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Small Ensemble Bassoon,Harpsichord,Low Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.914146 Composed by Tom Swafford. 20th Century,Broadway,Contemporary,Musical/Show. Score and parts. 11 pages. Tom Swafford #3575315. Published by Tom Swafford (A0.914146). Novelty song for voice (any type), piano (or harpsichord), and optional bassoon.  Originally written for bass voice, the part is in treble clef and goes up to a D at the top of the staff and down to an E below the staff. Contact the composer if you would like it in a different key. This is a silly song with some cartoonish violence represented (cracking skulls etc.), reminiscent of Gilbert and Sullivan or early 20th century musical theater.  PDF is designed for double-sided printing, with page 1 of the score on the left side, blank pages are inserted to avoid page turns in the voice and bassoon parts. duration 2.5 minutes. www.tomswafford.com ASCAP.
The Wretch - novelty song for voice, harpsichord, optional bassoon

$5.00 4.38 € PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.914132 Composed by Joseph Philbrick Webster. Arranged by Tom Swafford. Country,Folk,Traditional. Score and parts. 14 pages. Tom Swafford #3574939. Published by Tom Swafford (A0.914132). String orchestra arrangement of a song written in the 1800's and popularized by the Carter Family, who recorded their own version in the late 1920's.  In the first section, the second violins and violas can play with instruments on their knee, guitar style. The last part is to be played non-vibrato, with an open sound, like a shape-note hymn. Can be played by intermediate players. Folk-style liberties can be taken with the solo parts. Score and parts included. Duration: 4:30. www.tomswafford.com ASCAP .
I'll Twine 'Mid the Ringlets for string orchestra
Orchestre à Cordes

$10.00 8.77 € Orchestre à Cordes PDF SheetMusicPlus

Bassoon Solo - Level 5 - Digital Download SKU: A0.914140 Composed by Tom Swafford. Contemporary. Individual part. 4 pages. Tom Swafford #3575045. Published by Tom Swafford (A0.914140). Showpiece for solo bassoon that uses the bassoon's full range of pitches, dynamics, and articulations, with a lot of drama, energy, rhythmic drive and some rather extreme contrasts.  The title refers to the fact that I wrote it very quickly, almost like an improvisation. I also called it this because of its difficulty. I thought I might be asking too much of someone if I were to ask them to play it. But someone did play it! It was premiered by Ryan Hare in Seattle in 2002. Ryan went on to record it for his album Intrada (Present Sounds Recordings, 2004). duration: 6 minutes. www.tomswafford.com ASCAP.
Imposition for solo bassoon
Basson

$3.00 2.63 € Basson PDF SheetMusicPlus

Small Ensemble Violin - Level 2 - Digital Download SKU: A0.914149 Composed by Tom Swafford. 20th Century,Children,Contemporary,Instructional. Score and parts. 6 pages. Tom Swafford #3577537. Published by Tom Swafford (A0.914149). This tiny programmatic piece is designed for young players in their third year of playing.  Running 16th notes gradually crescendo and diminuendo representing perhaps the rustling of the wind, each player is given a chance to show off with a dramatic solo phrase or two. Provides experience with non-tonal harmonies and ensemble playing  (knowing who has the solo vs. accompanying part etc.)  Duration: about 40 seconds. www.tomswafford.com ASCAP .
The Passing Storm - miniature for three violins
Trio à cordes: 3 violins

$3.00 2.63 € Trio à cordes: 3 violins PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914156 Composed by Traditional. Arranged by Tom Swafford. Celtic,Contemporary,Folk,Irish,Multicultural,World. Score. 8 pages. Tom Swafford #3631661. Published by Tom Swafford (A0.914156). This is an arrangement of an old Scottish ballad about a man who gallantly rides off to battle and his family awaits his triumphant return. Sadly, only his horse comes back.  This version is quite slow and sparse, in order to emphasize the song's message, which remains so relevant today.  The recorded example is countertenor Stephen Bryant and pianist Jane Harty. It can be sung by any vocal type. Contact me if you would like it in a different key. Duration: 4 minutes. ASCAP www.tomswafford.com 
Bonnie George Campbell for voice and piano
Piano, Voix

$3.00 2.63 € Piano, Voix PDF SheetMusicPlus






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