Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.956231 By Julia Michaels. By Benjamin Levin, Julia Michaels, Justin Tranter, Mikkel Eriksen, and Tor Hermansen. Arranged by Alice Green. Contemporary. Score and parts. 6 pages. Alice Green #6072093. Published by Alice Green (A0.956231). Solo piano arrangement of Julia Michaels' Issues. Intermediate to Advanced level. Pop music. Piano and Violin duet.I don't normally write for other instruments besides piano, but since this song has pizz. violin I added it to be a duet. If you don't want to play with violin, it could also just be for piano solo.This version was arranged by Alice Green who has been playing piano from the age of 5 and holds a Bachelor's of Arts in Music degree. She is an avid music lover, and in her spare time arranges, performs, records, and uploads her videos on youtube under the username MusicMakesMeHappy54.

Brass Ensemble - Level 3 - Digital Download SKU: A0.778222 Composed by John McAllister. Contemporary,Instructional,Standards. Score and parts. 76 pages. John McAllister #6481023. Published by John McAllister (A0.778222). Seven Modes, Seven Duets is a duet series for wind (band) instruments. The duets have been written to be a comfortable range for any of the instruments (minus horn part, which is free due to the range issues). Each mode has it’s own unique sound and special effort has been made to accentuate the colors from each district combination of notes and the harmonies they produce (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian). The duets are mostly on an average high school level player, but can be a great challenge for younger players. More advanced musicians may find use specifically in the exploration of melody/harmony in each particular mode.  Best instruments for use: Flute Oboe Clarinet Bass Clarinet Bassoon Trumpet Trombone Baritone Tuba Mallets (xylophone, marimba, bells if players 8vb)

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea� over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,� and the song ends with: “and never again I’ll go sailing.� It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables� and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.

C Instrument - Level 3 - Digital Download SKU: A0.1485156 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by Marco Polo C. Ignacio. Pop,Rock. Lead Sheet / Fake Book. 3 pages. MARCO POLO IGNACIO #1062237. Published by MARCO POLO IGNACIO (A0.1485156). Key Signature: G MajorAlone Again (Naturally) is a song by Irish singer-songwriter Gilbert O'Sullivan. Recorded in 1971, it became a worldwide hit. The song did not originally appear on his 1972 studio album Back to Front, but has been included in reissues (often replacing Clair).The single spent six non-consecutive weeks at number one on Billboard's Hot 100 between late July and early September 1972 in America. It ranked number two in the year-end chart and sold over two million copies.

C Instrument - Level 1 - Digital Download SKU: A0.1515575 By Angelique Kidjo. By Angelique Kidjo and Jean Hebrail. Arranged by Marcelo Borba. Country,Multicultural,Pop,Ska,Traditional,World. Lead Sheet / Fake Book. 3 pages. Marcelo Borba #1089929. Published by Marcelo Borba (A0.1515575). Kelele” is a song by renowned Beninese singer Angélique Kidjo -Leadsheet Style “Kelele” is a song by renowned Beninese singer Angélique Kidjo, featured on her 2021 album Mother Nature. The song reflects Kidjo’s ongoing commitment to promoting social justice, unity, and environmental awareness, blending her powerful voice with vibrant rhythms and captivating messages.In “Kelele,” the word itself means “noise” or “clamor” in many African languages. The song is about making noise, not in the sense of chaos, but in terms of raising one’s voice and raising awareness about injustices and important causes. Angélique Kidjo often uses her platform to address critical social and political issues, and in this song, she calls on people to speak out against corruption, inequality, and climate change.The song’s rhythm is upbeat, combining Afrobeats, electronic elements, and Kidjo’s signature Afro-pop sound. The song’s dynamic energy reflects the urgency of its message: to not remain silent in the face of adversity and to take action for a better world.Within the broader context of Mother Nature, which features collaborations with a number of young African artists, Kelele fits into Kidjo’s mission to pass the torch to the next generation, empowering them to continue the fight for a sustainable, just and inclusive future.Through Kelele, Kidjo encourages a collective call to action and celebrates the power of community to address global challenges.

Bass Trombone,Tenor Trombone - Level 4 - Digital Download SKU: A0.1433342 Composed by Ralph Vaughan Williams. Arranged by Russell McKinney. 20th Century. 28 pages. Gordon Cherry #1013633. Published by Gordon Cherry (A0.1433342). In 1920, Ralph Vaughan Williams composed a set of three organ preludes based on Welsh hymn tunes. Of those three, Rhosymedre quickly became established in organ repertoire and has had enduring popularity. Shortly after the publication for organ, an arrangement for string orchestra with some optional wind parts was available from the same publisher. In the decades since, many other arrangements of it have appeared for various ensembles including brass band, wind ensemble, flute choir, and even handbell ensemble.This gorgeous 4 minute long setting of Rhosymedre for Trombone Choir arranged by Russell McKinney is very approachable by most trombone ensembles with all 10 parts in bass clef and presents no technical or endurance issues. Instrumentation is for 7 tenors and 3 bass trombones.