Full Orchestra - Digital Download SKU: A0.961993 Composed by Ma Shui Long 馬水�. Contemporary. Score and parts. 95 pages. SpringAutumnmusic #47111. Published by SpringAutumnmusic (A0.961993). 1979年《��傳奇-廖添�管弦樂組曲》，管弦樂 　　本曲改編自「舞劇廖添��，為1979年雲門舞集委託之作�。除�曲之外，分為五個樂章，�個樂章樂曲的形�與�構，�與劇情發展有關，其主�人物與樂曲主題動機如下： 　　(一)廖添�: 作曲者以兩個��的主題動機來表示他的內心氣概悲壯和行俠仗義輕鬆詼諧的一�，藉著有關廖添�的�種傳說�劇情的發展，決定以兩個��的主題來表示他的內心氣慨悲壯和行俠仗義時輕鬆詼諧的一�，如a與b。 　　(二)一�被日警侮辱的少女： 雖然�是主角，但也是很��的角色，她象徵著日據時代���胞的命�與��，如c。 　　全曲先由�曲根據a與c之主題動機發展，以暗示劇中主人�-廖添�的命�與��，而後���發展整曲。 　　第一樂章：大稻埕夜巷/第二樂章：日人宅第/第三樂章：霞海城�廟會/第四樂章：淡水河畔/第五樂章：�難。 ※本曲1979年5月由舞蹈家林懷民編舞�馬水�指�國立�專管弦樂團�韻德錄音公�錄音，於�北國父紀念館舉行世界首演。 　　 1979：Legend of Taiwan-Orchestral Suite of Chivalrous Liao Tain-Ding 　　This work was originally composed for a dance drama named Liao, Tand-Ding, and later on, recomposed as an orchestra work, and it was commissioned by the Cloud Gate Dance Foundation. Excepting the Overture, the work is divided into five movements. The form and structure of each movement all relate to the story basis. The roles and music themes are as follows: First: Liao Tain-Ding: The composer created two themes a and b, to express both Liao Tain-Ding’s heroically tragic character and also his humorous character. Please see below: Second: A young lady humiliated by the Japanese Police: Although the young lady is not played as a heroine, she is significant here. She symbolizes the experiences and fates of Taiwanese citizens during the colonial period. For example c: 　 The work begins with an Overture by developing subjects a and c, to imply the fate of hero Liao Tain-Ding and what he has gone through. 　　 　　1st Movement: Night Lane in Ta Tao Cheng / 2nd Movement: The Japanese Mansion / 3rd Movement: Festival at the Hsia Hai Cheng Huang Temple / 4th Movement: Tamshui Riverside / 5th Movement: Martyrdom ※In May 1979, The dance of Legend of Taiwan-Orchestral Suite of Chivalrous Liao Tain-Ding arranged by Huai-ming Lin, was premiered by the National Taiwan Junior College of Art Orchestra, conducted by the composer Shui-long Ma, recorded by the Yun-de Company, and was premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall.

