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1 16 31 ....721

Bassoon,Clarinet,Double Bass,Flute,Oboe/English Horn - Level 5 - Digital Download

SKU: A0.1377677

Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Chamber,Classical. 62 pages. RayThompsonMusic #962154. Published by RayThompsonMusic (A0.1377677).

Prélude à l'après-midi d'un faune 

arranged wind decet/dectet (double wind quintet/bass)

Additional flute 3/cor anglais.(They are not essential and can be omitted)

Prélude à l'après-midi d'un faune (L. 86), known in English as Prelude to the Afternoon of a Faun, is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret.

The flute solo was played by Georges Barrère.

The composition was inspired by the poem L'après-midi d'un faune by Stéphane Mallarmé. It is one of Debussy's most famous works and is considered a turning point in the history of Western art music as well as a masterpiece of Impressionist composition. Pierre Boulez considered the score to be the beginning of modern music, observing that the flute of the faun brought new breath to the art of music.

Debussy's work later provided the basis for the ballet Afternoon of a Faun choreographed by Vaslav Nijinsky and a later version by Jerome Robbins.

Debussy: Prélude à l'après-midi d'un faune - symphonic wind

$29.95 28.43 € PDF SheetMusicPlus

A Clarinet,B-Flat Clarinet,Flute,Harp - Level 5 - Digital Download

SKU: A0.1121912

Composed by Claude Debussy. Arranged by Gretchen Monson. 20th Century,Chamber,Classical. 47 pages. Gretchen Monson #723090. Published by Gretchen Monson (A0.1121912).

This arrangement of Debussy's tone poem Prelude a l'apres-midi d'un faune (Prelude to the Afternoon of a Faun) fills a void in the chamber ensemble repertoire. Advanced harpists with limited access to string players will appreciate the instrumentation of the work - flute, clarinet, and pedal harp. While the full score contains no harp-specific markings, the harp part is well-edited (by a harpist) with pedal changes, pedal charts, and all necessary flute/clarinet cues. Both Bb and A clarinet are required for performance. A full score, three separate parts, performance notes, and an info sheet are included.

Prelude a l'apres-midi d'un faune

$25.00 23.73 € PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download

SKU: A0.792371

Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 20 pages. Gordon Cherry #4820019. Published by Gordon Cherry (A0.792371).

Flute - Level 5 - Digital Download

SKU: A0.1463870

Composed by Leonard E. Lopatin. Chamber,Classical,Instructional. Educational Exercises. 84 pages. Leonard E. Lopatin #1042644. Published by Leonard E. Lopatin (A0.1463870).

At one time, Claude Debussy’s approach to tonality and color was novel, even radical.  Today, his Prélude à l’Après-Midi d’un Faune, is one of the most beloved works in the repertoire, certainly among flutists.  That being the case, we’re likely to have a certain color and texture in mind when we play the flute part.  So, what can we do to make our practice of this familiar piece more interesting?  How about trying to achieve those desired qualities while playing it in different keys or in the extreme high and extreme low registers?
You’re not likely to produce the usual languid, transparent sonority if you start the famous opening solo on high F sharp, but there is much to be learned by trying to do just that.  Then, when you return to the original tonality, you may find that you have greater command of the passage’s tone color and quality than you’ve ever had before!

An Entire Day of a Faun

$20.00 18.99 € PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download

SKU: A0.883769

Composed by Claude Debussy. Arranged by Phil Lawrence. 20th Century,World. Score and parts. 76 pages. Phillip Lawrence #3565825. Published by Phillip Lawrence (A0.883769).

I recently published Romeo & Juliet Tchiakovsky which is a big bridge musically technically and and needs a big chunk of stamina. Before I did this there was another work on my mind of an opposite challenge for band in the orch rep dep.

An impressionist work of great delicacy, subtle beyond belief, the fabric is fragile like lace with a feeling of transparency and lucidity and must move as if played by one person, colour and timbre, light, lithe, the orchestration a masterpiece, utilising fx from all dep’s often at ppp and most difficult to replicate at all for brass band.

And, it’s a fair cop! The purists outsiders will say that this is the last piece that should be arranged for a brass band. So why arrange the greatest impressionist work ever written, for Brass Band?Well, because it’s there, and I believe it can be played with the above requirements by band. The work was written in the summer of 1894, and finished in the September. Three months later in December the Societe Nationale de Musique conducted by Gustave Doret with Marcel Moyse playing the opening flute solo gave the first performance. The concept of the piece was built around a poem by Stephan Mallarme, who describes the wishes and dreams of a faun in the heat of a summer afternoon. Prep for tres difficile?

Prelude a l'apres-midi d'un faune by Debussy
Ensemble de cuivres

$34.99 33.22 € Ensemble de cuivres PDF SheetMusicPlus

Piano,Tuba - Level 5 - Digital Download

SKU: A0.810798

Composed by Claude Debussy. Arranged by Sauer, Ralph. 20th Century. Score and part. 20 pages. Gordon Cherry #3087967. Published by Gordon Cherry (A0.810798).

One of the greatest works of the French impressionist era, Prélude à l’après-midi d’un faune by Claude Debussy evokes mystery, stillness, lyricism, finesse, sensuality, nature, dreams, and desires. Taken from a poem by Stéphane Mallarmé, this work is considered by some to be a turning point of musical history as an awakening of modern music as it stretches the limits of tonality. The work was later choreographed in 1912 by Nijinsky.

This marvelous arrangement by Ralph Sauer, is appropriate for advanced performers and is about ten minutes in length.

