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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #36921. Published by Musik Fabrik Music Publishing (A0.532808). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
Hautbois, Piano (duo)

$11.55 10.99 € Hautbois, Piano (duo) PDF SheetMusicPlus

Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
Flûte traversière et Piano

$11.55 10.99 € Flûte traversière et Piano PDF SheetMusicPlus

Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair.  Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration)  For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator  Text: Clementina Maria Black (1853-1922)  / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments.  Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum.  The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note.  From bar 62 to the end the cimbalom may be played an octave higher than written.  The cimbalom and gongs are played laissez vibrer throughout.  The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique.  The narrator may choose one of two texts: A:  The Troubles of an Automaton (Excerpt) by Clementina Maria Black B:  The Table and the Chair by Edward Lear.  The start of each section of Narrator text is indicated in the score with boxed text.  Where necessary the end of a text section is shown as unboxed text.  The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'.  'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876.  The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton.  'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870.  In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.
The Troubles of an Automaton, or The Table and the Chair

$3.95 3.76 € PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1224901 Composed by Thomas Adams. Arranged by Andrew Lamb. 19th Century,Chamber,Christian. 19 pages. Andrew Lamb #821016. Published by Andrew Lamb (A0.1224901). Title: 3 Pieces by Thomas AdamsComposer: Thomas Adams (1785-1858)Arranger: Andrew LambDescription: This is a transcription of 3 pieces by Thomas Adams (1785-1858).PreludeOvertureAndante PastoraleThomas Adam was an English composer, born in London in 1785. He was born to a family of musicians and began his musical journey as a choirboy at St. Paul’s Cathedral. He later became the organist at St. Anne’s Church in Soho, where he cultivated his skills in composition.Adams was a prolific composer, and his works incorporate a variety of musical styles and genres. He is known for his choral music, hymns, and anthems, which were popular in both the Anglican and Nonconformist churches.Adams also worked as a music publisher and was the proprietor of the music shop Adams and Co. in London. He was a founding member of the Royal Society of Musicians and received the honour of being appointed the organist of the Chapel Royal in 1836.Despite his many accomplishments, Adams’s music has largely fallen out of favour and is rarely performed today. Nonetheless, his contributions to English choral music and his legacy as a respected musician within his community continue to be remembered. Adams passed away in 1858.
3 Pieces by Thomas Adams
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$20.00 19.03 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1505892 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Paul Lorenz. A Cappella,Pop,Praise & Worship,Spiritual,Wedding. 24 pages. Paul Lorenz #1081269. Published by Paul Lorenz (A0.1505892). Stand By Me Sheet Music - Choir and Piano Arrangement Experience the Timeless Magic of Stand By Me – Arranged by Paul LorenzThis exclusive arrangement of Stand By Me for choir and piano brings Ben E. King’s iconic song to life like never before. Crafted by the world-renowned composer Paul Lorenz, this sheet music offers a fresh and heartfelt version of the timeless classic, as performed by Karen Gibson and The Kingdom Choir at The Royal Wedding. Stand By Me Choir and Piano Sheet Music PDF Download Whether you're preparing for a special performance or expanding your choir's repertoire, this Stand By Me sheet music PDF download is the perfect addition to your collection. It includes individual choir parts and the complete piano arrangement, making it an essential resource for conductors and pianists alike.Download the Stand By Me choir sheet music today to bring the same moving rendition from The Royal Wedding to your own ensemble. Ben E. King’s Classic- Stand By Me choir sheet music - Now for Your Choir Relive the unforgettable emotion of Ben E. King's legendary song with this Stand By Me sheet music, arranged for choirs of all sizes. With clear and easy-to-follow notation, this choir and piano sheet music ensures a seamless performance experience. Perfect for both professional choirs and community groups, this Stand By Me sheet music PDF download is a must-have.Don’t miss your chance to perform Stand By Me, one of the most beloved songs of our time, arranged by Paul Lorenz. Download the Ben E. King sheet music today and elevate your next performance!
Stand By Me
Chorale SATB
Ben E King
$4.99 4.75 € Chorale SATB PDF SheetMusicPlus