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.961998 Composed by Ma Shui Long 馬水é¾�. 20th Century,Contemporary. Score and parts. 49 pages. SpringAutumnmusic #2341873. Published by SpringAutumnmusic (A0.961998). 《弦樂四é‡�å¥�》1983å¹´   這首連樂章體å¼�çš„å››é‡�å¥�，å�¯åˆ†ç‚ºï¼šç”Ÿæ°£è“¬å‹ƒçš„å¿«æ�¿ã€�å�Ÿè©©èˆ¬çš„æ…¢æ�¿ã€�如歌的行æ�¿å�Šç”Ÿå‹•æ´»æ½‘的終曲這四部分。在曲å­�進行上，樂章與樂章之間是相連ä¸�斷的，一章的çµ�æ�Ÿæ˜¯ä¸‹ä¸€ç« çš„開始，在綿延與連繼之間，樂念æµ�暢地發展下去。  第一樂章是以強而有力的撥å¥�來æ�­é–‹åº�幕，並且以中國傳統的鑼鼓節å¥�來進行，之後主題由大æ��ç�´å°Žå…¥ã€‚第二樂章是整曲最大的å°�比與張力點，是以「å�Ÿè©©ã€�的樂念來發展。第三樂章整å�ˆäº†ç¬¬ä¸€ã€�第二樂章之後，發展到終曲。整曲在內容上，第一ã€�第三與第四樂章的關係是é�žå¸¸å¯†åˆ‡ï¼Œå…¶é–“ä¸�å�Œä¹‹è™•å�ªæ˜¯ç”±æ–¼ç¶“ç”±å�„種手法的變化所致。 音樂的內容就是一種風格，作曲者在形å¼�çš„ä¾·é™�下，é�‹ç”¨æ–°çš„ç�†å¿µå�Šæ‰‹æ³•ï¼Œå‘ˆç�¾äº†å››é‡�å¥�çš„å�¦ä¸€ç¨®å¢ƒç•Œã€‚  ※本曲係文建會委託創作，於1983年完æˆ�之作å“�，1987年樂譜åˆ�版，並於2016å¹´å†�版。 1985å¹´1月4日首演於å�°å¤§å­¸ç”Ÿæ´»å‹•ä¸­å¿ƒå¤§ç¦®å ‚，由å�°å¤§æ„›æ¨‚社主辦之「馬水é¾�室內樂之夜ã€�。演å¥�家為第一å°�æ��ç�´æ±Ÿç¶­ä¸­ã€�第二å°�æ��ç�´æ´ªå�ƒè²´ã€�中æ��ç�´å·«æ˜Žä¿�ã€�大æ��ç�´å­«ç�¬çŽ²ã€‚   《String Quartet》（1983）     String Quartet is divided into four movements (sections): I. Allegro con brio, II. Dichterisches Adagio, III. Andante cantabile, IV. Lebendiges Finale. The composer designed this piece to play continuously between sections and makes the composition a quasi-single-movement. Due to the continuity, the musical elements and compositional concepts are connected smoothly through out the piece.     The vigorous pizzicato opens up the first movement of this piece, imitates the traditional Chinese Gong-and-Drum rhythmic patterns. The cello solo main theme flows in later and develop the music to the following sections. The second movement is inspired from the concept of poetry reading. It is the most intensive section and holds the greatest contrast of this piece. The third movement combines elements from the earlier movments and leads to the fourth movement, Lebendiges Finale. The musical ideas between these four movments of the composition are strongly revelent to each other.     The musical content in a composition sets up the style for itself. Even under some restrictions of tradional musical forms, the composer tried to develop few new compositional ideas in order to achieve a new sphere of string quartet with this piece.     String Quartet was commissioned by the Council for Cultural Affairs, finished in 1983, premiered on 4th of January 1985 in the National Taiwan University Student Activity Center. It was programed in the event A Night of Shui-Long Ma’s Chamber Music, held by Asian Composers’ League-Taiwan Section and NTU-Philharmonic Club. The premiered musicians were: Wei-Chung Chiang (Violin I), Chin-Kuei Hong (Violin II), Ming-Li Wu (Viola) and Wan-Ling Sun (Cello).     The first edition of the score was published in 1987, and the second edition published in 2016.

Percussion Ensemble - Digital Download SKU: A0.961994 Composed by Ma Shui Long 馬水é¾�. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48525. Published by SpringAutumnmusic (A0.961994). Introduction:The Lament of Tou-Ehr, for Suona, Timpani, Percussion, and Chorus ã€€ã€€This work was composed for a Chinese dance drama Snow Festival. The drama was based on an extremely touching story about a lady named Doue E, and was written by the author Guan Hanqing during the Yuan Dynasty. It is divided into three sections in a cyclic form, with one theme. The instrumentation includes voices for male and female, suona (Chinese cornet), there are more than ten traditional Chinese percussions are used, such as the wind gong, large and small luo (as used in Beijing opera), and the Chinese clapper, Paiban. The sound of suona indicates the lady Dou E with her battle cry and strong faith. The music begins after lady Dou E’s faint narrative. â€»The Lament of Tou-Ehr was commissioned by the Neo Classical Music Group. The dance was arranged by Fon-xuei Liu, with orchestra and chorus conducted by the composer, Shui-long Ma himself. It was recorded by the Yun-de Company, and premiered at the Taiwan National Dr. Sun Yat-sen Memorial Hall in April 1981. ã€Šç«‡å¨¥å†¤ã€‹æœ¬æ›²æ”¹ç·¨è‡ªã€ŒèˆžåŠ‡é›ªç¥­ã€�，å�–æ��自中國元代戲曲中關漢å�¿çš„作å“�-「感天動地竇娥冤ã€�。本曲略分三段，連樂章形å¼�，樂曲çµ�構為一貫性的主題延展。作曲者在編制上使用人è�²(男女混è�²)ã€�å—©å�¶ï¼Œä»¥å�Šå��多件傳統擊樂器，如風鑼ã€�平劇大å°�鑼ã€�æ‹�æ�¿ç­‰ç­‰ã€‚在整曲進行中，凡是有竇娥出ç�¾ä¹‹è™•ï¼Œå—©å�¶ä¹Ÿå°‡éš¨ä¹‹å¥�出，那是天ç�†çš„å�¶å–Šã€�精神信念之所在。全曲在一段竇娥幽幽的é�“白之後，å¾�å¾�展開。※本曲為新å�¤å…¸æ¨‚團委託創作之作å“�，由舞蹈家劉鳳學編舞ã€�馬水é¾�指æ�®æ¨‚團與人è�²ã€�韻德錄音公å�¸éŒ„音，於1980å¹´4月在å�°åŒ—國父紀念館舉行世界首演。 .

