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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download

SKU: A0.1515405

Composed by Felix Bernard. Arranged by Cascia Talbert. Christmas. 32 pages. Cascia Talbert #1089762. Published by Cascia Talbert (A0.1515405).

Winter Wonderland is a song written in 1934 by composer Felix Bernard and lyricist Richard Bernhard Smith. Though not originally intended as a Christmas song, its winter theme has made it a holiday favorite in the Northern Hemisphere. First recorded by Richard Himber, the song has since been covered by over 200 artists. The lyrics depict a romantic scene between a couple enjoying the winter season. In 1947, a version with new children's lyrics was released, transforming the song from a romantic winter scene to one focused on playful activities in the snow. The snowman, originally referred to as Parson Brown, was changed to a circus clown, and the romantic promises made by the couple were replaced with lyrics about frolicking. Some artists, like Johnny Mathis, blended both versions by adding additional verses and choruses.

This arrangement is for flute choir.

Winter Wonderland - arr. by Cascia Talbert

$4.99 4.75 € PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1398261

By Cascia Talbert. By J.A Roff. Arranged by Cascia Talbert. Country,Folk. 74 pages. Cascia Talbert #981538. Published by Cascia Talbert (A0.1398261).

The Great Rock Island Route, popularized as Wabash Cannonball and various other titles, is a 19th-century American folk song that describes the scenic beauty and predicaments of a fictional train, the Wabash Cannonball Express, as it traveled on the Great Rock Island Railroad. The song has become a country music staple and common marching band repertoire. The only train to actually bear the name was created in response to the song's popularity, the Wabash Railroad renaming its daytime express service between Detroit and St. Louis the Wabash Cannon Ball from 1949 until discontinuation during the formation of Amtrak in 1971.

The Carter Family made one of the first recordings of the song in 1929, though it was not released until 1932. Another popular version was recorded by Roy Acuff in 1936. The Acuff version is one of the fewer than 40 all-time singles to have sold 10 million (or more) physical copies worldwide.

The tune is most famously associated with Kansas State University athletics and ESPN in 2016 named it the top Big Twelve football pregame ritual. It is also a signature song of the Indiana State University Marching Sycamores and the Purdue All-American Marching Band as the ISU and Purdue campuses are adjacent to the Mighty Wabash River. It is also associated with the Stephen F. Austin State University Lumberjack Marching Band, the Kansas State University Marching Band, the Texas Tech University Goin' Band from Raiderland, and the University of Texas Longhorn Band. It was also used as the theme song by USS Wabash.

The song The Wabash Cannonball is part of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list. It is the oldest song on the list.

This arrangement is for concert band.

Wabash Cannonball
Orchestre d'harmonie
Cascia Talbert
$19.99 19.03 € Orchestre d'harmonie PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download

SKU: A0.1398817

By Cascia Talbert. By Johann Pachelbel. Arranged by Cascia Talbert. Classical. Score. 7 pages. Cascia Talbert #982092. Published by Cascia Talbert (A0.1398817).

Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from 1838 to 1842.[1]

Like his other works, Pachelbel's Canon went out of style, and remained in obscurity for centuries. A 1968 arrangement and recording of it by the Jean-François Paillard chamber orchestra gained popularity over the next decade, and in the 1970s the piece began to be recorded by many ensembles; by the early 1980s its presence as background music was deemed inescapable.[2] From the 1970s onward, elements of the piece, especially its chord progression, were used in a variety of pop songs. Since the 1980s, it has also found increasingly common use in weddings and funeral ceremonies in the Western world.

This arrangement is for two flutes (duet).

Pachelbel Canon (Canon in D)
2 Flûtes traversières (duo)
Cascia Talbert
$3.99 3.8 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1490206

By Cascia Talbert. By Franz Schubert. Arranged by Cascia Talbert. Christian,Classical,Praise & Worship,Religious,Spiritual. Score. 7 pages. Cascia Talbert #1067042. Published by Cascia Talbert (A0.1490206).

Ellens dritter Gesang (Ellen's Song III, D. 839, Op. 52, No. 6, 1825), known in English as Ellen's Third Song, was composed by Franz Schubert in 1825. It is part of his Op. 52, a collection of seven songs inspired by Walter Scott's 1810 narrative poem The Lady of the Lake, which was loosely translated into German.

This piece is among Schubert's most beloved works. Although it was originally composed as a song, it is frequently performed and recorded under the title Ave Maria. This title references the Latin name of the prayer Hail Mary, which is also the opening phrase and refrain of Ellen's song—a prayer to the Virgin Mary. Performances often feature simplified musical arrangements and various lyrics that deviate from the original poem. Franz Liszt arranged the piece in three versions for piano.

Schubert's composition is based on verse XXIX from Canto Three of Scott's poem, translated into German by Adam Storck (1780–1822). It is part of Schubert's Liederzyklus vom Fräulein vom See. In Scott's narrative, Ellen Douglas, the Lady of the Lake (Loch Katrine in the Scottish Highlands), seeks refuge with her exiled father in the Goblin's Cave, avoiding their previous host, Roderick Dhu, who has chosen to rebel against King James. As Roderick Dhu and his warriors ascend the mountain, he hears Ellen, accompanied by the harpist Allan-bane, singing a prayer to the Virgin Mary, pleading for help. Roderick Dhu pauses momentarily before heading into battle.

