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Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,Jazz,Traditional. Score and parts. 14 pages. Joseph Hasper #3213083. Published by Joseph Hasper (A0.734796). Traditional sailor's song arranged for German Band with two clarinets, trumpet, trombone, tuba, and optional drums. Includes a full score and all parts. Includes optional lyrics that let you sing a verse! Key of F. 81 measures, 20pages.Barnacle Bill the Sailor is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.Barnacle Bill the Sailor (Roud 4704) is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown.[1]There are several versions of the bawdy song in the Gordon Inferno Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard.[2] Versions are also known in England and Scotland from the early twentieth century.The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album Bix Beiderbecke 1927–1930.[3] According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing Barnacle Bill the Shit-head, either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka Dr. Dirty) also recorded the song.The tune has inspired a Fleischer Studios Betty Boop cartoon and two films, as well as the name of a rock on Mars. Louis Jordan and the Tympany Five (then known as The Elks Rendezvous Band) recorded a clean version in 1938.[4] In the first Fleischer Popeye cartoon, Popeye the Sailor (1933), Barnacle Bill was used as the recurring theme for the Bluto character. A later Fleischer Popeye cartoon, Beware of Barnacle Bill (1935), is a mock operetta based around a toned-down version of the song.Example of lyrics[edit]One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.
Barnacle Bill the Sailor (for German Band)

$11.99 10.29 € PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1502122 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,Latin. Score and part. 9 pages. Kara Williams #1078000. Published by Kara Williams (A0.1502122). In need of a short, fun, and exciting encore piece, this little ‘ear-worm’ was composed for the Assai Quartet (flute, violin, guitar, and bassoon) by Kara Williams in 2022. Based in the Riverina Region of New South Wales, Australia, the Assai Quartet also recorded this work on the album ‘Origin’.  Loosely translating as ‘We’re Finished!’ Hemos Acabado channels the energy and style of Latin-American music and has been re-orchestrated for upper-intermediate to more advanced Clarinet soloist (including easier ossia sections) and Piano by the composer. At just under two minutes Hemos Acabado is a fantastic tornado of semiquaver passages grounded by a comforting and toe tappingly recurring rhythmic motif: a great inclusion any program - and not just at the end!karawilliamsmusic.com.
Hemos Acabado!
Clarinette et Piano

$15.00 12.88 € Clarinette et Piano PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1008279 Composed by Christopher McWilliams. Baroque,Contemporary. Score. 6 pages. Christopher McWilliams #4632439. Published by Christopher McWilliams (A0.1008279). For the Prelude, I have incorporated variations of the iconic chord progression from Pachelbel's Canon in D major and took the liberty to quote three themes from other sources at three distinct points throughout. The first one marks the conclusion from the first movement of Vivaldi's Guitar Concerto in D major. The source for the second borrowed theme is unknown, and the third theme is derived from the song Somedays featured in Paul McCartney's 1997 album Flaming Pie. The main motive of the prelude is loosely based on a rhythmic figure found in a typical prelude by J.S. Bach. Although the harmony is largely diatonic, I have clearly marked key modulations that descend by chromatic steps during the episodes from B major to B major. .
Chromatic Prelude in B major
Piano seul

$3.99 3.43 € Piano seul PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856216 Composed by Paul Williams. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4331259. Published by Liz Garnett (A0.856216). This is the title song of the eponymous movie re-imagined as a barbershop ballad. It doesn't take much to make the shift. The lyric and melody already carry the kind of wistfulness that responds well to loosening the metre into a rubato delivery, and a return to tempo for the driving feel of the bridge raises the emotional temperature appropriately.This was designed to form part of a barbershop contest package with the Bad Guys/Down and Out Medley using songs from the same film.Vocal Ranges:Tenor: C4 - C flat 5Lead: D3 - G4Bari: F3 - G4Bass: G2 - B flat 3www.HelpingYouHarmonise.com
Bugsy Malone
Chorale TTBB

$2.99 2.57 € Chorale TTBB PDF SheetMusicPlus






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