Clarinet quartet Clarinet - Level 3 - Digital Download SKU: A0.532820 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacred,Wedding. 24 pages. Musik Fabrik Music Publishing #38025. Published by Musik Fabrik Music Publishing (A0.532820). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax puublishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. These versions are also published by Musik Fabrik in seperate editions. This current version was arranged using the first edition of the trio version as its source, and the saxophone and voice parts remain essentially as in the original, with some editorial dynamic changes. The version may be performed in three possible ways: either as a piece for Clarinet Quartet, as a work with Voice and Clarinet Trio, or as a work with Voice and clarinet quartet, with Clarinet 1 doubling the voice. A voical part (in C) is included with the set.
Jules Demersseman : Ave Maria for 3 Bb clarinets and bass clarinet (or medium voice, 2 Bb clarinets
Quatuor de Clarinettes: 4 clarinettes

$12.95 12.33 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.532821 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacred. 24 pages. Musik Fabrik Music Publishing #38027. Published by Musik Fabrik Music Publishing (A0.532821). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax puublishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. These versions are also published by Musik Fabrik in seperate editions. This current version was arranged using the first edition of the trio version as its source, and the saxophone and voice parts remain essentially as in the original, with some editorial dynamic changes. The version may be performed in three possible ways: either as a piece for SATB Saxophone Quartet, as a work with Voice and ATB Trio, or as a work with Voice and SATB saxophone quartet, with the Soprano saxophone doubling the voice. A voical part (in C) is included with the set.
Jules DEMERSSEMAN Ave Maria for SATB Saxophone Quartet (or Voice and ATB Saxophone Trio)
Quatuor de Saxophones: 4 saxophones

$12.95 12.33 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.798321 Composed by Music & Lyrics by Paul Hemmer. Broadway,Musical/Show. Score and parts. 11 pages. PJMS MUSIC #5769525. Published by PJMS MUSIC (A0.798321). Joe Sent Me is the title tune from an original Prohibition Era Musical Comedy which originally ran for 20 performances in 1978 - then one the Theatre Americana Best New Musical prize, and then revived in 2007 for another successful 14 show run. This SATB arrangement features a jazzy piano accompaniment. A full orchestration for 9 piece jazz band or full orchestra is available from the composer. The excerpt is performed by a 30 piece orchestra with 30 singers.
Joe Sent Me! - A jazzy Charleston-type song for SATB with Piano Accompaniment
Accompagnement Piano

$50.00 47.59 € Accompagnement Piano PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534438 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3493579. Published by Musik Fabrik Music Publishing (A0.534438). One of the first original compositions written for the saxophone, by one of Sax's closest associates. Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a long lyrical episode punctuated with more florid passages which serve as counterpoint  to the main melody.. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone.
Jules Deersseman: Sérénade, Opus 33 for alto saxophone and piano
Saxophone Alto et Piano

$11.95 11.37 € Saxophone Alto et Piano PDF SheetMusicPlus

Instrumental Duet Harp,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.837154 Composed by Paul Cowell. Contemporary. Score and parts. 28 pages. Paul Cowell #6690621. Published by Paul Cowell (A0.837154). This chamber music for violin and harp is not dance music, but music inspired by the idea of dance. Each section takes the impressions and shapes of a ballet step as a starting point. They can be large dramatic movements or static figures.First performed by ROS|CAR duo as part of the Applause New Music Series in Arlington Texas, USA on 14 July 2018 at New Hope Baptist Church.Tour en l’air (literally ‘turn in the air’) A jump with a full rotation in the air. It can be single, double, and Vaslav Nijinsky was known to perform triple tours en l'air.Attitude is a position in which the dancer stands on one leg while the other is lifted with the knee bent. Jeté (literally ‘thrown’) A leap in which one leg appears to be thrown in the direction of movement. There are several kinds of jeté, including jeté ordinaire, grand jeté, and jeté entrelacé, or the compound step coupé jeté (en tournant).For more information, visit paul-cowell-music.com
Les pas de ballet for violin and harp
Harpe, Violon (duo)

$29.99 28.54 € Harpe, Violon (duo) PDF SheetMusicPlus

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1049003 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Individual part. 16 pages. DoReMi Edition #653396. Published by DoReMi Edition (A0.1049003). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
CHINESE RHAPSODY No.3 For Saxophone with different ensembles, Op.46(1988) [solo part]
Saxophone Alto

$7.99 7.6 € Saxophone Alto PDF SheetMusicPlus


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