Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.838990 Arranged by Kenneth Martin. Christmas,Sacred. Octavo. 16 pages. Martin Music Editions #5030843. Published by Martin Music Editions (A0.838990). Traditional Carol based on ST. LOUISarranged for brass and organ byKENNETH MARTINfor Juan Carlos Acosta and Village Presbyterian Church, Rancho Santa Fe, CaliforniaMARTIN MUSIC SD

Pipe Organ - Level 5 - Digital Download SKU: A0.1119344 By Sr. Theophane Hytrek OSF. By Sr. Theophane Hytrek OSF (1915-1992). 20th Century,Sacred. Full Performance. Duration 417. School Sisters of St. Francis #720759. Published by School Sisters of St. Francis (A0.1119344). A one-movement contemporary, concert work for organ in six sections based on the simple tone Gregorian Chant Te Deum. This recording was performed by the composer on the Casavant III/35R. It was a commission for the dedication of this instrument in St. Joseph Chapel, the motherhouse of the School Sisters of St. Francis in Milwaukee, Wisconsin.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801440 Composed by Prayer by St Francis of Assissi. Arranged by Connie Boss. Christian,Praise & Worship,Sacred. Score. 3 pages. Connie Boss #5795987. Published by Connie Boss (A0.801440). This song is based on the prayer of St Francis of Assissi. There is another hymn with the same name and based on the same prayer. The music is completely different. It is written for solo and piano.  cdboss@cvalley.net

Pipe Organ - Digital Download SKU: A0.1119335 By Sheri Masiakowski. By Sr. Theophane Hytrek OSF. 20th Century,Sacred. Full Performance. Duration 582. School Sisters of St. Francis #720750. Published by School Sisters of St. Francis (A0.1119335). A one-movement contemporary, concert work for organ in six sections based on the simple tone Gregorian Chant Te Deum. Recorded in December 2020 at Church of the Gesu (Milwaukee, Wisconsin campus of Marquette University) on the Schantz IV/115R.

Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.

Instrumental Solo,Pipe Organ - Level 5 - Digital Download SKU: A0.1119200 Composed by Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Contemporary,Religious,Sacred. Individual part. 16 pages. School Sisters of St. Francis #720555. Published by School Sisters of St. Francis (A0.1119200). A one-movement contemporary, concert work for organ in six sections based on the simple tone Gregorian Chant Te Deum.

Organ - Level 3 - Digital Download SKU: A0.744688 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Celtic,Christian,Contemporary,Sacred. Score. 5 pages. Phil Lehenbauer #5968233. Published by Phil Lehenbauer (A0.744688). Based on the Irish tune St. Columba, this peaceful interlude clearly states the melody and adds a descant later on in the work.  Most people will know this tune as The King of Love my Shepherd Is, and will enjoy hearing this as part of worship or a St. Patrick's Day recital.  .

Pipe Organ - Level 4 - Digital Download SKU: A0.1297882 By Dr. Sheri Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Religious. Full Performance. Duration 486. School Sisters of St. Francis #887854. Published by School Sisters of St. Francis (A0.1297882). A series of variations on the Lutheran hymn Now the Light Is Gone Away, a children's bedtime prayer. It is written in 20th century classical style after completion of Sr. Theophane's PhD in composition from the Eastman School of Music. This performance: Madonna della Strada Chapel, Loyola University -- Chicago, Illinois.  September 17, 2023 on Goulding & Wood, Inc. III/70R Opus 47, 2008.

Concert Band - Level 5 - Digital Download SKU: A0.1357134 Composed by Johannes Brahms. Arranged by Nejc Be�an. 19th Century,Classical,Contest,Festival,Romantic Period. 188 pages. UpBeat Editions #941763. Published by UpBeat Editions (A0.1357134). The Variations on a theme by Haydn, now also called the St. Anthony Variations is a work in the form of a theme and variations, composed by Johannes Brahms in the summer of 1873 at Tutzing in Bavaria. It consists of a theme in B-flat major based on a “Chorale St. Antoni�, eight variations and a finale. It is often said to be the first independent set of variations for orchestra in the history of music. Brahms composed the work on a theme entitled “Chorale St. Antoni� found in a wind ensemble composition. At the time Brahms discovered it, the wind ensemble piece carried an attribution to the composer Joseph Haydn. Brahms titled his own composition accordingly, crediting Haydn for the theme, but publishers in the early nineteenth century often attached the names of famous composers to works by unknown or lesser known composers in order to move inventory. Subsequent research has concluded that the wind piece Brahms used as a source does not fit Haydn’s style. Today the wind ensemble piece remains without clear attribution.A transcription faithful to the original for Concert band.Full set of Score and parts.Further info:www.upbeateditions.comupbeat.editions@gmail.comhttps://www.facebook.com/UpBeatEditions.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1463555 By Sonny Rollins. By Sonny Rollins. Arranged by Will Corbin. Jazz. 21 pages. Will Corbin #1042294. Published by Will Corbin (A0.1463555). A saxophonist was playing this catchy song outside New Orleans' Cafe du Monde one morning when I was visiting. When I figured out what the tune was, I was driven to arrange it for our quintet. The result is at least good for one illustration: If you thought you needed drums for calypso or Latin, think again. Horns work pretty well.Jazz tenor sax great Sonny Rollins wrote this, mostly as a vehicle for improvisation. It's based on a Bahamian folk melody called Sponger Money, which may or may not be based on a British folk song called The Lincolnshire Poacher. Whatever the case, it's a variation on a song Rollins' mother sang to him when he was a child in the Virgin Islands.This arrangement -- not as easy to play as it looks, because of the rhythms -- is for two trumpets, horn, trombone and tuba. It's also perfect for the improv-impaired -- but can also serve as a framework for players who are good at it.If you need alternative instrumentation, please contact me at wilcor@aol.com.

