Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.1349597

By Diana Ross. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Kevin P Holdgate. 20th Century,Disco,Pop,Standards,Wedding. 17 pages. Kevin P Holdgate #934360. Published by Kevin P Holdgate (A0.1349597).

This arrangement is for brass sextet with additional parts provicded as an alternative for Horn in Eb Trombone (Treble Clef) Euphonium Treble Clef) & Eb Bass

Chain Reaction is a song by American singer Diana Ross, released on November 12, 1985, as the second single from her sixteenth studio album, Eaten Alive (1985). The song was written by the Bee Gees and contains additional vocals from Barry Gibb. Sonically, Chain Reaction is an R&B and dance-pop song. According to the Gibbs' biography, the brothers had initial reservations about offering the song to Ross in case it was too Motown-like for her.

The single became Ross's second No. 1 hit in the UK Singles Chart. It also hit No. 1 in Australia—where it became the best selling single of 1986—Ireland, and Zimbabwe. In New Zealand, it peaked at No. 3 and it made the top 5 in South Africa. In 1993, the song entered the UK top 20 again, when it was re-released to commemorate Ross's 30th anniversary in show business. 

Piano Solo - Level 5 - Digital Download

SKU: A0.1203964

By Diana Ross. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Jane Stavrinoudis. 20th Century,Disco,Pop,Rock. Score. 7 pages. Jane Stavrinoudis #802536. Published by Jane Stavrinoudis (A0.1203964).

Grade 7 – Middle Advanced Piano solo
With this sheet music, you can play Chain Reaction by The Gibbs brothers on piano!
It's an accurate, carefully created piano arrangement of the full song and includes a brief history and analysis.
The whole melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover.
The song is in C Major but modulates to different keys. It is in Common Time.

Small Ensemble Choir,Voice - Level 3 - Digital Download

SKU: A0.919015

By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by R. J. Hawkes. Dance,Disco. Score and parts. 4 pages. R. J. Hawkes #3455019. Published by R. J. Hawkes (A0.919015).

How Deep Is Your Love from the Motion Picture SATURDAY NIGHT FEVER by The Bee Gees (Words and Music by Barry Gibb, Robin Gibb, and Maurice Gibb) ARRANGED FOR BARBERSHOP QUARTET.

Copyright (c) 1979 by Yvonne Gibb, The Estate Of Robin Gibb, Warner-Tamerlane Publishing Corp. and Crompton Songs LLC All Rights for Yvonne Gibb and The Estate Of Robin Gibb Administered in the U.S. and Canada by Universal Music - Careers All Rights for Crompton Songs LLC Administered by Warner-Tamerlane Publishing Corp. International Copyright Secured All Rights Reserved Used by Permission of Hal Leonard Corporation

Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.802652

By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 13 pages. Peet du Toit #6198683. Published by Peet du Toit (A0.802652).

New York Mining Disaster 1941 is the debut American single by the British-Australian pop group the Bee Gees, released on 14 April 1967. It was written by Barry and Robin Gibb.

Barry and Robin Gibb wrote the song while sitting on a darkened staircase at Polydor Records following a power cut. The song recounts the story of a miner trapped in a cave-in. He is sharing a photo of his wife with a colleague (Mr. Jones) while they hopelessly wait to be rescued. According to the liner notes for their box-set Tales from the Brothers Gibb (1990), this song was inspired by the 1966 Aberfan mining disaster in Wales. According to Robin, there actually had also been a mining disaster in New York in 1939, but not in 1941, and he thought New York sounded more glamourous.

In the second and third verses, the lyrical lines get slower and slower, as if to indicate that life is about to end for the miners.

The darker sounds of the Flügelhorn, harmonised by the French Horn, depict the dangerous alleys of death miners are facing every day. A potential fatality is lurking every day. The sustained notes of the muted trumpet and the trombone symbolise the sirens and alarms down under - as warning signs.  The simple bass drum effect denotes the time that goes by during the unknown and the working pace. The tuba part suggests moving forward, despite the daunting situation.

I hope to have captured some of the context and story in this arrangement by a super group. Enjoy!

Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.802643

By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 19 pages. Peet du Toit #6169575. Published by Peet du Toit (A0.802643).

