Full Orchestra - Level 4 - Digital Download SKU: A0.1250830 Composed by Ludwig van Beethoven. Arranged by Lars Deaken. 19th Century,Classical,Romantic Period. Score and Parts. 81 pages. Fibonacci Music & Multimedia #845098. Published by Fibonacci Music & Multimedia (A0.1250830). Ode an die Freude  An 8 minutes version of the famous hymn for orchestra and/or choir with an recognizable introduction. You will need this arrangement if you want the Ode an die Freude to begin with a worthy introductionGreatly reduced version of the 3rd and 4th movements of the 9th symphony. The hymn Ode an die Freude can also be performed as a single movement. Heavy brass has been added as an ad libitum instrumentation, to allow the hymn to be performed with full orchestra on occasion.The 4-part chorus can be sung even by a non-professional choir, and even by the audience, because of a convenient tessitura in A major in the hymn. The reduction of elements used from the 3rd movement leads - as an introduction - to the first passage of the hymn, and with material from the 4th movement it leads to the closing hymn. The hymn shows the lyrics for 3 verses.It has been orchestrated and arranged with full respect for Beethoven's intentions, but with an open mind to the needs of contemporary events and the needs of concert organizations and audiences. For the convenience of these events, heavy brass has been included for modern orchestras - even tuba which essentially doubles the original contrafagotto.This arrangement can be performed with, or without, a choir. For 2nd violins and violas of community orchestras is a notoriously difficult passage, with the length of a few bars, rewritten as ossia bars, where professional orchestras and community orchestras of advanced level can play the original passage.It is possible to set other starting points in the score (rehearsal mark C, F or H)) . It is also possible to end the Hymn in the original D major (bar mark G as a 'fine')Full package contains an orchestral score, and parts for these instruments and voices:InstrumentationPiccolo (ad libitum)Flute 1Flute 2 Oboe 1Oboe 2Clarinet in Bb 1Clarinet in Bb 2Bassoon 1Bassoon 2Contra bassoon (ad libitum)Horn 1 in FHorn 2 in FHorn 3 in FHorn 4 in F  (ad libitum) Trumpet 1Trumpet 2Trombone 1  (ad libitum) Trombone 2  (ad libitum) Trombone 3  (ad libitum) Tuba (ad libitum) Timpani  (ad libitum) Choir SATB (ad libitum)Violin 1 Violin 2 (with easy ossia for a difficult passage)Viola (with easy ossia for a difficult passage)CelloBass

Full Orchestra - Level 4 - Digital Download SKU: A0.868918 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 118 pages. Really Good Music, LLC. #4835567. Published by Really Good Music, LLC. (A0.868918). Music to the performance of the Moscow State Yiddish Theater (GOSET) An oyg far an oyg (An Eye for an Eye) had been composed by theater’s musical director Lev PULVER (1883 – 1970) in 1942. The production was one of the earliest, if not the first, artistic incarnations of the theme of the Holocaust and the Jewish resistance to the Nazis. This publication is based on the autograph manuscripts of the orchestral scores of two episodes from Act 3 of the play, realized and edited by Sergei PICHUGIN. The editor hopes that the revival of the music to one of the most mysterious and tragic performances of the GOSET will be viewed as a modest tribute to the memory of the victims of the Holocaust and World War II. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of An Eye for an Eye.

Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.

Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки � вы�тавки) by Modest Petrovi� Musorgskij, 1874(Моде�т Петрович Му�орг�кий) Arranged for Piano Quartet by James M. Guthrie (Джейм� М. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)      Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупивших�� птенцов   Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)      Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Париж�кие катакомбы Largo       CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)      Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Ча�ы в ру��ком �тиле      Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект город�ких ворот в Киеве. Главный фа�адThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.