Prelude to an Afternoon of a Faun for Tuba or Bass Trombone and Piano
Tuba et Piano

$27.50 26.11 € Tuba et Piano PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.869867

Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 90 pages. Thomas Oboe Lee #6473889. Published by Thomas Oboe Lee (A0.869867).

Everyone knows L'Après-midi d'un faun, right? Well, in the case of Debussy it was a tone poem for flute and orchestra. Mine is an actual setting of the Stéphane Mallarmé poem of the same title.

Even though the entire poem is in the voice of the 'faun,' who is a male, albeit half human-half goat, I decided that because the poem is so beautiful and seductive a soprano voice would do the words justice. 

I divided the poem into five parts. 

1. Ces nymphes, je les veux perpétuer ... 

2. O bords siciliens d'un marécage ... 

3. Tâche donc, instrument des fuites ... 

4. O nymphes, regonflons des Souvenirs divers ... 

5. Tant pis! vers le bonheur d'autres m'entraîneront ...


L'Après-midi d'un faun (2021) for soprano and string quartet
Orchestre de chambre

$9.99 9.48 € Orchestre de chambre PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download

SKU: A0.914164

Composed by Ethel Barns. Arranged by Music for a While. 20th Century,Romantic Period. 4 pages. Music for a While #4798623. Published by Music for a While (A0.914164).

Choir - Digital Download

SKU: A0.1059474

Composed by Maurice Ravel. Arranged by David Warin Solomons. 20th Century,Romantic Period. Full Performance. Duration 99. David Warin Solomons #3387809. Published by David Warin Solomons (A0.1059474).

Sung by the dwsChorale
Les vieilles:                           [English translation below]
N'allez pas au bois d'Ormonde, 
Jeunes filles, n'allez pas au bois: 
Il y a plein de satyres, de centaures, de malins sorciers, 
Des farfadets et des incubes, 
Des ogres, des lutins, 
Des faunes, des follets, des lamies, 
Diables, diablots, diablotins, 
Des chèvre-pieds, des gnomes, des démons, 
Des loups-garous, des elfes, des myrmidons, 
Des enchanteurs et des mages, 
Des stryges, des sylphes, des moines-bourrus, 
Des cyclopes, des djinns, gobelins, 
Korrigans, nécromans, kobolds... 

Les vieux : 
N'allez pas au bois d'Ormonde, 
Jeunes garçons, n'allez pas au bois: 
Il y a plein de faunesses, de bacchantes et de males fées, 
Des satyresses, des ogresses et des babaïagas, 
Des centauresses et des diablesses, 
Goules sortant du sabbat, 
Des farfadettes et des démones, 
Des larves, des nymphes, des myrmidones, 
Hamadryades, dryades, naïades, ménades, thyades, 
Follettes, lémures, gnomides, succubes, gorgones, gobelines... 
N'allez pas au bois d'Ormonde. 

Filles et garçons : 
N'irons plus au bois d'Ormonde, 
Hélas! plus jamais n'irons au bois. 
Il n'y a plus de satyres, plus de nymphes ni de males fées. 
Plus de farfadets, plus d'incubes, 
Plus d'ogres, de lutins, 
De faunes, de follets, de lamies, 
Diables, diablots, diablotins, 
De chèvre-pieds, de gnomes, de démons, 
De loups-garous, ni d'elfes, de myrmidons, 
Plus d'enchanteurs ni de mages, de stryges, de sylphes, 
De moines-bourrus, de cyclopes, de djinns, 
De diabloteaux, d'éfrits, d'aegypans, de sylvains, gobelins, 
Korrigans, nécromans, kobolds... 
N'allez pas au bois d'Ormonde, 
Les malavisées vieilles, les malavisés vieux 
Les ont effarouchés! 


[English Translation] 

Old women : 
Don't go to Ormond wood, 
Maidens beware, go not to the woods: 
They are full of grim satyrs, and of centaurs, of cunning wizards, 
Of hobgoblins and of incubus, 
Imps and ogres hide there, 
Will o'the wisps and fauns, roguish lamia, 
Flying devils, devilkins, 
Goat-footed folk and gnomes and demons, 
Full of werewolves, elves, tiny myrmidons, 
Of enchanters and of magicians, 
Strygia and sylphs, full of humpback monks, 
Of cyclops and of djinns, goblins, 
Korrigans, necromancers, kobolds... 

Old men : 
Don't go to Ormond wood, 
Young lads beware, go not to the woods: 
They are hiding host of fauns, and of bacchantes and of fairy folks, 
Of satyresses and ogresses, and of babaïagas, 
Of centauresses and of shedevils, 
Witches out from their sabbath, 
Of she-hobgoblins, of female demons, 
Of larves and of nymphs, tiny myrmidons, 
Of Hamadryads, and dryads, of naiads, menades, thyades, 
Will o'wisps, of lemures, female gnomes, succubus, of gorgons and she-goblins... 
Don't go to Ormond wood. 

Maidens and Young lads : 
We shall not go to the wood again, 
Alas, never more shall we go there. 
There are no more grim satyrs, 
And no more nymphs, fairy folk have fled. 
Gone the hobgoblins and incubus, 
Or ogres, no more imps, 
Fauns or will o' the wisps, 
No more furies, flying devil, devilkins, goat-footed folks, 
No more gnomes or demons, 
No more werewolves, elves, imps and myrmidons, 
No enchanters, or magicians, or strygia, 
No more sylphs or humpba.

N'allez pas au bois d'Ormonde (mp3)

$2.20 2.09 € PDF SheetMusicPlus


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