How Can You Mend a Broken Heart is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.

Barry and Robin Gibb wrote the song in August 1970 with Lonely Days when the Gibb brothers had reconvened following a period of break-up and alienation. Robin came to my place, says Barry, and that afternoon we wrote 'How Can You Mend a Broken Heart' and that obviously was a link to us coming back together. We called Maurice, finished the song, went to the studio and once again, with only 'Broken Heart' as a basic structure, we went in to the studio with that and an idea for 'Lonely Days', and those two songs were recorded that night.

Here is a brass quintet version for you - a flügelhorn solo, with percussion. Enjoy this golden oldie!

Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.802650

By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 24 pages. Peet du Toit #6211349. Published by Peet du Toit (A0.802650).

Run to Me is a song by the Bee Gees, the lead single and first track on the group's album To Whom It May Concern (1972). The song reached the UK Top 10 and the US Top 20.

Written by Barry, Robin and Maurice Gibb. Lead vocals by Barry Gibb on the verses and Robin Gibb on the chorus. Barry re-recorded the song as a duet with Brandi Carlile for his 2021 album Greenfields.

Here's another addition to your Bee Gees for Brass collection. Enjoy!

Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.802648

By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 17 pages. Peet du Toit #6198223. Published by Peet du Toit (A0.802648).

Lonely Days is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts. Barry Gibb later re-recorded the song with country quartet Little Big Town for his 2021 album Greenfields.

On Friday, 21 August 1970, the three Gibb brothers announced they would reunite and start recording together, nearly 16 months after Robin quit the group. They said later that they wrote Lonely Days and How Can You Mend a Broken Heart at their first reunion session, but the exact day when they recorded the song is unknown. However, a tape of stereo mixes received at Atlantic in October bears the tantalizing notation August 20, 1970 which, if true, means the brothers announced the reunion the day after it happened. According to Robin Gibb in a 2001 Billboard interview with the Bee Gees, That was written on Addison Road in Holland Park in London, in the basement of Barry's place.

This song was sung by all three together to Maurice's piano and bass and Bill Shepherd's string and horn arrangement, the slow verses contrasting with the pounding chorus. 'Lonely Days' was written in ten minutes. It was that quick. I was at the piano ten minutes. Barry revealed later in 1998, A manager we had about five years back heard 'Lonely Days' in a restaurant and he said to a friend, 'That's one of my favorite Beatles songs' And he was managing us!

Well, beyond the Covid-19 pandemic, brass quintets would want to re-unite. What better way than to play a shortened version (for the fragile chops) of Lonely Days... Enjoy!

Piano Solo - Level 4 - Digital Download

SKU: A0.1300078

By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Timothy Stapay. Country,Disco,Film/TV,Rock,Singer/Songwriter. Score. 4 pages. Timothy Stapay #889845. Published by Timothy Stapay (A0.1300078).

How Can You Mend a Broken Heart is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.

The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid- to late 1970s. The group sang recognisable three-part tight harmonies: Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid- to late 1970s and 1980s. The group wrote all their own original material, as well as writing and producing several major hits for other artists, and are regarded as one of the most important and influential acts in pop-music history.

 Bee Gees Lyrics:
How Can You Mend A Broken Heart?

I can think of younger days when living for my life
Was everything a man could want to do
I could never see tomorrow
But I was never told about the sorrows

And, how can you mend a broken heart?
How can you stop the rain from falling down?
How can you stop the sun from shining?
What makes the world go 'round?
How can you mend this broken man?
How can a loser ever win?
Please help me mend my broken heart and let me live again

I can still feel the breeze that rustles through the trees
And misty memories of days gone by
We could never see tomorrow
No one said a word about the sorrow

And how can you mend a broken heart?
How can you stop the rain from falling down?
How can you stop the sun from shining?
What makes the world go 'round?
And how can you mend this broken man?
How can a loser ever win?
Please help me mend my broken heart and let me live again

La la la la la la, la la la la
La la la la la la, la la la la

Please help me mend my broken heart and let me live again
Da da da da
Da da da da, da da da da da, da.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.802647

By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647).

I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.

The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.

Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.

Robin adds:

It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.

Revive this hit on your brass instruments and enjoy!