Cello Solo - Digital Download SKU: A0.961997 Composed by Ma Shui Long 馬水é¾�. 20th Century,Contemporary. Individual part. 17 pages. SpringAutumnmusic #2341883. Published by SpringAutumnmusic (A0.961997). 《水墨畫之冥想》（ä¹�支大æ��ç�´å®¤å…§æ¨‚曲） 1994å¹´  ä½œæ›²è€…自幼喜愛繪畫與音樂。爾後，雖然é�¸æ“‡äº†éŸ³æ¨‚為終身志業，但å°�繪畫的興趣與狂熱，始終有增無減。在已完æˆ�的音樂作å“�中，幾首å�‡èˆ‡ç¹ªç•«æœ‰å¯†åˆ‡çš„關係。作曲者èª�為，所有的è—�術創作，雖然因其使用的素æ��ä¸�å�Œæˆ–表ç�¾çš„技法相異，但最後所è¦�呈ç�¾çš„è—�術本質，應是殊途å�Œæ­¸ï¼ŒéŸ³æ¨‚與繪畫更是ä¸�例外。   æœ¬æ›²å‰µä½œçš„動機，來自於傳統水墨畫中的「虛實相生ã€�觀念。å�¤äººç¬ªé‡�光「畫筌ã€�云：實處之妙，皆因虛處而生，也就是無虛ä¸�易顯實，無空ä¸�能存虛。無ç–�ä¸�能æˆ�密，無密ä¸�能見ç–�，是以虛實相生，ç–�密相用。作曲者試圖以此繪畫手法，呈ç�¾åœ¨æ­¤é¦–樂曲çµ�構中，如時間與空間的å°�比，織度與密度的互æ�›ï¼Œå¯¦é«”與空é�ˆçš„轉變等，以求音畫之æ„�境。 ※本曲由文建會委託創作，首演於1995å¹´11月25日於國家演å¥�廳，由財團法人邱å†�興文教基金會主辦之「春秋樂集95秋 · 室內樂之夜ã€�。由涂惠民擔任指æ�®ï¼Œå¤§æ��ç�´æ¼”å¥�家為孫ç�¬çŽ²ã€�黃智瑛ã€�鄭佩玲ã€�曾å�²å¦ƒã€�洪婉容ã€�黃韻宇ã€�劉å§�å«¥ã€�蘇å�ƒèŠ³ã€�王佩瑜。   《Meditation on Ink Painting》for Nine Cellos ï¼ˆ1994）     Music and painting are two beloved arts for Professor Ma since he was a kid. Even he finally decided devoted to music composing for his life, he always had the passion for painting. Several Professor Ma’s compositions were highly inspired from the concepts and techniques of painting. Professor Ma believed that all the arts, although they present differently on the usages of materials or techniques, the essence and highest acheivement of all arts must be the same, including both music and painting.     Meditation on Paintings in Ink was directly inspired by the techniques of Chinese traditional ink painting and the concept of the mutuality in virtuality and reality. The composer attempted to transform the philosophy that derive from the virtuality-reality relationship into the composition, presented it as the contrast between time and space, the alternation of texture and density, or, the changing of emptiness and fullness, etc., in order to establish an artistic atmosphere of musical painting.     Meditation on Paintings in Ink was commissioned by the Council for Cultural Affairs, premiered in the National Concert Hall, on 25th of November 1995. It was programed in the Euterpe: Spring and Autumn concert series Autumn 1995: A Night of Chamber Music, held by the Chew’s Culture Foundation. The world premiere was conducted by Hwei-Ming Twu and the nine cellists were Wan-Ling Sun, Jyh-Ing Huang, Pei-Ling Cheng (Yi-Chin Cheng) , Shih-Fei Tseng, Wan-Rong Hung, Yun-Yu Huang, Chu-Chuan Liu, Monica C.F. Su and Pei-Yu Wang.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long 馬水é¾�. 20th Century,Contemporary. Score and parts. 47 pages. SpringAutumnmusic #2341877. Published by SpringAutumnmusic (A0.961996). 《木管五é‡�å¥�》2002年（賴德和撰寫）   æœ¬æ›²æ˜¯2002年馬水é¾�教授特地為次å­�婚禮ç�¾å ´æ¼”出所譜寫。  é€™ä¸€é¦–活潑愉悅的曲å­�概分為五段：第一主題五è�²éŸ³éšŽå¾µèª¿å¼�，主旋律出ç�¾åœ¨é•·ç¬›è�²éƒ¨ã€‚這個主題轉到五度上的調，先後輪æµ�出ç�¾åœ¨é›™ç°§ç®¡ã€�豎笛å�Šå·´æ�¾ç®¡ã€‚由法國號å�¹å¥�å�‘å�—æ—�的「婚禮之歌ã€�是形æˆ�å°�比的慢æ�¿ç¬¬äºŒä¸»é¡Œã€‚接著活潑愉悅的第一主題å†�ç�¾ï¼Œèª¿æ€§è½‰åˆ°é™�D音徵調å¼�，出ç�¾åœ¨é›™ç°§ç®¡è�²éƒ¨ï¼ŒæŽ¥è‘—在豎笛è�²éƒ¨åŠ ä»¥è®Šå¥�。第三主題速度加快，出ç�¾åœ¨å·´æ�¾è�²éƒ¨çš„主旋律是泰雅æ—�的「å�£ç°§å°�æ­Œã€�。這是一首男女é�’年一é�¢å�¹å¥�單簧å�£ç�´ï¼Œä¸€é�¢æ¼”唱情歌的舞曲。這個熱情的舞曲先後在雙簧管和豎笛è�²éƒ¨åŠ ä»¥è®Šå¥�之後çµ�æ�Ÿç¬¬ä¸‰ä¸»é¡Œã€‚最後第一主題å†�ç�¾ï¼Œå †ç–Šå‡ºé«˜æ½®å¼�çš„å°¾è�²ã€‚   å€¼å¾—é‡�視的是，父親é€�給兒å­�çš„çµ�婚禮物，還費盡巧æ€�精挑細é�¸äº†å…©é¦–原ä½�民跟愛情çµ�婚有關的音樂，æ�®ç�‘出一闕別緻的婚禮迴旋曲。  ※本曲於2002年首演於å�°åŒ—亞都飯店，演å¥�家為長笛黃馥茗ã€�雙簧管洪å�ƒæ™ºã€�單簧管黃貞è�¯ã€�低音管郭怡芬ã€�法國號黃義敦。 《Woodwind Quintet》（2002）     The piece was composed for the wedding ceremony of the composer’s second son. This pleasant and lively composition is divided into five parts, a small rondo form. The first theme is in Zi-pentatonic mode, mainly play by flute. The main theme is later transposed a fifth higher and orchestrated between the oboe, clarinet and bassoon parts.     The second theme is in a slower, more sentimental mood. It builds up as a contrast section to the first theme. French horn plays the traditional Wedding Song of the Puyuma tribe and dominates in this section.     In the third part of this composition, the melodic line returns to the first theme, transformed to D-flat Zi-pentatonic mode. The oboe plays the main theme and later the clarinet plays the variations of this melodic line.     The fourth section brings out the third theme of this piece: a traditional Atayal tribe’s Jew Harp Song melody that plays by the bassoon. This passionate, fast-tempo dancing theme is then composed into several variations and plays by oboe and clarinet.     In the last section of the composition, the first theme returns again. Building up and reaches the climax then leads to the final of the piece.     Professor Ma selected two aboriginal tribal songs, related to weddings and love, and quoted them in this piece and presented as a wedding gift for his beloved son. This father-son relationship and love, and also this unique composition, made that wedding ceremony a memorable event for the guests.     This piece was premiered in 2002 at The Landis Taipei Hotel by Fu-Ming Huang (Flute), Chien-Chih Hung (Oboe), Jen-Hwa Huang (Clarinet), Yi-Fen Kuo (Bassoon) and Yih-Duen Huang (Horn).