C Instrument - Level 2 - Digital Download SKU: A0.1097054 Composed by Frank Meyer. A Cappella,Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Frank Meyer #701008. Published by Frank Meyer (A0.1097054). Since the year 1984 many people meet at the end of the year in Obermarchtal at the Danube/Donau to sing and make music together. Towards the end of the year 2020 it became very clear that the Corona virus would make it impossible to meet first time since more than 35 years. When I realized that, some words an a melody came to my mind and I wrote this canon for the participants of the Neustifter Musikwoche (www.neustifter-musikwochen.de). We met in some video conferences, talked and had fun in spite of the situation. And I gave this song to the participants to sing it and record the own singing. You can hear and see the result in the youtube channel form the Neustifter Musikwochen. Faith, hope an love are the them of the song, according to 1Kor 13,13. Its intention is not to lose hope and confidence, not even in times like these. Also in 2021 we could not meet singing together in Obermarchtal. But were looking forward hopefully. Note: The edition from 2021 published her contains a few small changes compared to the recording from 2020. ...... Seit 1984 treffen sich jährlich zum Jahreswechsel musikbegeisterte Menschen aller Altersstufen im Bildungshaus Kloster Obermarchtal. direkt oberhalb der schönen Donau gelegen, um gemeinsam zu musizieren. Als gegen Ende des Jahres 2020 klar wurde, dass aufgrund der Corona-Pandemie die Musikwoche zum Jahreswechsel erstmals seit über 35 Jahren nicht würde stattfinden können, kamen mir in Anlehnung an die Worte des Paulus im ersten Korintherbrief (1Kor 13,13) die Worte und die Melodie dieses Liedes in den Sinn, und ich schrieb diesen Kanon. Statt in Obermarchtal trafen wir uns einige Tage lang immer wieder in Videokonferenzen, feierten sogar eine kleine Andacht zu Silvester. Ich schickte Noten und die Aufnahme einer Klavierbegleitung an die Teilnehmer, und einige sangen das Lied und schickten mir ihre Aufnahmen. Es entstand eine virtuelle Choraufnahme, die im Youtube-Kanal der Neustifter Musikwochen zu sehen und zu hören ist. Auch im vergangenen Jahr 2021 konnten wir uns nicht zum gemeinsamen Singen treffen. Aber wir blicken weiterhin hoffnungsvoll nach vorne, glauben an die Zukunft, an das Leben und an die Liebe. Anmerkung: Die hier veröffentlichte Notenausgabe von 2021 enthält gegenüber der Aufnahme von 2020 am Ende ein paar kleine Änderungen. Informationen zu unseren Musikwochen unter http://neustifter-musikwochen.de.

Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1512843 By Paul Lorenz. By Traditional. Arranged by Paul Lorenz. A Cappella,Barbershop,Celtic,Christmas,Irish,Praise & Worship. 6 pages. Paul Lorenz #1087780. Published by Paul Lorenz (A0.1512843). An Irish Blessing: SATB Choir Sheet Music by Paul Lorenz Discover the beautifully arranged An Irish Blessing, a timeless choral piece crafted by renowned composer Paul Lorenz. This arrangement is specifically designed for SATB (Soprano, Alto, Tenor, Bass) choirs, making it an ideal choice for performances ranging from intimate gatherings to grand events. Download PDF Sheet Music for SATB Choirs The An Irish Blessing sheet music is available for immediate PDF download, featuring a complete choir score and individual voice parts. Whether you’re a choir director or a passionate singer, this high-quality arrangement provides everything you need to bring this classic piece to life. With an easy-to-navigate format, you can access both the full score and all separate SATB voices. Elevate Your Performance with Paul Lorenz's Arrangement Paul Lorenz's signature style brings a fresh interpretation to this beloved Irish tune, creating an arrangement that resonates with both classical music fans and modern audiences. Download the An Irish Blessing choral score today and elevate your choir’s next performance with this moving and expertly crafted piece.

Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 1 - Digital Download SKU: A0.1013012 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970291. Published by Na-Mara (A0.1013012). This An Dro is a traditional folk tune from Brittany (France) and is arranged for two melody instruments. It is one of a number of folk tune arrangements by UK based folk duo Na-Mara.An ’An Dro’ is a circle dance. Written in the key of G, An Dro can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this particular An Dro from a collection entitled ‘French Folk Tunes for Accordion’ edited and arranged by Murray Grainger, and published by Schott Music Performance tips: this is a beginner / intermediate level piece played andante or at a moderate speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even. The guitar accompaniment can be played finger picking style as broken chords. When we play this live, we play the opening stanzas on mandolin alone and then bring in the guitar. We play it as part of three-part set following the An Dro, with our own tune, Canberra Bourrée, and finishing the set with our arrangement of the Galician Muiñeira, Muiñeira de Boal. Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences.  This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia:  mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/

Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1346371 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #19sAGABTdD3zSL6AysVLWs. Published by Heather Mueller Music (A0.1346371). Key: G major.Introducing Coire An Lochan: Traditional Fiddle Tunes Reel Dive into the rich musical tapestry of Scottish and Canadian heritage with our enchanting sheet music collection, Coire An Lochan. Designed for violinists and fiddlers alike, this compilation is a treasure trove of traditional fiddle tunes that evoke the spirit of the Celtic tradition. The sheet music includes meticulously notated melodies, chord progressions, and chord symbols, providing a comprehensive guide for musicians eager to explore the nuances of Scottish and Canadian folk fiddling. Whether you're a seasoned fiddler or a violinist keen on embracing the roots of folk music, Coire An Lochan offers a delightful repertoire for your musical journey. Key Features: Interactive Learning: Immerse yourself in the melodies at your own pace with the interactive score. Play along at various speeds or challenge yourself by changing the key to enhance your skills and musicality. Versatile Repertoire: Perfect for fiddlers and violinists, the sheet music seamlessly blends the classic and folk elements of Scottish and Canadian traditions. From lively reels to heartfelt melodies, Coire An Lochan covers a spectrum of styles, making it a valuable addition to your Fiddler's Repertoire. Cultural Heritage: Immerse yourself in the cultural heritage of both Scotland and Canada through these timeless fiddle tunes. The collection celebrates the essence of folk music, offering a bridge to the musical traditions that have shaped the identity of these regions. Unlock the secrets of Coire An Lochan and add a touch of Scottish and Canadian flair to your performances. Whether you're captivated by the heritage tunes, looking to explore bowing patterns, or seeking virtuoso pieces, this sheet music is a violinist's delight and a must-have in your Folk Fiddle Anthology. Embark on a musical journey through time with Coire An Lochan: Traditional Fiddle Tunes Reel, available now in our Sheet Music Marketplace. Discover the magic of stringed melodies that resonate with the cultural richness of the Scottish and Canadian traditions.

Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair.  Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration)  For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator  Text: Clementina Maria Black (1853-1922)  / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments.  Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum.  The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note.  From bar 62 to the end the cimbalom may be played an octave higher than written.  The cimbalom and gongs are played laissez vibrer throughout.  The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique.  The narrator may choose one of two texts: A:  The Troubles of an Automaton (Excerpt) by Clementina Maria Black B:  The Table and the Chair by Edward Lear.  The start of each section of Narrator text is indicated in the score with boxed text.  Where necessary the end of a text section is shown as unboxed text.  The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'.  'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876.  The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton.  'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870.  In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805209 By Joanna C Mills. By Joanna C Mills. Arranged by Joanna C Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 102 pages. Joanna Mills Music #412246. Published by Joanna Mills Music (A0.805209). This fun musical retells the Christmas Story through the adventures of some time-travelling teens! In Just in Time for Christmas, a group of senior Sunday School students decide that they’re too old to take part in the Christmas pageant. While hiding from their Musical Director, they discover a mysterious machine that takes them on an epic adventure through space and time! Along the way, they encounter a number of biblical characters (including Isaiah, Mary, Elizabeth, Joseph, the Innkeeper, and the Shepherds) and learn that the Christmas Story is important and real. The musical features a flexible script with parts for every age group, allowing for maximum flexibility with age-range, cast size, and rehearsal time. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Just in Time for Christmas features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (some with an optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Full script • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1242770 By Various. By Alan Silvestri. Arranged by Wesley Dantas. Contemporary,Contest,Festival,Film/TV,Historic,Standards. 8 pages. Wesley Dantas #837862. Published by Wesley Dantas (A0.1242770). English (US):Arranger Wesley Dantas has crafted a delightful arrangement of the film theme Just An Oasis from The Mummy Returns, composed by Alan Silvestri, specifically tailored for an initial and intermediate-level woodwind quintet. The objective is to amplify the repertoire for this instrumental ensemble, providing an enriching musical experience.With skill and sensitivity, Dantas has translated the captivating melody and atmosphere of the original film theme into a captivating interpretation for the woodwind quintet. Each instrument, such as flute, oboe, clarinet, bassoon, and saxophone, plays unique roles, creating a balanced and harmonious sound.The technical complexity adjusted to an initial and intermediate level makes this arrangement accessible to musicians at different stages of learning. The arrangement preserves the essence of the original film theme, allowing musicians to explore the expressive capabilities of their instruments and create a pleasant musical experience for both performers and audiences.Through this graceful adaptation, Wesley Dantas showcases his talent as an arranger, enriching the repertoire available for initial and intermediate-level woodwind quintets and providing a gratifying musical experience for musicians and enthusiasts of this instrumental ensemble.Português Brasileiro:O arranjador Wesley Dantas desenvolveu uma adaptação encantadora do tema Just An Oasis do filme O Retorno da Múmia, composta por Alan Silvestri, especialmente concebida para um quinteto de madeiras de nível inicial e intermediário. Esse arranjo busca amplificar o repertório dessa formação instrumental, proporcionando uma experiência musical enriquecedora.Com habilidade e sensibilidade, Dantas traduziu a melodia envolvente e a atmosfera do tema do filme original em uma interpretação cativante para o quinteto de madeiras. Cada instrumento, como a flauta, o oboé, o clarinete, o fagote e o saxofone, desempenha papéis únicos, criando uma sonoridade equilibrada e harmoniosa.A complexidade técnica adaptada a um nível inicial e intermediário torna esse arranjo acessível a músicos em diferentes estágios de aprendizado. O arranjo preserva a essência do tema do filme original, permitindo que os músicos explorem as capacidades expressivas de seus instrumentos e criem uma experiência musical agradável tanto para os intérpretes quanto para o público.Com essa adaptação graciosa, Wesley Dantas demonstra sua habilidade como arranjador, enriquecendo o repertório disponível para quintetos de madeiras de nível inicial e intermediário e proporcionando uma experiência musical gratificante para os músicos e apreciadores dessa formação instrumental.