Pipe Organ - Level 4 - Digital Download SKU: A0.1318869 By Dr. Sheri Masiakowski. By Sr. Theophane Hytrek OSF. 20th Century,Religious,Sacred. Full Performance. Duration 295. School Sisters of St. Francis #907508. Published by School Sisters of St. Francis (A0.1318869). A set of variations based on “Immaculate Mary�, a hymn for feast days of Mary, is well-loved and found in many hymnals.The tune attribution is a traditional Pyrenean melody published in Grenoble—1882.Presented at St. Joseph Chapel by Dr. Sheri L. Masiakowski on the Casavant organ (opus 3493 III/35R 1981). More of Sr. Theophane's compositions as well as those of her Sister colleagues can be found at sssf.org -- Music Catalog.

Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1119667 Composed by Sr. Theophane OSF / Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Religious. Individual part. 10 pages. School Sisters of St. Francis #721034. Published by School Sisters of St. Francis (A0.1119667). A series of variations on the Lutheran hymn Now the Light Is Gone Away, a children's bedtime prayer. It is written in 20th century classical style after completion of Sr. Theophane's PhD in composition from the Eastman School of Music.

Bells,Carillon,Instrumental Solo - Level 1 - Digital Download SKU: A0.1401646 Composed by Sir Arthur Seymour Sullivan. Arranged by Linda Dzuris. Christian,Easter,Religious,Sacred,Traditional. Individual part. 5 pages. Linda Dzuris #984828. Published by Linda Dzuris (A0.1401646). Carillon setting of the Easter hymn tune St. Kevin.

Bells,Carillon,Instrumental Solo - Level 1 - Digital Download SKU: A0.1401677 Composed by Dimitri S. Bortniansky. Arranged by Linda Dzuris. Christian,Religious,Sacred,Traditional. Individual part. 3 pages. Linda Dzuris #984861. Published by Linda Dzuris (A0.1401677). Easy, meditative carillon setting of the hymn tune St. Petersburg.

Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764653 Composed by Gustav Holst (1874-1934). Arranged by James Pybus. 20th Century,Contemporary,Contest,Festival. 97 pages. James Pybus #36481. Published by James Pybus (A0.764653). In 1905 Gustav Holst became Director of Music at St. Paul’s Girls’ School in Hammersmith, London, a post which he retained right up until his death in 1934. St. Paul's Suite was written for the school’s string orchestra in 1912. The work is in four movements: a Jig, reminiscent of English fiddle tunes; a muted Ostinato (Presto); an Intermezzo which starts fairly slowly and softly, switching abruptly to a short Vivace section. The rhythmic tune here is based on an Arab song which Holst had noted in his sketchbook a few years earlier while on holiday in Algeria. After this brief interlude, the music returns to the slower opening tempo, and in the very last bars of the movement ‘the descending chromatic sixths are like a gesture of farewell to the good old days: never again did [Holst] indulge in such an unblushing display of nineteenth-century romanticism’--- these rather severe words are his daughter’s, quoted from her biography of her father. The Finale is framed around a familiar English folk tune (the Dargason), which, in the course of the movement, is used as a counter-melody to the even more familiar Greensleeves. Holst was evidently fond of this tune, as he also used it as the concluding movement of his well-known Suite No. 2 in F, Op. 28b for Military Band. Durations: 1. Jig 4:00; 2. Ostinato 1:28; 3. Intermezzo 3:41; 4. Finale (The Dargason) 4:00; Total time 13:09 I wrote this arrangement for SATB Saxophone Quartet in 2004, with revisions in 2015. It is a challenging yet ultimately rewarding piece for both audiences and players. contact me at james.pybus56@gmail.com.