Small Ensemble - Digital Download SKU: A0.961992 Composed by Ma Shui Long 馬水�. Contemporary. Score and parts. 33 pages. SpringAutumnmusic #47109. Published by SpringAutumnmusic (A0.961992). 《尋》��與管弦樂 　　在傳統樂器系列中，������…等，其起�發展�有上�年以上悠久的歷�與�富的彈�技法，如��猱�按�放�走��壓��飛��點頓等等�具�特的表�風格與韻味，為西方樂器所�能�，作曲者多年來�圖從這些��特性的傳統樂器中，以��的形�與美學�維，探尋�一層�的音樂�涵。本曲應��演�家黃好�委託之作�，先以��曲型態呈�，完�於2005年4月中旬，並由黃好�於「亞洲作曲家�盟第25屆會議�在泰國曼谷全�首演。之後作曲者�以��與管弦樂��方�，尋求��西方樂器��的音色特質，在主�從兩者交錯中，��與�話。 ※��與管弦樂�稿完�於2006年10月間�美國波士頓Acton寓所。2007年12月中旬由指�家邱�強指�國立��交響樂團���演�家黃好�分別於�中國立��交響樂團演�廳�高雄市文化中心至德堂��北國家音樂廳舉行世界首演。 Searching - for Cheng and Orchestra The history of some Chinese traditional musical instruments, such as Cheng, Qin, Pipa, etc., has seen their performing techniques evolved over a thousand years. Many of them have developed their unique stylistic expression and zest with sorts of articulation, which are not to be completed by those of many Western instruments. The composer has long been delving into the characteristics of these traditional instruments, attempting to ferret out further musical meanings from different formal and aesthetic angles. Searching for Cheng and Orchestra, commissioned by the Cheng player Hao-Yin Huang, was originally a solo Cheng piece. It was completed in mid-April, 2005, and was premiered in the same year at the 25th meeting of the Asia Composers’ League held in Bangkok, Thailand. The composer later expanded it into an ensemble piece for Cheng and orchestra, trying to integrate different timbral characters of the Eastern and Western instruments within their dominant-subordinate interactions and dialogues in the piece.