Big Note Piano - Digital Download SKU: AX.00-PS-0015901 Composed by Howard Shore. Arranged by Carol Matz. Classical. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015901. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015901). ISBN 9780739093542. UPC: 038081451800.With this collection, pianists in their early years of study can enjoy playing simplified arrangements of eight elections from Howard Shore's brilliant score to The Hobbit: An Unexpected Journey. Shore masterfully expands upon the musical palette of Middle-earth, blending familiar motifs from the The Lord of the Rings trilogy with an exciting array of memorable new themes. In addition to the piano arrangements, this beautifully produced souvenir folio features an array of colorful photos from the film. Titles: An Unexpected Party * Misty Mountains * The Adventure Begins * Song of the Lonely Mountain * Dreaming of Bag End * A Very Respectable Hobbit * Erebor * The Dwarf Lords.

Easy Piano - Digital Download SKU: AX.00-PS-0015893 Composed by Howard Shore. Arranged by Dan Coates. Classical. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015893. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015893). ISBN 9780739093535. UPC: 038081451794.Play selections from Howard Shore's brilliant score to The Hobbit: An Unexpected Journey! The eight arrangements in this collection are notably easier to play than those in the separately published piano/vocal edition. For The Hobbit, Howard Shore masterfully expands upon the musical palette of Middle-earth, blending familiar motifs from the The Lord of the Rings trilogy with an exciting array of memorable new themes. In addition to the piano arrangements, this beautifully produced souvenir folio features an array of colorful photos from the film. Titles: An Unexpected Party * Misty Mountains * The Adventure Begins * Song of the Lonely Mountain * Dreaming of Bag End * A Very Respectable Hobbit * Erebor * The Dwarf Lords.

Level 2 - Digital Download SKU: A0.1266011 By Don Hicks. By Don Hicks. Arranged by Don Hicks. Children,Folk,Multicultural,World. 5 pages. Don Hicks #858744. Published by Don Hicks (A0.1266011). This song makes use of most of the the instruments in an elementary Music classroom.  Ukulele, Recorder, Violin, Keyboard, Mallet Instruments and Percussion!  There are eight parts that are interchangeable.  The Ukulele uses only a Basic C chord with strumming.  There are parts for divided keyboards, mallets, bells, etc.  The violin part is all on the G string using open string and 1st, 2nd and 3rd fingers.  The recorder part duplicates the violin but an octave higher.  Again, an of the parts can be played by an assortment of different instruments.All parts in PDF are included as well as a play along mp3. Have fun with, C the Sea, an Ocean of Fun for the Music Classroom!

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.1013971 Composed by Chris Abelen. Jazz. Score and parts. 3 pages. Chris Abelen Music Productions #5754781. Published by Chris Abelen Music Productions (A0.1013971). From the album The joy of an empty trash can the title track. The joy of an empty trash can is written for a jazz quintet [soprano sax, trombone, electric guitar, bass & drums]. The joy of an empty trash can can be heard on Chris Abelen - The joy of an empty trash can [CAMP 010]. Free minus one tracks of The joy of an empty trash can are available at www.chrisabelen.com