Diana Ross, Marvin Gaye - Partitions musicales à imprimer

72 partitions trouvées

SKU: A0.506022

By Diana Ross, Marvin Gaye & Tammi Terrell, and Michael McDonald. By Nickolas Ashford and Valerie Simpson. Arranged by Thomas Graf. Pop. Score and parts. 21 pages. Published by Thomas Graf - the-hit-factory.com (A0.506022).

Ain't No Mountain High Enough is an R&B/soul song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label; a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell; becoming a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross- first solo number-one hit on the Billboard Hot 100 chart and was nominated for a Grammy Award. A must for your repertoire! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass, Drums (opt.) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.

Ain't No Mountain High Enough Orchestre à Cordes
Diana Ross, Marvin Gaye & Tammi Terrell, and Michael McDonald
$50.00 47.34 € Orchestre à Cordes PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download

SKU: A0.499282

By Diana Ross, Marvin Gaye & Tammi Terrell, and Michael McDonald. By Nickolas Ashford and Valerie Simpson. Arranged by Madeline Currie. Hip-Hop,Pop,R & B. Score and parts. 17 pages. Madeline Currie #112714. Published by Madeline Currie (A0.499282).

Ain't No Mountain High Enough for brass quintet features the charming call and response in between Marvin Gaye and Tammi Terrell, rhythmic and punchy harmonies, and a driving bass line in the style of Motown bassist James Jamerson. This arrangement stays true to the original essence of the classic recording while also being tailored to the brass quintet format and each instrument's strengths.

Ain't No Mountain High Enough Ensemble de cuivres
Diana Ross, Marvin Gaye & Tammi Terrell, and Michael McDonald
$15.99 15.14 € Ensemble de cuivres PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Digital Download

SKU: A0.499189

By Diana Ross, Marvin Gaye & Tammi Terrell, and Michael McDonald. By Nickolas Ashford and Valerie Simpson. Arranged by Madeline Currie. Hip-Hop,Pop,R & B. 17 pages. Published by Madeline Currie (A0.499189).

Ain't No Mountain High Enough for woodwind quintet features the charming call and response in between Marvin Gaye and Tammi Terrell, rhythmic and punchy harmonies, and a driving bass line in the style of Motown bassist James Jamerson. This arrangement stays true to the original essence of the classic recording while also being tailored to the woodwind quintet format and each instrument's strengths.

Ain't No Mountain High Enough Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Diana Ross, Marvin Gaye & Tammi Terrell, and Michael McDonald
$15.99 15.14 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download

SKU: A0.499137

By Diana Ross, Marvin Gaye & Tammi Terrell, and Michael McDonald. By Nickolas Ashford and Valerie Simpson. Arranged by Madeline Currie. Hip-Hop,Pop,R & B. 15 pages. Published by Madeline Currie (A0.499137).

Ain't No Mountain High Enough for saxophone quartet features the charming call and response in between Marvin Gaye and Tammi Terrell, rhythmic and punchy harmonies, and a driving bass line in the style of Motown bassist James Jamerson. This arrangement stays true to the original essence of the classic recording while also being tailored to the saxophone quartet format and each instrument's strengths.