Violin Solo - Level 5 - Digital Download SKU: A0.961982 Composed by 馬水� Ma Shui-Long. Contemporary,World. 28 pages. SpringAutumnmusic #2010515. Published by SpringAutumnmusic (A0.961982). 1974年，《���與鋼�的�話》 「與好�暢談的情趣�為本曲創作的動機，由鋼��自地敘述開始，隨著���的一�呼應，二者進入閒談話題；鋼�與���有�自��性格的主題律動，先由鋼�與���分別傾訴，進而展開��與�答，雖然�有�見���爭論，但為時甚短；速度的變化暗示著兩者情緒的轉變，自由地暢談是�拘於形�的。「與好�促�暢談，是彌足�貴的情趣。�這實為作曲者由衷之感，亦為���眾所曾��的經驗。全曲化於�洽的傾談中，最後���與鋼�輕�地告辭而離去。 ※本曲1974年完�，1975年1月15日於德國雷根斯堡天主教音樂學院音樂廳世界首演，演出者：���家Winfried Wenzel，鋼�家Konrad Pfeiffer。 Dialog between Violin and Piano My inspiration came from the delight of having an open conversation with good friends. A piano solo begins the conversation, followed by a response by the violin and two of them enter into the conversation. The piano and violin each performs different themes and rhythms with individual personality. First they take turns to express themselves, and then their monologues interact with each other. Although there might be disagreement and argument between them, this do not last long. The changes in speed imply the transitions of their emotions. An open conversation is free of forms. I honestly believe that sitting close together and having an open conversation is extremely precious and delightful, and is a common experience shared by everyone. The whole piece is immersed in a harmonious atmosphere of peaceful conversation. The violin and piano gently wave their goodbyes at the end.

