EUROPE
13 articles
USA
7 articles
DIGITAL
23 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
23 partitions trouvées


Lauro : El Marabino (niveau intermédiaire, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare El Marabino (niveau intermédiaire, guitar…
4.99 € Guitare PDF Tomplay

Lauro : El Marabino (niveau facile/intermédiaire, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare El Marabino (niveau facile/intermédiaire,…
4.99 € Guitare PDF Tomplay

Lauro : El Marabino (niveau facile, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare El Marabino (niveau facile, guitare seule…
4.99 € Guitare PDF Tomplay

Lauro : El Marabino - Version originale (niveau difficile, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare El Marabino - Version originale (niveau d…
3.99 € Guitare PDF Tomplay

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1049003 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Individual part. 16 pages. DoReMi Edition #653396. Published by DoReMi Edition (A0.1049003). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
CHINESE RHAPSODY No.3 For Saxophone with different ensembles, Op.46(1988) [solo part]
Saxophone Alto

$7.99 6.92 € Saxophone Alto PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.1049001 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 32 pages. DoReMi Edition #653394. Published by DoReMi Edition (A0.1049001). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
CHINESE RHAPSODY No.3 For Saxophone with String Orchestra, Op.46(1988) (SCORE) - Score Only
Orchestre à Cordes

$19.99 17.31 € Orchestre à Cordes PDF SheetMusicPlus

SATB chorus divisi - Digital Download SKU: BJ.1231 Composed by Enrico Miaroma. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1231. Published by Bo Ejeby Forlag - Digital (BJ.1231). 8.27 x 11.7 inches.Contents:My song FarewellTwo compositions to lyrics by Indian Nobel Laureate Rabindranath Tagore: My Song and Farewell. Enrico Miaroma, Italian composer and choral conductor, writes about the pieces: Farewell was composed in 2011 for a youth choir of 45 young adults, working and having fun together in Arco (Trentino), for one marvellous week together with Gary Graden and myself. My aim was to compose a piece that young choristers would appreciate after intense and joyful days together. Through my music I wanted to share the range of emotions and the hardship of parting when they were to go home to their native countries again. The choice of such a beautiful and evocative text helped me a great deal to achieve this. Farewell is recorded by S:t Jacobs Chamber Choir and Gary Graden on the cd To the Field of Stars (Footprint Records FRCD 083). My Song is like a little brother to Farewell. From the very beginning, I had a strong feeling that the assonance between the words of the title, 'my song', and 'my son', was intended by the poet. Throughout the composing process, this kept coming back to me, bringing my little son, Giovanni, who is four years old, to mind. I would like My song to be a gift from a father to his son, for his future life: 'This song of mine, my child, will wind its music around you'.John Quinn, MusicWeb International on Enrico Miaroma and Farewell: The choral writing is rich and he harnesses the emotions in the text most effectively. It's an eloquent piece, very well written for voices and it conveys well, I think, some of the emotions of valediction, including dignity..
Two Tagore Songs
Chorale SATB

$4.80 4.16 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1049004 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 61 pages. DoReMi Edition #653398. Published by DoReMi Edition (A0.1049004). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
CHINESE RHAPSODY No.3 For Saxophone and Full Orchestra, Op.46(1988) [score】 - Score Only
Orchestre

$19.99 17.31 € Orchestre PDF SheetMusicPlus

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073229 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 33 pages. DoReMi Edition #677492. Published by DoReMi Edition (A0.1073229). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
CHINESE RHAPSODY No.3 For Saxophone & Wind Orchestra (without Arpa) , Op.46 [Score] - Score Only

$19.99 17.31 € PDF SheetMusicPlus

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073231 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 33 pages. DoReMi Edition #677495. Published by DoReMi Edition (A0.1073231). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
CHINESE RHAPSODY No.3 For Saxophone and Wind Orchestra (with Arpa) Op.46(1988) [Score] - Score Only

$19.99 17.31 € PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale