weimar, to study with Busoni, whose influence was to prove pivotal to Blanchet's future development. At 25 he made his début with the Berlin PO, after which he appeared throughout Germany and elsewhere, including a tour of Switzerland as accompanist to the violinist Henri Gerber. In 1905 he became director of the Lausanne Conservatoire, a position he relinquished in 1908 in order to concentrate more on teaching and composition. In 1909 he was awarded first prize for his Tema con variazioni for piano op.13 in a competition in Berlin. As a pianist, Blanchet's virtuoso technique was well suited to his chosen repertory, which was based primarily on the works of Beethoven, Liszt, Brahms and especially Chopin, in addition to those of Debussy, Ravel and Louis Vierne. His playing was particularly admired for its power and control and for the variety of colour and nuance he was able to achieve through a subtle pedal technique.
Barcarolle No.1.
Piano seul

$6.00 5.73 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1503639 Composed by Edvard Grieg. Arranged by Zellev. 19th Century,Classical,Praise & Worship,Spiritual,Traditional. Score. 4 pages. Zellev Music #1079118. Published by Zellev Music (A0.1503639). Key Signature: E MinorTime Signature: 4/4Tempo: Andante con moto (id like to do it about 68bpm so as to get the feel of forlonging of a once upon a time, (much like an elegie))Difficulty: IntermediateLyric Pieces (Norwegian: Lyriske stykker) is a collection of 66 short pieces for solo piano written by Edvard Grieg. They were published in 10 volumes, from 1867 (Op. 12) to 1901 (Op. 71). The collection includes several of his best known pieces, such as Wedding Day at Troldhaugen (Bryllupsdag på Troldhaugen), To Spring (Til våren), March of the Trolls (Trolltog), and Butterfly (Sommerfugl).Rarely people talked about this particular piece of the lyric pieces, and i wonder why for such a beautiful piece that it hadnt garnered much recognition as a someform of an elegie, as in my opinion it is best to play it that way.
Once upon a time
Piano seul

$5.99 5.72 € Piano seul PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1405653 Composed by Alec Rowley. Arranged by Zellev. 20th Century,Christian,Christmas,Classical,Spiritual. Score. 4 pages. Zellev Music #988714. Published by Zellev Music (A0.1405653). Key Signature: G minorTime Signature: 2/4Tempo: AllegrettoDifficulty: EasyAlec Rowley (13 March 1892 – 12 January 1958) was an English composer, organist, pianist, lecturer and writer on music. He composed a large number of works, mainly on a small scale and often of an educational nature though with some larger-scale orchestral and choral works. He was a dedicated teacher, broadcaster and writer; after his death the Alec Rowley Memorial Prize was established at Trinity College of Music.
Falling Snow
Piano Facile

$4.00 3.82 € Piano Facile PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
Feu follet
Piano seul
1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin
$3.79 3.62 € Piano seul PDF SheetMusicPlus


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