Flute Solo - Level 4 - Digital Download SKU: A0.961987 Composed by 馬水� Ma Shui Long. 20th Century,Contemporary. Individual part. With 2013-07-22. 32 pages. SpringAutumnmusic #431429. Published by SpringAutumnmusic (A0.961987). 《梆笛��曲》 1981年，《梆笛��曲》，梆笛與管弦樂團 「梆笛��曲�分為兩個樂章，採用連樂章形�。第一樂章：開始莊嚴雄渾的管絃��(第一主題)是表�漢民�堅��拔的精神。接著導入輕快活潑的第二主題，由梆笛主�，呈�純樸的民風與樂觀進�的態度。由第一主題�第二主題，�以發覺其間的關�性，因為第二主題是由第一主題縮影�變化而來的。�時，第二主題也�為這個樂章開展的主軸。 第二樂章：轉為優雅的慢�，第一樂章中的第一主題層次��在低音弦樂部分，引展出梆笛嶄新的樂�；���詳和，�首詩篇，緩緩的�述出漢民�悠�的文化與寬��大的氣度。終曲與尾���了第一樂章中的第一�二主題，但略加變化，使其交互發展，並�漸的將之推至本曲的最高潮。 ※本曲1981年應中國廣播公�委託創作之作�，�年於�北國父紀念館舉行世界首演，由張大�指��北世紀交響樂團擔任演出。 Completed in 1981, <Concerto For Bamboo Flute and Orchestra> is composed of two continuous movements. The first movement begins with a solemn prelude for wind and string instruments, establishing the first theme which expresses the fortitude of the Han Chinese spirit. The second theme, mainly performed by the bangdi flute, is lively and fast, expressing the purity and rusticity of folk culture with an eager, optimistic attitude. As a condensed variation of the first theme, the second theme's relationship to the first is evident, and becomes the heart of the first movement.

Piano Solo - Digital Download SKU: A0.961990 Composed by Ma Shui Long 馬水�. Contemporary. Score. 53 pages. SpringAutumnmusic #47105. Published by SpringAutumnmusic (A0.961990). 《關渡狂想曲》，鋼�與管弦樂 　　本曲�一般傳統�的鋼���曲，但鋼�在整體管弦樂當中，顯然佔有��主導地�。本曲亦�標題�寫音樂，作曲者家居關渡北�，長久以來��闊的關渡平原，在晨曦與晚霞之間，在朦朧的晨霧與燈�燦爛的夜景中，點點滴滴的感�隨興�想，其創作動機油然而生，以連樂章形�呈�，原�為《關渡隨想》，而後改為《關渡狂想曲》。 ※本曲2000年應財團法人邱�興文教基金會委託創作之作�，隔年4月由指�家�頌�指��北�術大學管弦樂團�鋼�家王美齡於�北國家音樂廳舉行世界首演。 2001, Capriccio of Kuando, for Piano and Orchestra This piece is not a conventional piano concerto, but the piano still plays a major role in the orchestration. It is not program music either. The composer has been living in northern Kuando for years, facing the Kuando Plain, where he was inspired by the first ray of the morning sun, the sunset glow, the misty fog in the morning, and the brightly lit night scenes. The inspiration, coming in dribs and drabs, in a haphazardly contemplative way, resulted in this attacca piece. The work was originally titled Kuando Fantasia, and renamed as Capriccio of Kuando later. ※This composition was commissioned by Chew’s Culture Foundation in 2000, and the symphony orchestra of National Taipei University of the Arts gave its world premiere at the National Concert Hall in Taipei in 2001, with the pianist Wang Mei-Ling and conductor Hsu Sung-Jen.

Choral Choir (Mixed) - Digital Download SKU: A0.962001 Composed by SpringAutumnmusic. Arranged by Ma Shui Long 馬水�. 20th Century,Contemporary. Octavo. 46 pages. SpringAutumnmusic #2998985. Published by SpringAutumnmusic (A0.962001). 西北雨直直� 六月田水 黑�祖師公 ��調 農�曲 安童哥買�（混��唱） 安童哥買�（���唱）

String Quartet String Quartet - Digital Download SKU: A0.961981 Composed by 馬水�MA SHUI-LONG　. 20th Century. Score and parts. 10 pages. SpringAutumnmusic #2009987. Published by SpringAutumnmusic (A0.961981). IDEA AND IMAGE for xiao and four violoncellos Idea and Image indicates the marriage of image and concept. The poetic means which the composer employs to convey the imagery beauty reflects the creative motivation and concept behind the composition, in which the void and the solid are coexisted to complement each other: the void connotes the solid, and vice versa. It aims to pursue the intangible, spiritual beauty of the sensual imagery. Idea and Image was completed in 1989 and had its world premiere in the same year at the Taiwan National Theater Concert Hall. �與象，指的是形象與�境的��。作曲者從詩詞形象表�的�象美，�射為本曲創作的動機與�念，曲中虛實相生，虛中有實，實裡�虛，以求感性形象中的空�與�境。 ※本曲1989年完�，�年於國家音樂廳舉行世界首演。

Small Ensemble - Level 5 - Digital Download SKU: A0.961986 Composed by 馬水� Ma Shui Long. 20th Century,Contemporary. Score and parts. 11 pages. SpringAutumnmusic #2011445. Published by SpringAutumnmusic (A0.961986). 《盼》 1976年《盼》，�件中國傳統樂器�� 本曲是以�件傳統樂器：梆笛�簫��胡�大廣弦�三弦�平劇用的大�鑼�堂鼓��鼓和碰鈴編制寫�的室內樂曲，全曲共分三段，慢�─�快�─慢�。內容是在敘述一個人在黑暗中期待黎明來臨的心境與�程。 ※本曲1976年應雲門舞集委託創作之作�，�年於�北國父紀念館舉行世界首演，由雲門舞集舞團擔任演出。 Introduction : This chamber music composition was written for ten traditional Chinese instruments: the bangdi, xiao, banhu, daguangxian, sanxian, large and small luo (used in imperial opera), tanggu, bangu and pengling. The composition is divided into three sections: adagio, allegretto, adagio, and describes the mood of approaching dawn. Expectation was commissioned by the Cloud Gate Dance Theatre of Taiwan in 1976, and was premiered the same year by Cloud Gate at Taiwan's National Dr. Sun Yat-sen Memorial Hall.

Composed by Ma Shui Long ???. 21st Century, 20th Century. Score. 29 pages. Published by SpringAutumnmusic (S0.139333). - Score - 21st Century,20th Century - SpringAutumnmusic

By Ž_¾¡«Ž_� MA SHUI-LONG. For Piano, Voice. 20th Century, World, 21st Century. Advanced. Score. Published by SpringAutumnmusic

Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水�. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男�大�唱 　 　　2003年11月間一個美好的機緣，�與文化總會中部辦公室路寒袖先生所推展的「玉山學�，造訪了��精神�地，體驗群嶽之冠「玉山�的雄�與寬容。誠如作家路寒袖先生所言：「無論登頂與�，既入山中，�為山所包容�。的確，登山�僅是觀賞美景讚嘆山的壯麗與險峻，而更��的在空�的山中隱�禪機，讓我們學習到真正的謙�。當作曲者親臨時刻，心中�一片茫然而無語，瞬間，想起詩人��賢先生一首詩作「無形的神殿�言： 　　我高高在上 　　�在乎看得� 　　�方茫茫 　　什麼也看�見 　　我堅�冷 　　�我內部岩層的 　　 世界，我�立 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人��賢先生的��，借用詩�「無形的神殿�作為本曲之標題，譜寫作曲者親臨拜訪「玉山�，心中的悸動與感�。本曲創作素�中，亦引用幾首鄒�與布農�原�民之歌，在男生大�唱與管弦樂交織中，分為(一)夜話排雲(二)日出(三)祭神等三大部份，以連樂章形�呈�。 ※(1)本曲為邱�興文教基金會委託創作之作�，完�於2005~2006年，2007年12月中旬分別於�中國立��交響樂團演�廳�高雄市文化中心至德堂��北國家音樂廳，指�家邱�強指�國立��交響樂團��北愛樂�唱團��舉行世界首演。 (2)鄒�與布農�之歌旋律，資料來自於雲門舞集�浩�出版社（高山的禮讚）所出版之CD，並由我的作曲學生蔡欣微�寫整��供，在此一併表示感�之�。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.