The song is said to have been first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria, and was dedicated to her, earning her the nickname the lady of the lake.

The repeated use of Ave Maria in Ellen's song likely inspired the adaptation of Schubert's melody to fit the full text of the traditional Roman Catholic prayer Ave Maria. This adaptation has become so widespread that it often leads to the mistaken belief that Schubert originally composed the melody specifically for the Ave Maria prayer.

This arrangement is for low voice and piano.

Ave Maria - For Low Voice
Piano, Voix
Cascia Talbert
$5.99 5.7 € Piano, Voix PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download

SKU: A0.1494361

Composed by James Chadwick. Arranged by Cascia Talbert. Christian,Christmas. 37 pages. Cascia Talbert #1070955. Published by Cascia Talbert (A0.1494361).

Angels We Have Heard on High is a Christmas carol set to the hymn tune Gloria, which originates from a traditional French song of unknown origin titled Les Anges dans nos campagnes. The English lyrics, paraphrased by James Chadwick, recount the birth of Jesus Christ as described in the Gospel of Luke. The song focuses on the scene near Bethlehem where shepherds witness a host of angels singing and praising the newborn Savior.

This arrangement is for flute choir.

Angels We Have Heard on High
Ensemble de Flûtes

$4.99 4.75 € Ensemble de Flûtes PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.1414965

By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 94 pages. Cascia Talbert #996694. Published by Cascia Talbert (A0.1414965).

Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.

The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.

This arrangement is for concert band and choir.

Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Orchestre d'harmonie
Nitty Gritty Dirt Band
$49.99 47.58 € Orchestre d'harmonie PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1414977

By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. Score. 24 pages. Cascia Talbert #996710. Published by Cascia Talbert (A0.1414977).

Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.

The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.

This arrangement is for flute, voice and piano.

Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Piano, Voix
Nitty Gritty Dirt Band
$4.99 4.75 € Piano, Voix PDF SheetMusicPlus

Instrumental Duet,Piccolo,Tuba - Level 5 - Digital Download

SKU: A0.1366758

By Earl Scruggs. By Arthur Smith. Arranged by Cascia Talbert. Comedy,Country,Film/TV,Folk. 10 pages. Cascia Talbert #951086. Published by Cascia Talbert (A0.1366758).

Dueling Banjos is a bluegrass composition by Arthur Guitar Boogie Smith. The song was composed in 1954 by Smith as a banjo instrumental he called Feudin' Banjos; it contained riffs from Smith, recorded in 1955 playing a four-string plectrum banjo and accompanied by five-string bluegrass banjo player Don Reno. The composition's first wide-scale airing was on a 1963 television episode of The Andy Griffith Show called Briscoe Declares for Aunt Bee, in which it is played by visiting musical family the Darlings (portrayed by The Dillards, a bluegrass group), along with Griffith himself.

The song was made famous by the 1972 film Deliverance, which also led to a successful lawsuit by the song's composer, as it was used in the film without Smith's permission. The film version was arranged and recorded by Eric Weissberg and Steve Mandell, but only credited to Weissberg on a single subsequently issued in December 1972. It went to second place for four weeks on the Billboard Hot 100 in 1973, behind Roberta Flack's Killing Me Softly with His Song; it topped the adult contemporary chart for two weeks. It reached No. 1 for one week on both the Cashbox and Record World charts. It reached No. 5 on Hot Country Singles. It was nominated for the 30th Golden Globe Awards as Best Original Song. The success of the single led to an album of the same name released in January 1973.

This instrumental makes use of the quoting of the first 12 notes of Yankee Doodle.

This arrangement is for tuba and piccolo.

Duelin' Banjos
Earl Scruggs
$4.99 4.75 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1511326

By Dolly Parton. By Dolly Parton. Arranged by Cascia Talbert. Country,Pop. Score. 10 pages. Cascia Talbert #1086505. Published by Cascia Talbert (A0.1511326).

Jolene is a song written and performed by American country artist Dolly Parton. Produced by Bob Ferguson, it was recorded at RCA Studio B in Nashville, Tennessee, on May 22, 1973, and released on October 15, 1973, by RCA Victor as the lead single and title track of her album *Jolene*.

Widely regarded as a quintessential country song, Jolene was ranked No. 217 on *Rolling Stone* magazine's 2004 list of The 500 Greatest Songs of All Time, and climbed to No. 63 in the updated 2021 version. The song earned Parton Grammy nominations for Best Female Country Vocal Performance in both 1975 and 1976 for its live rendition.

Jolene has been covered by numerous artists in both English and Spanish, including Olivia Newton-John, The White Stripes, Miley Cyrus, and Måneskin. Pentatonix's 2016 version won the Grammy Award for Best Country Duo/Group Performance. In 2024, Beyoncé released a reimagined version with altered lyrics and production, which reached the top ten on both the US Billboard Hot 100 and the UK Official Singles Chart.

This arrangement is for voice and piano.

Jolene
Dolly Parton
$5.99 5.7 € PDF SheetMusicPlus






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